Integrated Course Offerings for Berklee College of Music and Boston Conservatory at Berklee
2019 Spring Integrated Course Offerings
There are several ways for students at Berklee College of Music and Boston Conservatory at Berklee to take advantage of curricula at each institution.
Chairs and academic administrators, please review this page to find required forms and additional information.
Berklee College of Music Students
- Dual-Listed Courses: Students should register for these courses through their normal registration process on MyBerklee (login required).
- Cross-Registered Courses: Students need permission from the course chair to register for these courses. Chair contact information is included in the list below for these courses.
- Boston Conservatory at Berklee Ensembles: Students should call, email, or visit the administrative coordinator in the Music Division office, 617-912-9124, 8 Fenway, second floor.
- Dance Courses: Students should register for these courses through their normal registration process on MyBerklee.
- Berklee Stage Management Minor: Students interested in this minor should email Patsy Collin Bandes.
- Berklee Contemporary Musical Theater Performance Minor: Students interested in this minor should contact the Performance Division at 617-747-2025 or 1140 Boylston Street, fifth floor.
- Berklee Dance Minor: Students interested in this minor should email Tommy Neblett.
Boston Conservatory at Berklee Students
- All integrated course offerings are available to undergraduate and graduate students at the Conservatory.
- Dual-Listed Courses: Students should register for these courses through their normal registration process through self-service.
- Cross-Registered Courses: Students need permission from the course chair to register for these courses. Chair contact information is included in the list below for these courses.
- Berklee Half-Hour Secondary Instrument Instruction: Students need chair permission to register for half-hour private instruction. See instructions below.
- Berklee Ensembles: Students need chair permission to register for Berklee College of Music ensembles. See instructions below.
- Graduate Classes: Conservatory graduate students in any Master of Music (M.M.) program can take specific graduate electives at the College.
Conservatory Courses for Berklee College of Music Students
Note: Students register for dual-listed courses through the normal registration process through MyBerklee (login required). Look for the course number when you register. Students must select "Campus" as "Boston Conservatory" to see dual-listed courses in the registration system.
| COLLEGE COURSE AND SECTION NUMBER | COURSE TITLE (CREDITS) |
|---|---|
| SMGT-252-001 | Lighting Seminar 2 |
| SMGT-151-001 | Calling the Show (2 credits) |
| LVIS-223-005 | Global Cinema Perspectives (3 credits) |
| LVIS-223-003 | Occupy the Museum (3 credits) |
| LVIS-223-004 | Occupy the Museum (3 credits) |
| LVIS-223-006 | The Cave (3 credits) |
| LHUM-223-004 | Crossing Cultures: Greece and Japan (3 credits) |
Students should contact the chair listed to register for these courses. Prerequisites are listed where applicable.
| CONSERVATORY COURSE AND SECTION NUMBER | COURSE TITLE (CREDITS) | TIMES | LOCATION | CHAIR |
|---|---|---|
| D-ST 1502-01 | Floor Barre 1 (1 credit) |
Mon., Wed. 1:00 p.m.-2:00 p.m. | 31 Hemenway T201 | Mila Thigpen |
| D-ST 1503-01 | Gyrokinesis (1 credit) | Tues., Thurs. 10:00 a.m.–10:45 a.m. | 31 Hemenway T007 | Mila Thigpen |
| M-EN 0089-01 | Contemporary Music Ensemble (1 credit) |
Fri. 9:00 a.m.–10:50 a.m. | 132 Ipswich 106 | Sarah Brady |
| M-EN 0390-01 | Composers' Performance Ensemble (1 credit) | Mon., Wed. 1:00 p.m.–1:50 p.m. | 8 Fenway 007 | Jonathan Bailey Holland |
| M-EN 0399-01 | Improvisation Workshop (1 credit) | Tues. 4:00 p.m.–5:20 p.m. | 132 Ipswich 106 | Jonathan Bailey Holland |
| M-EN 0399-02 | Improvisation Workshop (1 credit) | Tues. 5:30 p.m.–6:50 p.m. | 132 Ipswich 106 | Jonathan Bailey Holland |
| M-EN 0399-03 | Improvisation Workshop (1 credit) | Thurs. 4:00 p.m.–5:20 p.m. | 132 Ipswich 106 | Jonathan Bailey Holland |
| M-EN 0399-04 | Improvisation Workshop (1 credit) | Thurs. 5:30 p.m.–6:50 p.m. | 132 Ipswich 106 | Jonathan Bailey Holland |
| M-EN 0709-01 | Choral Ensemble (1 credit) Prerequisites: audition | Mon., Wed. 1:45 p.m.–3:15 p.m. | 8 Fenway SH | George Case |
| M-EN 0709-02 |
Choral Ensemble: Women's Chorus (1 credit) Prerequisites: audition |
Mon., Wed. 12:05 p.m.–1:35 p.m. | 8 Fenway SH | George Case |
| M-LT 0712-01 | Song Repertoire: German (1 credit) | Thurs. 10:00 a.m.–11:50 a.m. | 8 Fenway 403 | Patty Thom |
| M-LT 0714-01 | Song Repertoire: English and American (1 credit) | Thurs. 10:00 a.m.–11:50 a.m. | 8 Fenway HH | Patty Thom |
| M-LT 0734-01 | Choral Repertoire 4: 20th and 21st Century (1 credit) | Thurs. 2:00 p.m.–3:50 p.m. | 8 Fenway 304 | George Case |
| M-LT 1102-01 | Music History 2: Baroque to Classical (3 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 31 Hemenway T401 Thurs. 8:00 a.m.–8:50 a.m. | 8 Fenway 007 | Jonathan Bailey Holland |
| M-LT 1102-02 | Music History 2: Baroque to Classical (3 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 31 Hemenway T401 Fri. 9:00 a.m.–9:50 a.m. | 31 Hemenway T203 | Jonathan Bailey Holland |
| M-LT 1102-03 | Music History 2: Baroque to Classical (3 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 31 Hemenway T401 Fri. 9:00 a.m.–9:50 a.m. | 8 Fenway 303 | Jonathan Bailey Holland |
| M-LT 1102-04 | Music History 2: Baroque to Classical (3 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. |8 Fenway HH Thurs. 8:00 a.m.–8:50 a.m. | 31 Hemenway T406 | Jonathan Bailey Holland |
| M-LT 1102-05 | Music History 2: Baroque to Classical (3 credits) |
Mon. 8:00 a.m.–8:50 a.m. | 8 Fenway 503 Tues., Thurs. 8:00 a.m.–8:50 a.m. | 8 Fenway HH | Jonathan Bailey Holland |
| M-LT 1102-06 | Music History 2: Baroque to Classical (3 credits) |
Tues., Thurs 8:00 a.m.–8:50 a.m. | 8 Fenway SH Thurs. 11:00 a.m.–11:50 a.m. | 8 Fenway 303 | Jonathan Bailey Holland |
| M-LT 1102-07 | Music History 2: Baroque to Classical (3 credits) |
Tues., Thurs. 8:00 a.m.–8:50 a.m. | 8 Fenway SH Fri. 9:00 a.m.–9:50 a.m. | 132 Ipswich 311 | Jonathan Bailey Holland |
| M-LT 1102-08 | Music History 2: Baroque to Classical (3 credits) |
Tues., Thurs. 8:00 a.m.–8:50 a.m. | 8 Fenway SH Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway 303 | Jonathan Bailey Holland |
| M-LT 1102-09 | Music History 2: Baroque to Classical (3 credits) |
Tues., Thurs. 8:00 a.m.–8:50 a.m. | 8 The Fenway SH Wed. 12:00 p.m.–12:50 p.m. | 8 Fenway 007 | Jonathan Bailey Holland |
| M-LT 2102-01 | Music History 4: Modern (3 credits) |
Tues., Thur. 9:00 a.m.–9:50 a.m. | 8 Fenway HH Wed. 9:00 a.m.–9:50 a.m. | 8 Fenway 007 | Jonathan Bailey Holland |
| M-LT 2102-02 | Music History 4: Modern (3 credits) |
Mon. 9:00 a.m.–9:50 a.m. | 8 Fenway 007 Tues., Thur. 9:00 a.m.–9:50 a.m. | 8 Fenway HH | Jonathan Bailey Holland |
| M-LT 2102-03 | Music History 4: Modern (3 credits) |
Tues., Thur. 9:00 a.m.–9:50 a.m. | 8 Fenway HH Thurs. 11:00 a.m.–11:50 a.m. | 8 Fenway 007 | Jonathan Bailey Holland |
| M-LT 2102-04 | Music History 4: Modern (3 credits) |
Tues., Thur. 9:00 a.m.–9:50 a.m. | 8 Fenway HH Fri. 10:00 a.m.–10:50 a.m. | 8 Fenway 406 | Jonathan Bailey Holland |
| M-LT 3702-01 | German Fluency for Singers 2 (3 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 31 Hemenway 203 Thurs. 1:00 p.m.–1:50 p.m. | 8 Fenway 304| Jonathan Bailey Holland |
| M-LT 3702-02 | German Fluency for Singers 2 (3 credits) |
Mon. 2:00 p.m.–2:50 p.m. | 8 Fenway 304 Wed. 2:00 p.m.–2:50 p.m. | 31 Hemenway T201 Fri. 2:00 p.m.–2:50 p.m. | 161 Massachusetts Ave. 442| Jonathan Bailey Holland |
| M-LT 4702-01 | French Fluency for Singers 2 (3 credits) |
Tues., Thurs., Fri. 8:00 a.m.–8:50 a.m. | 1140 Boylston 4D.2| Jonathan Bailey Holland |
| M-LT 4702-02 | French Fluency for Singers 2 (3 credits) | Tues., Thurs., Fri. 9:00 a.m.–9:50 a.m. | 1140 Boylston 4D.2| Jonathan Bailey Holland |
| M-LT 71119-01 | Russian Symphonic Tradition (2 credits) | Mon. 11:00 a.m.–12:50 p.m. | 132 Ipswich 311 | Jonathan Bailey Holland |
| M-LT 71123-01 | Mozart (2 credits) | Mon. 11:00 a.m.–12:50 p.m. | 8 Fenway 304 | Jonathan Bailey Holland |
| M-LT 71127-01 | Canon (2 credits) | Wed. 11:00 a.m.–12:50 p.m. | 8 Fenway 402| Jonathan Bailey Holland |
| M-LT 71131-01 | Mozart through Opera (2 credits) | Thurs. 11:00 a.m.–12:50 p.m. | 161 Massachusetts Ave. 442| Jonathan Bailey Holland |
| M-LT 71134-01 | Tonality after 1900 (2 credits) | Tues. 11:00 a.m.–12:50 p.m. | 8 Fenway 304| Jonathan Bailey Holland |
| M-LT 71145-01 | Tuning and Western Temperament II (2 credits) | Mon. 11:00 a.m.–12:50 p.m. | 8 Fenway 402| Jonathan Bailey Holland |
| M-LT 71146-01 | Mahler: Music, Life, and Times (2 credits) | Mon. 11:00 a.m.–12:50 p.m. | 1140 Boylston 4D.2| Jonathan Bailey Holland |
| M-LT 71158-01 | Applied Acoustics (2 credits) | Tues. 11:00 a.m.–12:50 p.m. | 8 Fenway 303| Jonathan Bailey Holland |
| M-PD 0712-01 | Pedagogy 2: Voice (1 credit) | Wed. 4:00 p.m.–4:50 p.m. | 8 Fenway 406 | Patty Thom |
| M-SK 0392-01 | Electronic Music 2 (2 credits) | Thurs. 6:00 p.m.–7:50 p.m. | 8 Fenway 503| Jonathan Bailey Holland |
| M-SK 0712-01 | Diction: German (1 credit) | Tues. 10:00 a.m.–11:50 a.m. | 8 Fenway HH | Patty Thom |
| M-SK 0714-01 | Diction: English and American (1 credit) | Wed. 10:00 a.m.–11:50 a.m. | 8 Fenway HH | Patty Thom |
| M-SK 1102-01 | Harmony and Counterpoint 2 (2 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 8 Fenway 304 Fri. 10:00 a.m.–10:50 a.m. | 8 Fenway 503 | Jonathan Bailey Holland |
| M-SK 1102-02 | Harmony and Counterpoint 2 (2 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 161 Massachusetts Ave. 442 Fri. 10:00 a.m.–10:50 a.m. |1140 Boylston 4D.2 | Jonathan Bailey Holland |
| M-SK 1102-03 | Harmony and Counterpoint 2 (2 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 8 Fenway 402 Fri. 10:00 a.m.–10:50 a.m. | 8 Fenway 402 | Jonathan Bailey Holland |
| M-SK 1102-04 | Harmony and Counterpoint 2 (2 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 8 Fenway 403 Fri. 10:00 a.m.–10:50 a.m. | 31 Hemenway T406 | Jonathan Bailey Holland |
| M-SK 1102-05 | Harmony and Counterpoint 2 (2 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 8 Fenway 406 Fri. 10:00 a.m.–10:50 a.m. | 8 Fenway 303 | Jonathan Bailey Holland |
| M-SK 1106-01 | Time and Rhythm 2 (1 credit) | Tues. 4:00 p.m.–5:20 p.m. | 161 Massachusetts Ave. 442 | Jonathan Bailey Holland |
| M-SK 1106-02 | Time and Rhythm 2 (1 credit) | Tues. 5:30 p.m.–6:50 p.m. | 161 Massachusetts Ave. 442 | Jonathan Bailey Holland |
| M-SK 1106-03 | Time and Rhythm 2 (1 credit) | Thurs. 4:00 p.m.–5:20 p.m. | 161 Massachusetts Ave. 442 | Jonathan Bailey Holland |
| M-SK 1106-04 | Time and Rhythm 2 (1 credit) | Thurs. 5:30 p.m.–6:50 p.m. | 161 Massachusetts Ave. 442 | Jonathan Bailey Holland |
| M-SK 1106-05 | Time and Rhythm 2 (1 credit) | Wed. 4:00 p.m.–5:20 p.m. | 161 Massachusetts Ave. 442 | Jonathan Bailey Holland |
| M-SK 1712-01 | Survey of Diction 2 (1 credit) | Tues., Thurs. 10:00 a.m.–10:50 a.m. | 31 Hemenway T406 | Patty Thom |
| M-SK 1712-02 | Survey of Diction 2 (1 credit) | Tues., Thurs. 11:00 a.m.–11:50 a.m. | 31 Hemenway T406 | Patty Thom |
| M-SK 2102-01 | Harmony and Counterpoint 4 (2 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway 007 Fri. 9:00 a.m- 9:50 a.m. | 8 Fenway 304| Jonathan Bailey Holland |
| M-SK 2102-02 | Harmony and Counterpoint 4 (2 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway 403 Fri. 9:00 a.m- 9:50 a.m. | 8 Fenway 403| Jonathan Bailey Holland |
| M-SK 2102-03 | Harmony and Counterpoint 4 (2 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway 402 Fri. 9:00 a.m- 9:50 a.m. | 8 Fenway 402| Jonathan Bailey Holland |
| M-SK 2102-04 | Harmony and Counterpoint 4 (2 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway 303 Fri. 9:00 a.m- 9:50 a.m. | 8 Fenway 503| Jonathan Bailey Holland |
| M-SK 2102-05 | Harmony and Counterpoint 4 (2 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway 406 Fri. 9:00 a.m- 9:50 a.m. | 8 Fenway 406| Jonathan Bailey Holland |
| M-SK 2102-06 | Harmony and Counterpoint 4 (2 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway 406 Fri. 9:00 a.m- 9:50 a.m. | 31 Hemenway T406| Jonathan Bailey Holland |
| M-SK 2104-01 | Ear Training 4 (2 credits) |
Mon., Wed. 10:00 a.m.–10:50 a.m. | 8 Fenway 007 Fri. 8:30 a.m- 8:55 a.m. | 8 Fenway SH| Jonathan Bailey Holland |
| M-SK 2104-02 | Ear Training 4 (2 credits) |
Mon., Wed. 10:00 a.m.–10:50 a.m. | 8 Fenway 304 Fri. 8:30 a.m- 8:55 a.m. | 8 Fenway SH| Jonathan Bailey Holland |
| M-SK 2104-03 | Ear Training 4 (2 credits) |
Tues., Thurs. 8:00 a.m.–8:50 a.m. | 8 Fenway 402 Fri. 8:30 a.m- 8:55 a.m. | 8 Fenway SH| Jonathan Bailey Holland |
| M-SK 2104-04 | Ear Training 4 (2 credits) |
Tues., Thurs. 8:00 a.m.–8:50 a.m. | 8 Fenway 303 Fri. 8:30 a.m- 8:55 a.m. | 8 Fenway SH| Jonathan Bailey Holland |
| M-SK 2104-05 | Ear Training 4 (2 credits) |
Tues., Thurs. 10:00 a.m.–10:50 a.m. | 8 Fenway 304 Fri. 8:30 a.m- 8:55 a.m. | 8 Fenway SH| Jonathan Bailey Holland |
| M-SK 2104-06 | Ear Training 4 (2 credits) |
Tues., Thurs. 10:00 a.m.–10:50 a.m. | 161 Mass Ave 442 Fri. 8:30 a.m- 8:55 a.m. | 8 Fenway SH| Jonathan Bailey Holland |
| M-SK 2104-07 | Ear Training 4 (2 credits) |
Tues., Thurs. 10:00 a.m.–10:50 a.m. | 8 Fenway 304 Fri. 8:30 a.m- 8:55 a.m. | 8 Fenway SH| Jonathan Bailey Holland |
| M-SK 71910-01 | Atonal Ear Training (2 credit) | Wed. 11:00 a.m.–12:50 p.m. | 161 Massachusetts Ave. 440 | Patty Thom |
| T-LT 1303-01 | History of Musical Theater (3 credits) |
Wed. 11:30 a.m.- 12:50 p.m. | 31 Hemenway T401 Fri. 11:30 a.m.- 12:50 p.m. | 8 Fenway 402| Patsy Collin Bandes |
| T-LT 1303-02 | History of Musical Theater (3 credits) |
Tues. 11:00 a.m.- 12:20 p.m. | TBD Thurs. 11:00 a.m.- 12:20 p.m. | 1140 Boylston 4D.2| Patsy Collin Bandes |
| T-LT 2902-01 | Theater History 2 (2 credits) |
Mon., Thurs. 9:00 a.m.–10:20 a.m. | 161 Massachusetts Ave. 440 | Patsy Collin Bandes |
| T-LT 2902-02 | Theater History 2 (2 credits) | Mon., Thurs. 11:00 a.m.–12:20 p.m. | 161 Massachusetts Ave. 440 | Patsy Collin Bandes |
| T-LT 2902-03 | Theater History 2 (2 credits) | Tues., Fri. 9:00 a.m.–10:20 a.m. | 161 Massachusetts Ave. 440 | Patsy Collin Bandes |
| T-LT 2902-04 | Theater History 2 (2 credits) | Tues., Fri. 11:00 a.m.–12:20 p.m. | 161 Massachusetts Ave. 440 | Patsy Collin Bandes |
| T-LT 79911-01 | Drag Performance and Queer Embodiments (3 credits) |
Mon. 5:30 p.m.-6:50 p.m. | 161 Massachusetts Ave. 442 Thurs. 5:30 p.m.-6:50 p.m. | 8 Fenway 007| Patsy Collin Bandes |
| T-LT 79912-01 | Topics in Dramatic Literature (3 credits) | Mon., Thurs. 4:00 p.m.-5:20 p.m. | 8 Fenway 001| Patsy Collin Bandes |
| T-LT 79912-01 | Immersive and Experiential Theater (3 credits) | Tues., Fri. 2:30 p.m.-3:50 p.m. | 8 Fenway 403| Patsy Collin Bandes |
Students who wish to participate in performance opportunities at the Conservatory must complete an ensembles audition. Requirements for eligibility and registration, as well as audition repertoire for each department, are listed below:
Large ensemble eligibility/registration requirements for instrumentalists:
- Students with a rating of 3 or higher who have completed two semesters at the College or another institution are eligible to audition for ensembles at the Conservatory.
- Students must be available for all designated class times (Monday–Friday, 1:30 p.m.–3:30 p.m.) and occasional evening rehearsals and performances.
- Once accepted into our ensembles, students must register for the Instrumental Ensembles course (BCEN-110-001). It is not possible to play ad hoc in our performing groups, except in very specific cases.
- Students interested in participating in the Contemporary Music ensembles must also be prepared to sight-read during their audition, as well as be available on Mondays, Wednesdays, and Fridays from 1:30 p.m. until 3:00 p.m. and Fridays from 9:00 a.m. until 11:00 a.m.
Chamber music eligibility/registration requirements for instrumentalists:
- Students with a rating of 3 or higher who have completed two semesters at the College or another institution are eligible to audition for chamber music ensembles at the Conservatory.
- Students must be available for all designated class times (Friday, 11:00 a.m.–12:50 p.m.) and other additional coaching and rehearsal times to be determined with the ensemble coach.
- Once accepted into our ensembles, students must register for the Chamber Music course (BCEN-112-001). It is not possible to play ad hoc in our performing groups. For more information about chamber music at the Conservatory, contact program coordinator Judith Eissenberg.
Chorus eligibility/registration requirements for vocalists:
- All College students are eligible to audition for vocal ensembles at the Conservatory.
- Once accepted into our ensembles, students must register for the applicable vocal ensemble course and be available for all designated class times and occasional evening rehearsals and performances. It is not possible to sing ad hoc in our performing groups.
- BCEN-118-001: Chorale. Meets Monday and Wednesday, 1:45 p.m.–3:15 p.m.
- BCEN-118-002: Women's Chorus. Meets Monday and Wednesday, 12:05 p.m.–1:35 p.m.
Auditions should be scheduled with the appropriate instrumental chairperson (listed below):
For more information, contact the Ensembles Office.
Contact the faculty chair directly to schedule an audition time.
Brass Department: Larry Isaacson, chair
- Required repertoire:
- One etude from any standard collection (Arban, Kopprasch, Pottag, Rochut, Gower/Voxman, etc.)
- Two movements of contrasting nature and tempi from a sonata or concerto
- All major scales and arpeggios
- Sight-reading
Choruses: George Case, director of choral activities
- Required repertoire:
- One solo art song or aria (any language)
- Sight-singing with piano accompaniment
- No operatic arias
- Note: an accompanist will be provided.
Harp Department: Ina Zdorovetchi, chair
- Required repertoire:
- One of the following etudes:
- Boscha: Fifty Studies, Op. 34, Book II (Hasselmans edition), No. 39 (E-flat major)
- Pozzoli: Studies of Moderate Difficulty, No. 5
- Two pieces chosen from the following, or two compositions of a similar or higher degree of difficulty:
- Grandjany: Fantasie on a Theme by Hayden
- Salzedo: Whirlwind
- Dussek: Sonata in C minor (any edition)
- Pescetti: Sonata in C minor (any edition)
- Tournier: Feerie
- Tournier: Vers la source dans le bois
- Handel: Passacaglia from Suite No. 7 (any edition)
- Two orchestral excerpts chosen from the following:
- Tchaikovsky: Nutcracker, Waltz of the Flowers cadenza
- Tchaikovsky: Swan Lake cadenza
- Rimsky-Korsakov: Capriccio Español
- Britten: Young Person’s Guide to the Orchestra cadenza and/or fugue
- One of the following etudes:
Percussion Department: Nancy Zeltsman, chair
- Required repertoire:
- Snare drum
- Concert etude of your choice
- Suggested composers: Délécluse, Cirone, Aleo, Peters
- Rudimental solo
- Suggested composers: Pratt, Tompkins, Wilcoxon
- Snare drum
- Mallets:
- Two-mallet solo
- Suggested composers: Bach (preferably from Sonatas and Partitas for Unaccompanied Violin or Suites for Unaccompanied Cello), Kreisler, Abe, Green, or selections from the MassChap 2010 Xylophone Collection
- Four-mallet solo
- See this link for suggested works.
- Two-mallet solo
Piano Department: Max Levinson, chair
- Required repertoire, all from memory:
- A prelude and fugue from the Well-Tempered Clavier or another work by Bach that includes a fugue
- A complete sonata by Haydn, Mozart, Beethoven, or Schubert
- A major work for solo piano from the Romantic era (including Rachmaninoff)
- A solo piano piece from the 20th or 21st century
- One virtuosic etude, such as those by Chopin, Liszt, Debussy, Rachmaninoff, Scriabin, or Legeti
String Department: Rhonda Rider, chair
- Required repertoire:
- One etude or short technical work that best demonstrates your ability to freely shift around the instrument with good control of bowing articulation
- Two unaccompanied movements by Bach (bass players may substitute with another work of their choice)
- A complete first or last movement from the standard concerto repertoire
- A scale of your choice (major or minor) in three to four octaves, performed with a minimum of four slurred notes per bow, plus the corresponding arpeggios (the arpeggio cycle of Flesch or Galamain is preferred and should be performed three slurred notes to a bow)
Woodwinds Department: Michael Norsworthy, chair
- Required repertoire:
- One etude from any standard collection (Anderson, Voxman, Weissenborn, Klose, Rose, Milde, Kopprasch, etc.)
- Two movements of a contrasting nature from a sonata or concerto
Register for these courses through the normal college registration process.
| COURSE NUMBER | COURSE TITLE (credits) | PREREQUISITES |
|---|---|---|
| DANA-111 | African Dance (1 credit) | none |
| DANB-111 | Ballet (1 credit) | none |
| DANE-111 | Dance from the Jazz Era | none |
| DANH-111 | Beginning Hip-Hop Dance (1 credit) | none |
| DANH-211 | Intermediate Hip-Hop Dance (1 credit) | DANH-P111 or comparable experience |
| DANJ-111 | Jazzdance Techniques (1 credit) | none |
| DANT-111 | Beginning Tap Dance (1 credit) | none |
| DANT-211 | Intermediate Tap (1.5 credits) | none |
| DANU-111 | Upside Down (1 credit) | none |
The minor in stage management puts students at the intersection of the artistic, the technical, and the managerial. Skills and understanding in all three areas make stage managers essential to every kind of performance, live and recorded, whether music, theater, dance, performance art, or opera. As the liaison between artists, directors, designers, technicians, and producers, stage managers are a critical link in the successful operation of any production.
The minor in stage management will address the principles of stage management, running and calling a show, lighting techniques, production management, and ways of approaching negotiation. Students will learn from professionals in all areas of performance. The minor also includes an internship through which students will be able to capitalize on their contacts and make further contacts to strengthen their careers. Contacts and internships should help lead to a full range of professional options upon graduation.
View program details, entrance requirements, and required courses.
The contemporary musical theater performance minor focuses on molding a total musical theater performer. It engages in a multidisciplinary exploration of this uniquely American art form, with an emphasis on the meeting place between classic musical theater and the rock musical. The course work includes musical preparation, character development, movement, composition, and ensemble work.
View program details, entrance requirements, and required courses.
The dance minor offers students the opportunity to study a range of movement forms including jazzdance, salsa, African dance, hip-hop, tap dance, and ballet, and to investigate dance as a social, cultural, and historical document, which both reflects and impacts the culture that creates it. The dance minor requires coursework in the academic study of dance, the creative process, somatics, and applied coursework in specific movement genres.
View program details, entrance requirements, and required courses.
Berklee College of Music Courses for Conservatory Students
Note: Conservatory students register for dual-listed courses through the normal registration process through self-service. Course descriptions are available here.
| CONSERVATORY COURSE AND SECTION NUMBER | COURSE TITLE (CREDITS) |
|---|---|
| C-CM 70910-01 | The Creative Entrepreneur Mindset: Music Thinking (2 credits) |
| C-CM 70911-01 | Business Fundamentals of Creative Industries (2 credits) |
| D-CM 73110-01 | African Dance (1 credit) |
| D-CM 71110-01 | Ballet (1 credit) |
| D-CM 71110-02 | Ballet (1 credit) |
| D-CM 73114-01 | Beginning Hip-Hop Dance (1 credit) |
| D-CM 73210-01 | Intermediate Hip-Hop Dance (1 credit) |
| D-CM 73111-01 | Jazzdance Technique (1 credit) |
| D-CM 73113-01 | Beginning Tap Dance (1 credit) |
| D-CM 73213-01 | Intermediate Tap (1 credit) |
| D-CM 73910-01 | Dance from the Jazz Era (1 credit) |
| D-CM 74910 | Upside Down (1 credit) |
| M-CM 03910-01 | Survey of Jazz Composition and Arranging (2 credits) |
| M-CM 03910-02 | Survey of Jazz Composition and Arranging (2 credits) |
| M-CM 03915-01 | Instrumentation and Score Prep (2 credits) |
| M-CM 03915-02 | Instrumentation and Score Prep (2 credits) |
| M-CM 03915-03 | Instrumentation and Score Prep (2 credits) |
| M-CM 03915-04 | Instrumentation and Score Prep (2 credits) |
| M-CM 03915-05 | Instrumentation and Score Prep (2 credits) |
| M-CM 03915-06 | Instrumentation and Score Prep (2 credits) |
| M-CM 03915-07 | Instrumentation and Score Prep (2 credits) |
| M-CM 03916-01 | Scoring for Strings (2 credits) |
| M-CM 03916-02 | Scoring for Strings (2 credits) |
| M-CM 03912-01 | Electronics in the Soundtrack (2 credits) |
| M-CM 00911-01 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-02 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-03 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-04 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-05 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-06 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-07 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-08 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-09 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-10 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-11 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-12 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-13 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00912-01 | Native American Drumming Lab (1 credit) |
| M-CM 00913-01 | Brazilian Rhythms and Percussion (2 credits) |
| M-CM 00913-02 | Brazilian Rhythms and Percussion (2 credits) |
| M-CM 00913-03 | Brazilian Rhythms and Percussion (2 credits) |
| M-CM 00913-04 | Brazilian Rhythms and Percussion (2 credits) |
| M-CM 00914-01 | Mallet Lab 1 (1 credit) |
| M-CM 00914-02 | Mallet Lab 1 (1 credit) |
| M-CM 06110-01 | Jazz Harmonic Techniques for Piano 1 (1 credit) |
| M-CM 06110-02 | Jazz Harmonic Techniques for Piano 1 (1 credit) |
| M-CM 06110-03 | Jazz Harmonic Techniques for Piano 1 (1 credit) |
| M-CM 08911-01 | Woodwind Doubling Lab—Saxophone and Theater Doubling (1 credit) |
| M-CM 08913-01 | Audition Workshop for Instrumentalists (1 credit) |
| M-CM 05910-01 | Percussion for Music Therapy (1 credit) |
| M-CM 05910-02 | Percussion for Music Therapy (1 credit) |
| M-CM 05910-03 | Percussion for Music Therapy (1 credit) |
| L-CM 1105-02 | English as a Second Language 2 (3 credits) |
| L-CM 1106-04 | English as a Second Language 3 (3 credits) |
| L-CM 1106-07 | English as a Second Language 3 (3 credits) |
| L-CM 1301-02 | Intro to College Writing (3 credits) |
| L-CM 1301-04 | Intro to College Writing (3 credits) |
| L-CM 1301-08 | Intro to College Writing (3 credits) |
| L-CM 1301-11 | Intro to College Writing (3 credits) |
| L-CM 1302-01 |
Literature Topics: Portable Lives (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-03 |
Literature Topics: Portable Lives (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-17 |
Literature Topics: Bodies (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-18 |
Literature Topics: Far from Home (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-32 |
Literature Topics: Feminist and Queer Literature (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-35 |
Literature Topics: The Harlem Renaissance (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-36 |
Literature Topics: The Harlem Renaissance (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-37 |
Literature Topics: Women's Dystopian Fiction (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-38 |
Literature Topics: Women's Dystopian Fiction (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-39 |
Literature Topics: Revisiting the Hero's Journey (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-40 |
Literature Topics: Revisiting the Hero's Journey (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-41 |
Literature Topics: Haunted (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-43 |
Literature Topics: Reading the Future (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-44 |
Literature Topics: Far from Home (3 credits) Prerequisite: LENG-111 |
| L-CM 73925-01 |
American Silent Film Age (3 credits) Prerequisite: LENG-111 |
| L-CM 73941-07 |
Global History of Narcotics (3 credits) Prerequisite: LENG-111 |
| L-CM 73914-08 |
World War I (3 credits) Prerequisite: LENG-111 |
| L-CM 73942-02 |
Contemplative Studies (3 credits) Prerequisite: LENG-111 |
| L-CM 73916-01 |
America from the Jazz Age to the MTV Age (3 credits) Prerequisite: LENG-111 |
| L-LT 74910-01 |
Global Women's Visions (3 credits) Prerequisite: LENG-111 |
| L-LT 74910-02 |
Global Women's Visions (3 credits) Prerequisite: LENG-111 |
|
L-CM 74921-04 |
Muisc Technologies & Culture (3 credits) Prerequisite: LENG-111 |
| L-CM 73918-05 |
DJ Cultures and American Social Dance (3 credits) Prerequisite: LENG-111 |
| L-CM 74921-06 |
Music Technologies and Culture (3 credits) Prerequisite: LENG-111 |
| L-CM 74922-08 |
Music and Politics of Resistance (3 credits) Prerequisite: LENG-111 |
| L-CM 74922-09 |
Ecomusicology (3 credits) Prerequisite: LENG-111 |
| L-CM 74925-11 |
Jazz, Gender, and Justice (3 credits) Prerequisite: LENG-111 |
| L-CM 73928-01 |
Irish Celtic Culture Film Music (3 credits) Prerequisite: LENG-111 |
| L-CM 75910-02 |
The Science of Health (3 credits) Prerequisite: LENG-111 |
| L-CM 75910-03 |
The Science of Health (3 credits) Prerequisite: LENG-111 |
| L-CM 75910-04 |
The Science of Health (3 credits) Prerequisite: LENG-111 |
| L-CM 75911-01 |
Human Anatomy and Physiology (3 credits) Prerequisite: LENG-111 |
| L-CM 75911-02 |
Human Anatomy and Physiology (3 credits) Prerequisite: LENG-111 |
| L-CM 75911-03 |
Human Anatomy and Physiology (3 credits) Prerequisite: LENG-111 |
| L-CM 75914-01 |
Western Philosophy (3 credits) Prerequisite: LENG-111 |
| L-CM 74910-01 |
General Psychology (3 credits) Prerequisite: LENG-111 |
| L-CM 74910-02 |
General Psychology (3 credits) Prerequisite: LENG-111 |
| L-CM 74910-05 |
General Psychology (3 credits) Prerequisite: LENG-111 |
| L-CM 74922-02 |
City Blues (3 credits) Prerequisite: LENG-111 |
| L-CM 72910-04 |
Introductory Spanish 1 (3 credits) Prerequisite: LENG-111 |
| L-CM 73920-01 |
Mesoamerican Art (3 credits) Prerequisite: LENG-111 |
| L-CM 73919-02 |
Great Discoveries (3 credits) Prerequisite: LENG-111 |
| L-CM 73924-02 |
The Renaissance to the Present (3 credits) Prerequisite: LENG-111 |
| L-CM 73929-01 |
Japanese Art and Culture (3 credits) Prerequisite: LENG-111 |
| L-CM 73923-W01 |
Themes and Variations in West Art Online (3 credits) Prerequisite: LENG-111 |
| L-CM 73923-W02 |
Themes and Variations in West Art Online (3 credits) Prerequisite: LENG-111 |
| M-CM 00915-01 | Intro to the Music Business (2 credits) |
| M-CM 00915-02 | Intro to the Music Business (2 credits) |
| M-CM 00915-03 | Intro to the Music Business (2 credits) |
| M-CM 00915-04 | Intro to the Music Business (2 credits) |
| M-CM 00915-05 | Intro to the Music Business (2 credits) |
| M-CM 00916-01 | Taxation in the Music Business (2 credits) |
| M-CM 00916-02 | Taxation in the Music Business (2 credits) |
| M-CM 00917-01 | Legal Aspects of the Music Industry (2 credits) |
| M-CM 00917-02 | Legal Aspects of the Music Industry (2 credits) |
| M-CM 00917-03 | Legal Aspects of the Music Industry (2 credits) |
| M-CM 00917-04 | Legal Aspects of the Music Industry (2 credits) |
| M-CM 00917-05 | Legal Aspects of the Music Industry (2 credits) |
| M-CM 00919-01 | Fundamentals of Woodwind and Brass Repairs (2 credits) |
| M-CM 00110-01 | Analysis Classical/Romantic Music |
| M-CM 00111-01 | The Bop Masters (2 credits) |
| M-CM 00112-01 | The Music of Miles Davis (2 credits) |
| M-CM 00920-01 | Introduction to Music Production and Engineering (2 credits) |
| M-CM 00921-01 | Survey of Bass Styles (2 credits) |
| M-CM 00923-01 | Survey of Guitar Styles (2 credits) |
| M-CM 00924-01 | Survey of Drum Styles to the '60s (2 credits) |
| M-CM 00926-01 | Survey of Piano Styles (2 credits) |
| M-CM 00927-01 | Survey of Vocal Styles (2 credits) |
| M-CM 00927-02 | Survey of Vocal Styles (2 credits) |
| M-CM 00928-01 | Survey of Woodwind Styles (2 credits) |
| M-CM 00929-01 | R&B, Funk, and Smooth Jazz Saxophone Styles (2 credits) |
| M-CM 00930-01 | Movement for Musicians (2 credits) |
| M-CM 00930-02 | Movement for Musicians (2 credits) |
| M-CM 00930-03 | Movement for Musicians (2 credits) |
| M-CM 00931-01 | Awareness Training for Musicians (1 credit) |
| M-CM 00931-02 | Awareness Training for Musicians (1 credit) |
| M-CM 00931-03 | Awareness Training for Musicians (1 credit) |
| M-CM 00931-04 | Awareness Training for Musicians (1 credit) |
| M-CM 00931-05 | Awareness Training for Musicians (1 credit) |
| M-CM 00931-06 | Awareness Training for Musicians (1 credit) |
| M-CM 00932-01 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-02 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-03 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-04 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-05 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-06 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-07 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-08 | Yoga for Musicians 1 (1 credit) |
| M-CM 00933-01 | Playing in the Key of Qi: Qigong for Musicians (1 credit) |
| M-CM 00934-01 | Integral Tai Chi (1 credit) |
| M-CM 01910-01 | Traditional Microtonal Theory and Application (1 credit) |
| M-CM 00936-01 | Stage Performance Techniques 1 (2 credits) |
| T-CM 09510-01 | Elements of Theater Production (2 credits) |
| M-CM 07110-01 | American Diction for Singers (2 credits) |
| M-CM 05911-01 | World Percussion for Non-Percussionists (2 credits) |
| M-CM 05911-02 | World Percussion for Non-Percussionists (2 credits) |
| M-CM 05911-03 | World Percussion for Non-Percussionists (2 credits) |
| M-CM 05911-04 | World Percussion for Non-Percussionists (2 credits) |
| M-CM 03913-01 | Essentials of Songwriting (1 credit) |
| M-CM 03913-02 | Essentials of Songwriting (1 credit) |
| M-CM 03913-03 | Essentials of Songwriting (1 credit) |
| M-CM 03913-04 | Essentials of Songwriting (1 credit) |
| M-CM 00211-01 | The Music of John Lennon (2 credits) |
Students should contact the chair listed to register for these courses. Prerequisites are listed where applicable for guidance. Course descriptions are available here.
| Course and Section Number | Course Title (Credits) | Times | Location | Chair |
|---|---|---|
| CM-221-001 | Techniques of Tonal Writing (2 credits) | Mon. 9:00 a.m.–10:50 a.m. | 150 Massachusetts Ave. 120| Richard Carrick |
| CM-221-002 | Techniques of Tonal Writing (2 credits) | Thurs. 11:00 a.m.–12:50 p.m. | 136 Massachusetts Ave. 303| Richard Carrick |
| CM-221-003 | Techniques of Tonal Writing (2 credits) | Fri. 2:00 p.m.–3:50 p.m. |150 Massachusetts Ave. 127| Richard Carrick |
| CM-221-004 | Techniques of Tonal Writing (2 credits) | Mon. 11:00 a.m.–12:50 p.m. | 130 Massachusetts Ave. 202| Richard Carrick |
| CM-221-005 | Techniques of Tonal Writing (2 credits) | Thurs. 4:00 p.m.–5:50 p.m. | 130 Massachusetts Ave. 204 | Richard Carrick |
| CM-221-006 | Techniques of Tonal Writing (2 credits) | Wed. 4:00 p.m.–5:50 p.m. | 18 Belvidere CL3| Richard Carrick |
| CP-311-001 | Advanced Counterpoint (2 credits) | Thurs. 2:00 p.m.–3:50 p.m. | 150 Massachusetts Ave. 174| Richard Carrick |
| CP-311-002 | Advanced Counterpoint (2 credits) | Mon. 2:00 p.m.–3:50 p.m. | 136 Massachusetts Ave. 404| Richard Carrick |
| ICE-325-001 | The Startup of You (2 credits) | Mon. 4:00 p.m.–5:50 p.m. | 7 Haviland 310| Don Gorder |
| ICE-425-001 | Startup Lab (3 credits) | Thurs. 4:00 p.m.–6:50 p.m. | 150 Massachusetts Ave. 124| Don Gorder |
| MB-435-001 | Innovators' DNA (2 credits) | Wed. 2:00 p.m.–3:50 p.m. | 921 Boylston 311| Don Gorder |
| MTEC-111-1A | Introduction to Music Tech (2 credits) | Tues. 4:00 p.m.–5:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-1B | Introduction to Music Tech (2 credits) | Thurs. 11:00 a.m.–12:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-1C | Introduction to Music Tech (2 credits) | Thurs. 4:00 p.m.–5:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-2A | Introduction to Music Tech (2 credits) | Thurs. 11:00 a.m.–12:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-2B | IIntroduction to Music Tech (2 credits) | Tues. 9:00 a.m.–10:50 a.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-3A | Introduction to Music Tech (2 credits) | Tues. 2:00 p.m.–3:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-3B | Introduction to Music Tech (2 credits) | Wed. 2:00 p.m.–3:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-B1B | Introduction to Music Tech, Blended (2 credits) | Tues. 9:00 a.m.–10:50 a.m. | 7 Haviland 310 | Michael Bierylo |
| MTEC-111-B3B | Introduction to Music Tech, Blended (2 credits) | Tues. 10:00 a.m.–10:50 a.m. | 7 Haviland 310 | Michael Bierylo |
| SW-221-001 | Lyric Writing 1 (2 credits) | Thurs. 9:00 a.m.–10:50 a.m. |1161 Massachusetts Ave. 204| Bonnie Hayes |
| SW-221-002 | Lyric Writing 1 (2 credits) | Mon. 4:00 p.m.–5:50 p.m. |150 Massachusetts Ave. 119| Bonnie Hayes |
| SW-221-003 | Lyric Writing 1 (2 credits) | Tues. 4:00 p.m.–5:50 p.m. |150 Massachusetts Ave. 123| Bonnie Hayes |
| SW-221-004 | Lyric Writing 1 (2 credits) | Thurs. 1:00 p.m.–2:50 p.m. |150 Massachusetts Ave. 123| Bonnie Hayes |
| SW-221-005 | Lyric Writing 1 (2 credits) | Thurs. 11:00 a.m.–12:50 p.m. |130 Massachusetts Ave. 201| Bonnie Hayes |
| SW-221-006 | Lyric Writing 1 (2 credits) | Mon. 2:00 p.m.–3:50 p.m. |136 Massachusetts Ave. 302| Bonnie Hayes |
| SW-221-007 | Lyric Writing 1 (2 credits) | Thurs. 4:00 p.m.–5:50 p.m. |150 Massachusetts Ave. 123| Bonnie Hayes |
| SW-221-008 | Lyric Writing 1 (2 credits) | Thurs. 11:00 a.m.–12:50 p.m. |130 Massachusetts Ave. 212| Bonnie Hayes |
| SW-221-009 | Lyric Writing 1 (2 credits) | Wed. 6:00 p.m.–7:50 p.m. |136 Massachusetts Ave. 301| Bonnie Hayes |
| SW-221-010 | Lyric Writing 1 (2 credits) | Thurs. 11:00 a.m.–12:50 p.m. |130 Massachusetts Ave. 205| Bonnie Hayes |
| SW-221-011 | Lyric Writing 1 (2 credits) | Weds. 4:00 p.m.–5:50 p.m.|150 Massachusetts Ave. 127| Bonnie Hayes |
| SW-221-012 | Lyric Writing 1 (2 credits) | Weds. 6:00 p.m.–7:50 p.m.|136 Massachusetts Ave. 403| Bonnie Hayes |
Students can review other liberal arts courses offered for the spring here. Please email liberalarts@berklee.edu to confirm course availability and meeting times. Students can also visit the department for additional advising in 7 Haviland Street, room 302, on Mondays and Thursdays from 1:30 p.m. until 3:30 p.m., and on Tuesdays and Fridays from 2:30 p.m. until 5:00 p.m.
Conservatory students are eligible to enroll in half-hour secondary instrument private instruction at the College, and we have provided an opportunity to audition with the instrumental departments for consideration.
For more information, including department chair, faculty, building, and office location, visit these department pages:
- Bass
Chair, Steve Bailey
Assistant Chair, Sandro Scoccia - Brass
Chair, Tanya Darby - Guitar
Chair, Kim Perlak
Chair Emeritus, Larry Baione - Percussion
Chair, Omar Hakim
Assistant Chair, Yoron Israel - Piano
Chair, Dave Limina
Assistant Chair, Tony Germain - Strings
Chair, David Wallace - Voice
Interim Chair, Phil Lima - Woodwinds
Interim Chair, Harry Skoler
Contact the office of the instrumental department above which corresponds to the instrument you intend to play in the ensemble. Office locations can be found on the department website linked to above. Email or call Barbara Gill, 617-747-2255, Ensemble Department program manager, with any questions.
- Ensemble auditions are open to all students.
- All candidates must be available to register for the course and be available for all designated class times.
- In order to play in ensembles, you must be registered in the course. It is not possible to play ad hoc in our ensemble courses.
All cross-registered ensemble and private instruction enrollment is on an “as-available” basis.
Conservatory graduate students in a Master of Music (M.M.) program are invited to enroll in any of the following graduate electives at the College by contacting the Graduate Studies Department.
| college course and section number | course title (credits) | times | location | course chair |
|---|---|---|
| PS-631-001 | Performance Pedagogy (3 credits) |
Thurs. 2:00 p.m.–4:50 p.m. | 1260 Boylston 201 | Marco Pignataro |
| GS-556-001 | Avant Garde Exploration Music/Art (3 credits) | Fri. 9:00 a.m.–11:50 a.m. | 1260 Boylston 216 |Robert Lagueux |