Careers in Music Production and Engineering
Below are some of the many careers a music production and engineering major can pursue.
Visit Berklee's Career Communities site to explore more roles by community, industry, program, or location.
Acoustical consultants use the scientific understanding of how sound moves through space to help design and modify rooms, buildings, performance spaces, studios, and more to meet their clients' needs.
ADR Engineer, ADR Mixer
Automated dialogue replacement (ADR) recordists are recording engineers working in and around the film industry who specialize in re-recording dialogue in a studio setting, as well as recording the voiceover for animated films and television shows, documentaries, and video games.
Assistant Recording Engineer, Second Engineer, Tape Op
The assistant engineer supports the lead recording engineer in all studio-related activities, from answering phones and coiling cables to tweaking outboard gear and prepping rough mixes.
Lead Audio Developer, Lead Sound Designer, Audio Lead
The audio director plans, supervises, and assists in the creation and implementation of all game audio.
Technical Sound Designer, Audio Implementer
An audio programmer is a coder and sound engineer who implements audio assets into a video game engine or similar interactive media project.
Chief Engineer (Higher Level), Assistant B.E. (Lower Level)
Broadcast engineers are responsible for the strength, clarity, and overall quality of sounds and images broadcast on radio and television, and—increasingly—sound and image transmitted via satellite, cable, and the internet.
Dialogue editors handle the production, direction, and editing of dialogue for a film, television show, or video game project. In the video game industry, they often record dialogue directly with voice actors.
Club DJ, Deejay, Producer
DJs are skilled musical manipulators who use great ears, the latest software, and a spot-on feel for musical tastes and trends to build rousing dance sets for live audiences and create altered versions of tracks by other artists.
Field recordists capture sounds outside the controlled environment of a recording studio, to be used in sound effect libraries, plays, video games, films, and television.
Live Audio Engineer, Front of House (FOH) Engineer, Monitor Mix Engineer
Live sound mix engineers are responsible for controlling the volume, balance, and EQ of a live performance from a mixing console.
Sound Reinforcement Engineer, Concert Audio Tech
Live sound systems engineers are responsible for installing, optimizing, maintaining, and breaking down the sound systems used in live performances.
Mastering engineers use technical expertise and superb ears to make the final adjustments to a piece of recorded music before it's released, heightening its impact and ensuring that it will translate well to the variety of playback systems in use today.
Mix Engineer, Mixer
The mixing engineer is responsible for combining all of the different sonic elements of a recorded piece of music into a final version and balancing the distinct parts to achieve a desired effect.
Location Sound Mixer, Location/Production Sound Recordist, Location/Production Sound Engineer
The production sound mixer is the leader of the production sound crew, responsible for recording high-quality audio on set and location for film and television productions.
DJ, Disc Jockey, Radio Host, Radio Announcer
Radio DJs play music, interact with listeners, interview artists, discuss current events, and more on broadcast, satellite, and internet radio stations.
Mixer, Sound Mixer, Soundtrack Mixer
Re-recording mixers are postproduction audio engineers who balance background noise, dialogue, music, and sound effects to create the final audio track for a movie, television show, or advertisement.
Music Producer, Producer
Record producers oversee and direct recording projects for musical artists. Although their roles vary by project, producers commonly help artists choose material and adapt arrangements, coach them in the studio, select and hire side musicians, work with the recording engineer, and weigh in on decisions about mixes.
Audio Engineer, Studio Engineer
The recording engineer oversees many technical and aesthetic aspects of a recording session and is responsible for the overall sound of all recorded tracks, ensuring that the mixing engineer has good material to work with and that the final product satisfies the artists and producers.
Audio Developer, Audio Designer, Sound Developer, Video Game Audio Engineer, Sound Effect Designer
Sound designers collect, edit, and create sound effects, ambient effects, and even music for video games, applications, or any other form of interactive media.
Theatrical sound designers are responsible for everything an audience hears during a theatrical production, from sound effects to the actors' voices.
Drawing on a deep knowledge base that spans acoustics, aesthetics, architecture, and the recording process, studio designers design and build recording studios.
Staff Maintenance Engineer, Audio Maintenance Engineer
Whether working steadily while the studio sleeps or making quick repairs in a moment of crisis, studio maintenance engineers keep recording studios' electronics, instruments, and other hardware in good condition.
Studio managers oversee the daily operations at a recording studio. Their duties run the gamut from studio and gear maintenance to business operations and customer relations.
Studio owners create or purchase a recording studio, hire the core staff, secure initial clients, and oversee the studio's growth.
Sound Editor, Sound Designer
Supervising sound editors are responsible for the finished sound in movies and television shows. The process involves selecting, polishing, and assembling three primary elements—recorded dialogue, sound effects, and music—into a complete, integrated soundtrack.
Technology trainers and specialists work with colleagues and clients to help them become proficient using music or sound technology products, and demonstrate the capabilities of these products at industry events.
Sound Assistant, Cable Person, Sound Maintenance, Cable Wrangler, A2
A versatile member of any film or TV production audio team, the utility sound technician supports the production sound mixer and boom operators by setting up and maintaining audio hardware, keeping the set quiet for capture, and helping resolve any audio problems that might arise.