Integrated Course Offerings for Berklee College of Music and Boston Conservatory at Berklee
Summer 2019 Integrated Course Offerings
Students at Boston Conservatory at Berklee are able to register for courses at Berklee College of Music with approval from the course chair.
Chairs and academic administrators, please review this page (login required) to find required forms and additional information.
Fall 2019 Integrated Course Offerings
There are several ways for students at the College and the Conservatory to take advantage of each other's curricula.
Chairs and academic administrators, please review this page (login required) to find required forms and additional information.
Berklee College of Music Students
- Dual-Listed Courses: Students should register for these courses through their normal registration process on MyBerklee (login required).
- Cross-Registered Courses: Students need permission from the course chair to register for these courses. Chair contact information is included in the list below for these courses.
- Conservatory Ensembles: Students should call, email, or visit the administrative coordinator in the Music Division office, 617-912-9124, 8 Fenway, second floor.
- Dance Courses: Students should register for these courses through their normal registration process on MyBerklee.
- Berklee Stage Management Minor: Students interested in this minor should email Patsy Collins Bandes.
- Berklee Contemporary Musical Theater Performance Minor: Students interested in this minor should contact the Performance Division at 617-747-2025 or 1140 Boylston Street, fifth floor.
- Berklee Dance Minor: Students interested in this minor should email Tommy Neblett.
Boston Conservatory at Berklee Students
- All integrated course offerings are available to undergraduate and graduate students at the Conservatory.
- Dual-Listed Courses: Students should register for these courses through their normal registration process through self-service.
- Cross-Registered Courses: Students need permission from the course chair to register for these courses. Chair contact information is included in the list below for these courses.
- Berklee Half-Hour Secondary Instrument Instruction: Students need chair permission to register for half-hour private instruction. See instructions below.
- Berklee Ensembles: Students need chair permission to register for College ensembles. See instructions below.
- Graduate Classes: Conservatory graduate students in any Master of Music (M.M.) program can take specific graduate electives at the College.
Conservatory Courses for Berklee College of Music Students
Note: Students register for dual-listed courses through the normal registration process through MyBerklee. Look for the course number when you register. Students must select "Campus" as "Boston Conservatory" to see dual-listed courses in the registration system.
| COLLEGE COURSE AND SECTION NUMBER | COURSE TITLE (CREDITS) |
|---|---|
| SMGT-111-001 | Introduction to Stage Management (3 credits) |
Students should contact the chair listed to register for these courses. Prerequisites are listed where applicable.
| CONSERVATORY COURSE AND SECTION NUMBER | COURSE TITLE (CREDITS) | TIMES | LOCATION | CHAIR |
|---|---|---|
| D-LT 1601-01 | Introduction to Dance (3 credits) | Mon., Wed., 2:15 p.m.–3:45 p.m. | 161 Massachusetts Ave 442| Mila Thigpen |
| D-LT 1601-02 | Introduction to Dance (3 credits) | Tue., Thurs., 2:15 p.m.–3:45 p.m. | 8 the Fenway 007| Mila Thigpen |
| D-ST 1204-01 | Improvisation 1 (1 credit) | Tue., 12:30 p.m.–1:50 p.m. | 181 Massachusetts Ave 201| Mila Thigpen |
| D-ST 1204-02 | Improvisation 1 (1 credit) | Thurs., 12:30 p.m.–1:50 p.m. | 132 Ipswich 306| Mila Thigpen |
| D-ST 1401-01 | Dance Composition 1 (1 credit) | Wed., 4:00 p.m.–4:55 p.m. | 31 Hemenway T003| Mila Thigpen |
| D-ST 1401-02 | Dance Composition 1 (1 credit) | Wed., 5:00 p.m.–5:55 p.m. | 31 Hemenway T003| Mila Thigpen |
| D-ST 1401-03 | Dance Composition 1 (1 credit) | Wed., 4:00 p.m.–4:55 p.m. | 132 Ipswich 306| Mila Thigpen |
| D-ST 1401-04 | Dance Composition 1 (1 credit) | Wed., 5:00 p.m.–5:55 p.m. | 132 Ipswich 306| Mila Thigpen |
| D-ST 1502-01 | Floor Barre 1 (1 credit) |
Mon., Wed., 1:00 p.m.–2:00 p.m. | 31 Hemenway T201| Mila Thigpen |
| D-ST 1503-01 | Gyrokinesis (1 credit) | Tues., Thurs. 10:45 a.m.–11:45 a.m. | 132 Ipswich Street 306 | Mila Thigpen |
| D-ST 1701-01 | Vocal-Physical Connection (1 credit) | Mon. 2:15 p.m.–3:45 p.m. | 31 Hemenway T001 | Mila Thigpen |
| D-ST 1701-02 | Vocal-Physical Connection (1 credit) | Tues., 2:15 p.m.–3:45 p.m. | 31 Hemenway T001| Mila Thigpen |
| D-ST 73511-01 | African Dance (1 credit) | Tues., Thurs. 10:45 a.m.–11:45 a.m. | 181 Massachusetts Ave. 201 | Mila Thigpen |
| D-ST 75711-01 | Conditioning for Dancers (1.5 credits) | Tues., Thurs. 12:30 p.m.–1:50 p.m.| 31 Hemenway T007 | Mila Thigpen |
| M-EN 0001-01 | Orchestral Repertoire 1: Winds and Brass (1 credit) | Thurs. 11:00 a.m.–12:50 p.m. | 132 Ipswich 106| Matthew Marsit |
| M-EN 0069-01 | Instrumental Ensemble (1 credit) |
All weekdays, 1:30 p.m.–3:30 p.m. | 132 Ipswich 106| Matthew Marsit |
| M-EN 0079-01 | Chamber Music (1 credit) | Fri. 11:00 a.m.–12:50 p.m. | TBA | Matthew Marsit |
| M-EN 0089-01 | Contemporary Music Ensemble (1 credit) |
Fri. 9:00 a.m.–10:50 p.m. | 132 Ipswich 106 | Jonathan Bailey Holland |
| M-EN 0390-01 | Composers' Performance Ensemble (1 credit) | Mon., Wed. 1:00 p.m.–1:50 p.m. | 8 Fenway 007 | Jonathan Bailey Holland |
| M-EN 0399-01 | Improvisation Workshop (1 credit) | Tues. 4:00 p.m.–5:20 p.m. | 132 Ipswich 106 | Jonathan Bailey Holland |
| M-EN 0399-02 | Improvisation Workshop (1 credit) | Tues. 5:30 p.m.–6:50 p.m. | 132 Ipswich 106 | Jonathan Bailey Holland |
| M-EN 0399-03 | Improvisation Workshop (1 credit) | Thurs. 4:00 p.m.–5:20 p.m. | 132 Ipswich 106 | Jonathan Bailey Holland |
| M-EN 0399-04 | Improvisation Workshop (1 credit) | Thurs. 5:30 p.m.–6:50 p.m. | 132 Ipswich 106| Jonathan Bailey Holland |
| M-EN 0709-01 | Choral Ensemble (1 credit) Prerequisites: audition | Mon., Wed. 1:45 p.m.–3:15 p.m. | 8 Fenway SH | Patty Thom |
| M-EN 0709-02 | Choral Ensemble (1 credit) Prerequisites: audition | Mon., Wed. 12:05 p.m.–1:35 p.m. | 8 Fenway SH| Patty Thom |
| M-LT 0711-01 | Song Repertoire: Italian (1 credit) | Thurs. 10:00 a.m.–11:50 a.m. | 8 Fenway 403 | Patty Thom |
| M-LT 0731-01 | Choral Repertoire 1: Antiquity to Early Baroque (1 credit) | Thurs. 2:00 p.m.–3:50 p.m. | 8 Fenway 304| Patty Thom |
| M-LT 1101-01 | Music History 1: Ancient to Renaissance (3 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway SH Thurs. 8:00 a.m.–8:50 a.m. | 8 Fenway 007 | Jonathan Bailey Holland |
| M-LT 1101-02 | Music History 1: Ancient to Renaissance (3 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway SH Thurs. 8:00 a.m.–8:50 a.m. | 31 Hemenway T203 | Jonathan Bailey Holland |
| M-LT 1101-03 | Music History 1: Ancient to Renaissance (3 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway SH Fri. 9:00 a.m.–9:50 a.m. | 8 Fenway 503| Jonathan Bailey Holland |
| M-LT 1101-04 | Music History 1: Ancient to Renaissance (3 credits) |
Tues., Thurs. 8:00 a.m.–8:50 a.m. | 8 Fenway SH Mon. 8:00 a.m.–8:50 a.m. | 8 Fenway 503 | Jonathan Bailey Holland |
| M-LT 1101-05 | Music History 1: Ancient to Renaissance (3 credits) |
Tues., Thurs. 8:00 a.m.–8:50 a.m. | 8 Fenway SH Fri. 9:00 a.m.–9:50 a.m. | 8 Fenway 303 | Jonathan Bailey Holland |
| M-LT 1101-06 | Music History 1: Ancient to Renaissance (3 credits) |
Tues., Thurs. 8:00 a.m.–8:50 a.m. | 8 Fenway SH Thurs. 11:00 a.m.–11:50 a.m. | 8 Fenway 304| Jonathan Bailey Holland |
| M-LT 2101-01 | Music History 3: Classical to Post-Romantic (3 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 8 Fenway SH Thurs. 10:00 a.m.–10:50 a.m. | 161 Massachusetts Avenue 442 | Jonathan Bailey Holland |
| M-LT 2101-02 | Music History 3: Classical to Post-Romantic (3 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 8 Fenway SH Thurs. 10:00 a.m.–10:50 a.m. | 8 Fenway 304| Jonathan Bailey Holland |
| M-LT 2101-03 | Music History 3: Classical to Post-Romantic (3 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 8 Fenway SH Thurs. 11:00 a.m.–11:50 a.m. | 8 Fenway 007| Jonathan Bailey Holland |
| M-LT 2101-04 | Music History 3: Classical to Post-Romantic (3 credits) |
Tues. 9:00 a.m.–9:50 a.m. | 8 Fenway SH Thurs. 9:00 a.m.–9:50 a.m. | 8 Fenway HH Fri. 9:00 a.m.–9:50 a.m. | 132 Ipswich 311| Jonathan Bailey Holland |
| M-LT 2101-05 | Music History 3: Classical to Post-Romantic (3 credits) |
Tues. 9:00 a.m.–9:50 a.m. | 8 Fenway SH Thurs. 9:00 a.m.–9:50 a.m. | 8 Fenway HH Thurs. 11:00 a.m.–11:50 a.m. | 1140 Boylston 4D.2| Jonathan Bailey Holland |
| M-LT 2101-06 | Music History 3: Classical to Post-Romantic (3 credits) |
Tues. 9:00 a.m.–9:50 a.m. | 8 Fenway SH Thurs. 9:00 a.m.–9:50 a.m. | 8 Fenway HH Fri. 9:00 a.m.–9:50 a.m. | 31 Hemenway T203| Jonathan Bailey Holland |
| M-LT 71115-01 | Complexity in Rhythm (2 credits) | Thurs. 4:00 p.m.–5:50 p.m. | 8 Fenway 403 | Jonathan Bailey Holland |
| M-LT 71113-01 | Contemporary Compositional Techniques 1 (2 credits) | Thurs. 11:00 a.m.–12:50 p.m. | 8 Fenway 303 | Jonathan Bailey Holland |
| M-LT 71120-01 | Spectralism and After (2 credits) | Mon. 11:00 a.m.–12:50 p.m. | 161 Massachusetts Avenue 440 | Jonathan Bailey Holland |
| M-LT 71130-01 | Harry Partch and Ben Johnston (2 credits) | Mon. 11:00 a.m.–12:50 p.m. | 8 Fenway 403| Jonathan Bailey Holland |
| M-LT 71132-01 | Haydn and the Classical Style (2 credits) | Tues. 11:00 a.m.–12:50 p.m. | 8 Fenway 402| Jonathan Bailey Holland |
| M-LT 77911-01 | Characterization (1 credit) | Thurs. 12:00 p.m.–1:50 p.m. | 8 Fenway 406 | Patty Thom |
| M-PD 0201-01 | Pedagogy 1: Brass (1 credit) |
Wed. 10:00 a.m.–10:50 a.m. | 8 Fenway SH | Matthew Marsit |
| M-PD 0431-01 | Pedagogy 1: Harp (1 credit) | Thurs. 10:00 a.m.–10:50 a.m. | 132 Ipswich 203 | Matthew Marsit |
| M-PD 0611-01 | Pedagogy 1: Piano (1 credit) | Thurs. 10:00 a.m.–10:50 a.m. | 132 Ipswich 106 | Matthew Marsit |
| M-PD 0801-01 | Pedagogy 1: Woodwinds (1 credit) | Mon. 6:00 p.m.–6:50 p.m. | 8 Fenway 007 | Matthew Marsit |
| M-PR 70911-01 | The Creative Musician (1 credit) | TBA| TBA| Eli Epstein |
| M-SK 0301-01 | Orchestration 1 (2 credits) |
Wed. 10:00 a.m.–11:50 a.m. | 31 Hemenway T406 | Jonathan Bailey Holland |
| M-SK 0391-01 | Electronic Music 1 (2 credits) | Thurs. 6:00 p.m.–7:50 p.m. | 161 Massachusetts Ave. 440 | Jonathan Bailey Holland |
| M-SK 0711-01 | Diction: Italian (1 credit) | Tues. 10:00 a.m.–11:50 a.m. | 8 Fenway HH | Patty Thom |
| M-SK 0991-01 | Conducting 1 (1 credit) | Mon. 4:00 p.m.–4:50 p.m. | 132 Ipswich 106 | Matthew Marsit |
| M-SK 1101-01 | Harmony and Counterpoint 1 (2 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 8 Fenway 304 Fri. 10:00 a.m.–10:50 a.m. | 31 Hemenway T406 | Jonathan Bailey Holland |
| M-SK 1101-02 | Harmony and Counterpoint 1 (2 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 161 Massachusetts Ave. 442 Fri. 10:00 a.m.–10:50 a.m. | 1140 Boylston 4D2 | Jonathan Bailey Holland |
| M-SK 1101-03 | Harmony and Counterpoint 1 (2 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 8 Fenway 402 Fri. 10:00 a.m.–10:50 a.m. | 8 Fenway 402 | Jonathan Bailey Holland |
| M-SK 1101-04 | Harmony and Counterpoint 1 (2 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 8 Fenway 403 Fri. 10:00 a.m.–10:50 a.m. | 8 Fenway 406| Jonathan Bailey Holland |
| M-SK 1101-05 | Harmony and Counterpoint 1 (2 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 8 Fenway 406 Fri. 10:00 a.m.–10:50 a.m. | 8 Fenway 503 | Jonathan Bailey Holland |
| M-SK 1103-01 | Ear Training 1 (2 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 31 Hemenway T406 Fri. 8:00 a.m.–8:25 a.m. | 8 Fenway SH| Jonathan Bailey Holland |
| M-SK 1103-02 | Ear Training 1 (2 credits) |
Mon., Wed. 10:00 a.m.–10:50 a.m. | 8 Fenway 403 Fri. 8:00 a.m.–8:25 a.m. | 8 Fenway SH | Jonathan Bailey Holland |
| M-SK 1103-03 | Ear Training 1 (2 credits) |
Mon., Wed. 10:00 a.m.–10:50 a.m. | 8 Fenway 007 Fri. 8:00 a.m.–8:25 a.m. | 8 Fenway SH | Jonathan Bailey Holland |
| M-SK 1103-04 | Ear Training 1 (2 credits) |
Mon., Wed. 10:00 a.m.–10:50 a.m. | 8 Fenway 402 Fri. 8:00 a.m.–8:25 a.m. | 8 Fenway SH | Jonathan Bailey Holland |
| M-SK 1103-05 | Ear Training 1 (2 credits) |
Mon., Wed. 10:00 a.m.–10:50 a.m. | 8 Fenway 304 Fri. 8:00 a.m.–8:25 a.m. | 8 Fenway SH | Jonathan Bailey Holland |
| M-SK 1103-06 | Ear Training 1 (2 credits) |
Tues., Thurs. 9:00 a.m.–9:50 a.m. | 8 Fenway 303 Fri. 8:00 a.m.–8:25 a.m. | 8 Fenway SH | Jonathan Bailey Holland |
| M-SK 1103-07 | Ear Training 1 (2 credits) |
Tues., Thurs. 9:00 a.m.–9:50 a.m. | 8 Fenway 402 Fri. 8:00 a.m.–8:25 a.m. | 8 Fenway SH | Jonathan Bailey Holland |
| M-SK 1103-08 | Ear Training 1 (2 credits) |
Tues., Thurs. 9:00 a.m.–9:50 a.m. | 8 Fenway 007 Fri. 8:00 a.m.–8:25 a.m. | 8 Fenway SH | Jonathan Bailey Holland |
| M-SK 1103-09 | Ear Training 1 (2 credits) |
Tues., Thurs. 9:00 a.m.–9:50 a.m. | 31 Hemenway T406 Fri. 8:00 a.m.–8:25 a.m. | 8 Fenway SH | Jonathan Bailey Holland |
| M-SK 1105-01 | Time and Rhythm 1 (1 credit) | Tues. 4:00 p.m.–5:20 p.m. | 161 Massachusetts Ave. 442 | Jonathan Bailey Holland |
| M-SK 1105-02 | Time and Rhythm 1 (1 credit) | Tues. 5:30 p.m.–6:50 p.m. | 161 Massachusetts Ave. 442 | Jonathan Bailey Holland |
| M-SK 1105-03 | Time and Rhythm 1 (1 credit) | Thurs. 4:00 p.m.–5:20 p.m. | 161 Massachusetts Ave. 442 | Jonathan Bailey Holland |
| M-SK 1105-04 | Time and Rhythm 1 (1 credit) | Thurs. 5:30 p.m.–6:50 p.m. | 161 Massachusetts Ave. 442 | Jonathan Bailey Holland |
| M-SK 1105-05 | Time and Rhythm 1 (1 credit) |
Tues. 4:00 p.m.–5:20 p.m. | 161 Massachusetts Ave. 440 | Jonathan Bailey Holland |
| M-SK 1105-06 | Time and Rhythm 1 (1 credit) |
Tues. 5:30 p.m.–6:50 p.m. | 161 Massachusetts Ave. 440 | Jonathan Bailey Holland |
| M-SK 1105-07 | Time and Rhythm 1 (1 credit) | Thurs. 4:00 p.m.–5:20 p.m. | 8 Fenway 007 | Jonathan Bailey Holland |
| M-SK 1105-08 | Time and Rhythm 1 (1 credit) | Thurs. 5:30 p.m.–6:50 p.m. | 8 Fenway 007 | Jonathan Bailey Holland |
| M-SK 1201-01 | Brass Fundamentals 1 (1 credit) | Mon. 4:00 p.m.-4:50 p.m. | 8 Fenway SH | Matthew Marsit |
| M-SK 1301-01 | Instrumentation and Notation 1 (2 credits) | Tues., Thurs. 10:00 a.m.–10:50 a.m. | 8 Fenway 303 | Jonathan Bailey Holland |
| M-SK 2101-01 | Harmony and Counterpoint 3 (2 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway 007 Fri. 9:00 a.m- 9:50 a.m. | 8 Fenway 007 | Jonathan Bailey Holland |
| M-SK 2101-02 | Harmony and Counterpoint 3 (2 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway 403 Fri. 9:00 a.m.- 9:50 a.m. | 8 Fenway 403 | Jonathan Bailey Holland |
| M-SK 2101-03 | Harmony and Counterpoint 3 (2 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway 402 Fri. 9:00 a.m.- 9:50 a.m. | 8 Fenway 402 | Jonathan Bailey Holland |
| M-SK 2101-04 | Harmony and Counterpoint 3 (2 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway 304 Fri. 9:00 a.m.- 9:50 a.m. | 8 Fenway 406| Jonathan Bailey Holland |
| M-SK 2101-05 | Harmony and Counterpoint 3 (2 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway 303 Fri. 9:00 a.m.- 9:50 a.m. | 161 Massachusetts Ave. 442 | Jonathan Bailey Holland |
| M-SK 2101-06 | Harmony and Counterpoint 3 (2 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway 406 Fri. 9:00 a.m.- 9:50 a.m. | 31 Hemenway T406 | Jonathan Bailey Holland |
| M-SK 2103-01 | Ear Training 3 (2 credits) |
Tues., Thurs. 8:00 a.m.–8:50 a.m. | 8 Fenway 007 Fri. 8:30 a.m.- 8:55 a.m. | 8 Fenway SH | Jonathan Bailey Holland |
| M-SK 2103-02 | Ear Training 3 (2 credits) |
Tues., Thurs. 8:00 a.m.-8:50 a.m. | 8 Fenway 406 Fri. 8:30 a.m.- 8:55 a.m. | 8 Fenway SH | Jonathan Bailey Holland |
| M-SK 2103-03 | Ear Training 3 (2 credits) |
Tues., Thurs. 8:00 a.m.–8:50 a.m. | 8 Fenway 402 Fri. 8:30 a.m.- 8:55 a.m. | 8 Fenway SH | Jonathan Bailey Holland |
| M-SK 2103-04 | Ear Training 3 (2 credits) |
Tues., Thurs. 8:00 a.m.–8:50 a.m. | 8 Fenway 403 Fri. 8:30 a.m.- 8:55 a.m. | 8 Fenway SH | Jonathan Bailey Holland |
| M-SK 2103-05 | Ear Training 3 (2 credits) |
Tues., Thurs. 8:00 a.m.–8:50 a.m. | 31 Hemenway T406 Fri. 8:30 a.m- 8:55 a.m. | 8 Fenway SH | Jonathan Bailey Holland |
| M-SK 2103-06 | Ear Training 3 (2 credits) |
Tues., Thurs. 10:00 a.m.–10:50 a.m. | 8 Fenway 402 Fri. 8:30 a.m.- 8:55 a.m. | 8 Fenway SH | Jonathan Bailey Holland |
| M-SK 2103-07 | Ear Training 3 (2 credits) |
Tues., Thurs. 10:00 a.m.–10:50 a.m. | 8 Fenway 007 Fri. 8:30 a.m.- 8:55 a.m. | 8 Fenway SH | Jonathan Bailey Holland |
| M-SK 2103-08 | Ear Training 3 (2 credits) |
Tues. 10:00 a.m.–10:50 a.m. | 8 Fenway 503 Thurs. 10:00 a.m.–10:50 a.m. | 8 Fenway 304 Fri. 8:30 a.m.- 8:55 a.m. | 8 Fenway SH | Jonathan Bailey Holland |
| M-SK 2103-09 | Ear Training 3 (2 credits) |
Tues. 10:00 a.m.–10:50 a.m. | TBA Thurs. 10:00 a.m.–10:50 a.m. | TBA Fri. 8:30 a.m.- 8:55 a.m. | 8 Fenway SH | Jonathan Bailey Holland |
| M-SK 71910-01 | Atonal Ear Training 2 (2 credits) | Mon. 11:00 a.m.- 12:50 p.m. | 8 Fenway 402 | Jonathan Bailey Holland |
| M-SK 71911-01 | Complexity in Rhythm (2 credits) | Wed. 11:00 a.m.- 12:50 p.m. | 8 Fenway 402 | Jonathan Bailey Holland |
| M-ST 77910-01 | Movement for Singers 1 (1 credit) | Fri. 10:00 a.m.–11:50 p.m. | 31 Hemenway T401| Patty Thom |
| T-ST 71010 -01 | Acting for Non-Major (1 credit) | Tues 5:30 p.m.–7:20 p.m. | 132 Ipswitch Street 204| Pasty Collins Bandes |
| T-ST 71011 -01 | Directing Emphasis Acting Lab (1 credit) | Wed. 3:30 p.m.–5:20 p.m. | 161 Massachusetts Ave 443| Pasty Collins Bandes |
| T-ST 71012 -01 | Directing and Composition Acting Lab (1 credit) | Wed. 5:30 p.m.–7:20 p.m. | 161 Massachusetts Ave 443| Pasty Collins Bandes |
Students who wish to participate in performance opportunities at the Conservatory must complete an ensembles audition. Requirements for eligibility and registration, as well as audition repertoire for each department, are listed below:
Large ensemble eligibility/registration requirements for instrumentalists:
- Students with a rating of 3 or higher who have completed two semesters at the college or another institution are eligible to audition for ensembles at the Conservatory.
- Students must be available for all designated class times (Monday–Friday, 1:30 p.m.–3:30 p.m.) and occasional evening rehearsals and performances.
- Once accepted into our ensembles, students must register for the Instrumental Ensembles course (BCEN-110-001). It is not possible to play ad hoc in our performing groups, except in very specific cases.
- Students interested in participating in the Contemporary Music ensembles must also be prepared to sight-read during their audition, as well as be available on Mondays, Wednesdays, and Fridays from 1:30 p.m. until 3:00 p.m. and Fridays from 9:00 a.m. until 11:00 a.m
Chamber music eligibility/registration requirements for instrumentalists:
- Students with a rating of 3 or higher who have completed two semesters at the college or another institution are eligible to audition for chamber music ensembles at the Conservatory.
- Students must be available for all designated class times (Friday, 11:00 a.m.–12:50 p.m.) and other additional coaching and rehearsal times to be determined with the ensemble coach.
- Once accepted into our ensembles, students must register for the Chamber Music course (BCEN-112-001). It is not possible to play ad hoc in our performing groups. For more information about chamber music at the Conservatory, contact program coordinator Judith Eissenberg.
Chorus eligibility/registration requirements for vocalists:
- All Berklee College of Music students are eligible to audition for vocal ensembles at the Conservatory.
- Once accepted into our ensembles, students must register for the applicable vocal ensemble course and be available for all designated class times and occasional evening rehearsals and performances. It is not possible to sing ad hoc in our performing groups.
- BCEN-118-001: Chorale. Meets Monday and Wednesday, 1:45 p.m.–3:15 p.m.
- BCEN-118-002: Women's Chorus. Meets Monday and Wednesday, 12:05 p.m.–1:35 p.m.
Auditions should be scheduled before the following dates with the appropriate instrumental chairperson (listed below)
For more information, contact the Ensembles Office.
Contact the faculty member directly to schedule an audition time.
Brass Department: Larry Isaacson
- Required repertoire:
- One etude from any standard collection (Arban, Kopprasch, Pottag, Rochut, Gower/Voxman, etc.)
- Two movements of contrasting nature and tempi from a sonata or concerto
- All major scales and arpeggios
- Sight-reading
Choruses: George Case
- Required repertoire:
- One solo art song or aria (any language)
- Sight-singing with piano accompaniment
- No operatic arias, please
- Note: an accompanist will be provided.
Harp Department: Ina Zdorovetchi
- Required repertoire:
- One of the following etudes:
- Boscha: Fifty Studies, Op. 34, Book II (Hasselmans edition), No. 39 (E-flat major)
- Pozzoli: Studies of Moderate Difficulty, No. 5
- Two pieces chosen from the following, or two compositions of a similar or higher degree of difficulty:
- Grandjany: Fantasie on a Theme by Hayden
- Salzedo: Whirlwind
- Dussek: Sonata in C minor (any edition)
- Pescetti: Sonata in C minor (any edition)
- Tournier: Feerie
- Tournier: Vers la source dans le bois
- Handel: Passacaglia from Suite No. 7 (any edition)
- Two orchestral excerpts chosen from the following:
- Tchaikovsky: Nutcracker, Waltz of the Flowers cadenza
- Tchaikovsky: Swan Lake cadenza
- Rimsky-Korsakov: Capriccio Español
- Britten: Young Person’s Guide to the Orchestra cadenza and/or fugue
Percussion Department: Nancy Zeltsman
- Required repertoire:
- Snare drum
- Concert etude of your choice
- Suggested composers: Délécluse, Cirone, Aleo, Peters
- Rudimental solo
- Suggested composers: Pratt, Tompkins, Wilcoxon
- Snare drum
- Mallets:
- Two-mallet solo
- Suggested composers: Bach (preferably from Sonatas and Partitas for Unaccompanied Violin or Suites for Unaccompanied Cello), Kreisler, Abe, Green, or selections from the MassChap 2010 Xylophone Collection
- Four-mallet solo
- See link for suggested works
- Two-mallet solo
Piano Department: Max Levinson
- Required repertoire, all from memory:
- A prelude and fugue from the Well-Tempered Clavier or another work by Bach that includes a fugue
- A complete sonata by Haydn, Mozart, Beethoven, or Schubert
- A major work for solo piano from the Romantic era (including Rachmaninoff)
- A solo piano piece from the 20th or 21st century
- One virtuosic etude, such as those by Chopin, Liszt, Debussy, Rachmaninoff, Scriabin, or Legeti
String Department: Rhonda Rider
- Required repertoire:
- One etude or short technical work that best demonstrates your ability to freely shift around the instrument with good control of bowing articulation
- Two unaccompanied movements by Bach (bass players may substitute with another work of their choice)
- A complete first or last movement from the standard concerto repertoire
- Prepare a scale of your choice (major or minor) in three–four octaves, performed with a minimum of four slurred notes per bow, plus the corresponding arpeggios (the arpeggio cycle of Flesch or Galamain is preferred and should be performed three slurred notes to a bow).
Woodwinds Department: Michael Norsworthy
- Required repertoire:
- One etude from any standard collection (Anderson, Voxman, Weissenborn, Klose, Rose, Milde, Kopprasch, etc.)
- Two movements of a contrasting nature from a sonata or concerto
Register for these courses through the normal college registration process.
| COURSE NUMBER | COURSE TITLE (credits) | PREREQUISITES |
|---|---|---|
| DANA-111 | African Dance (1 credit) | none |
| DANB-111 | Ballet (1 credit) | none |
| DANH-111 | Beginning Hip-Hop Dance (1 credit) | none |
| DANH-211 | Intermediate Hip-Hop Dance (1 credit) | DANH-111 or comparable experience |
| DANJ-111 | Jazzdance Techniques (1 credit) | none |
| DANS-111 | Salsa Dance (1 credit) | DANJ-111 or comparable experience |
| DANT-111 | Beginning Tap Dance (1 credit) | none |
| DANT-211 | Intermediate Tap Dance (1 credit) | DANT-111 or comparable experience |
Contemporary Musical Theater Performance Minor
The contemporary musical theater performance minor focuses on molding a total musical theater performer. It engages in a multidisciplinary exploration of this uniquely American art form, with an emphasis on the meeting place between classic musical theater and the rock musical. The course work includes musical preparation, character development, movement, composition, and ensemble work.
View program details, entrance requirements, and required courses.
Dance Minor
The dance minor offers students the opportunity to study a range of movement forms including jazzdance, salsa, African dance, hip-hop, tap dance, and ballet, and to investigate dance as a social, cultural, and historical document, which both reflects and impacts the culture that creates it. The dance minor requires coursework in the academic study of dance, the creative process, somatics, and applied coursework in specific movement genres.
View program details, entrance requirements, and required courses.
Berklee College of Music Courses for Conservatory Students
Note: Conservatory students register for dual-listed courses through the normal registration process through self-service. Course descriptions are available here.
| CONSERVATORY COURSE AND SECTION NUMBER | COURSE TITLE (CREDITS) |
|---|---|
| C-CM 70910* | Creative Entrepreneurs Mindset (2 credits) |
| C-CM 70911* | Business Fundamentals of the Creative Industries (2 credits) |
| C-CM 70912* | Startup of You (2 credits) |
| D-CM 71110-01 | Ballet (1 credit) |
| D-CM 71110-02 | Ballet (1 credit) |
| D-CM 73110-01 | African Dance (1 credit) |
| D-CM 73111-01 | Jazzdance Technique (1 credit) |
| D-CM 73112-01 | Salsa Dance (1 credit) |
| D-CM 73113-01 | Beginning Tap Dance (1 credit) |
| D-CM 73114-01 | Beginning Hip-Hop Dance (1 credit) |
| D-CM 73210-01 | Intermediate Hip-Hop Dance (1 credit) |
| D-CM 73213-01 | Intermediate Tap Dance (1 credit) |
| L-CM 1301-04 | Intro to College Writing (3 credits) |
| L-CM 1301-05 | Intro to College Writing (3 credits) |
| L-CM 1301-07 | Intro to College Writing (3 credits) |
| L-CM 1301-12 | Intro to College Writing (3 credits) |
| L-CM 1301-16 | Intro to College Writing (3 credits) |
| L-CM 1301-19 | Intro to College Writing (3 credits) |
| L-CM 1301-26 | Intro to College Writing (3 credits) |
| L-CM 1301-31 | Intro to College Writing (3 credits) |
| L-CM 1301-33 | Intro to College Writing (3 credits) |
| L-CM 1301-39 | Intro to College Writing (3 credits) |
| L-CM 1301-40 | Intro to College Writing (3 credits) |
| L-CM 1301-41 | Intro to College Writing (3 credits) |
| L-CM 1301-43 | Intro to College Writing (3 credits) |
| L-CM 1301-44 | Intro to College Writing (3 credits) |
| L-CM 1301-45 | Intro to College Writing (3 credits) |
| L-CM 1301-46 | Intro to College Writing (3 credits) |
| L-CM 1301-50 | Intro to College Writing (3 credits) |
| L-CM 1301-51 | Intro to College Writing (3 credits) |
| L-CM 1301-52 | Intro to College Writing (3 credits) |
| L-CM 1301-53 | Intro to College Writing (3 credits) |
| L-CM 1302-06 |
Portable Lives (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-08 |
Literary Representations of Death (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-09 |
Reading the Future (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-10 |
Literary Representations of Death (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-13 |
Fight Club to Ghandi (3 credits) Prerequisite: LENG-111 |
| L-CM 73912-01 |
Cinema in Hitler's Germany (3 credits) Prerequisite: LENG-111 |
| L-CM 73913-02 |
Law and Disorder (3 credits) Prerequisite: LENG-111 |
| L-CM 73916-02 |
America from Jazz to MTV Age (3 credits) Prerequisite: LENG-111 |
| L-CM 73918-04 |
DJ Cultures/American Social Dance (3 credits) Prerequisite: LENG-111 |
| L-CM 73920-06 |
Mesoamerican Art (3 credits) Prerequisite: LENG-111 |
| L-CM 73922-05 |
Art of the Renaissance (3 credits) Prerequisite: LENG-111 |
| L-CM 73923-W01 | Themes and Variations on Western Art - Online (3 credits) |
| L-CM 73923-W02 | Themes and Variations on Western Art - Online (3 credits) |
| L-CM 73933-05 |
Global Childhood Culture (3 credits) Prerequisite: LENG-111 |
| L-CM 73934-01 |
Music, Spirit, and Transformation (3 credits) Prerequisite: LENG-111 |
| L-CM 73937-06 |
Transnational Pop Cultures (3 credits) Prerequisite: LENG-111 |
| L-CM 73938-02 |
Contemplative and Mystical Tradition (3 credits) Prerequisite: LENG-111 |
| L-CM 73941-03 |
Global History of Narcotics (3 credits) Prerequisite: LENG-111 |
| L-CM 73944-01 |
Micro/Macro: Poetry Workshop (3 credits) Prerequisite: LENG-111 |
| L-CM 73944-02 |
Micro/Macro: Poetry Workshop (3 credits) Prerequisite: LENG-111 |
| L-CM 73945-01 |
The Cave (3 credits) Prerequisite: LENG-111 |
| L-CM 73948-04 |
Exploring Avant-Garde Perf (3 credits) Prerequisite: LENG-111 |
| L-CM 73948-08 |
Exploring Avant-Garde Perf (3 credits) Prerequisite: LENG-111 |
| L-CM 73949-01 |
Artist, Society, and Avant-Garde (3 credits) Prerequisite: LENG-111 |
| L-CM 74910-03 |
General Psychology (3 credits) Prerequisite: LENG-111 |
| L-CM 74910-04 |
General Psychology (3 credits) Prerequisite: LENG-111 |
| L-CM 74910-08 |
General Psychology (3 credits) Prerequisite: LENG-111 |
| L-CM 74917-02 |
City Life: Local and Global Perspectives (3 credits) Prerequisite: LENG-111 |
| L-CM 74922-07 |
Music & Politics of Resistance (3 credits) Prerequisite: LENG-111 |
| L-CM 74922-08 |
Music & Politics of Resistance (3 credits) Prerequisite: LENG-111 |
| L-CM 74927-10 |
Culture History of Psychoactives (3 credits) Prerequisite: LENG-111 |
| L-CM 74927-11 |
Culture History of Psychoactives (3 credits) Prerequisite: LENG-111 |
| L-CM 75910-01 |
The Science of Health (3 credits) Prerequisite: LENG-111 |
| L-CM 75910-02 |
The Science of Health (3 credits) Prerequisite: LENG-111 |
| L-CM 75911-01 |
Human Anatomy and Physiology (3 credits) Prerequisite: LENG-111 |
| L-CM 75911-02 |
Human Anatomy and Physiology (3 credits) Prerequisite: LENG-111 |
| L-CM 75911-03 |
Human Anatomy and Physiology (3 credits) Prerequisite: LENG-111 |
| L-CM 75911-05 |
Human Anatomy and Physiology (3 credits) Prerequisite: LENG-111 |
| L-CM 75917-01 |
Science in the Movies (3 credits) Prerequisite: LENG-111 |
| M-CM 00211-01 | The Music of John Lennon (2 credits) |
| M-CM 00910-01 | Bass Lab—Reading 1 (1 credit) |
| M-CM 00910-02 | Bass Lab—Reading 1 (1 credit) |
| M-CM 00911-01 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-02 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-03 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-04 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-05 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-06 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-07 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-08 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-09 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-10 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-11 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-12 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-13 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00913-01 | Brazilian Rhythms and Percussion (2 credits) |
| M-CM 00913-02 | Brazilian Rhythms and Percussion (2 credits) |
| M-CM 00913-03 | Brazilian Rhythms and Percussion (2 credits) |
| M-CM 00914-01 | Mallet Lab 1 (1 credit) |
| M-CM 00914-02 | Mallet Lab 1 (1 credit) |
| M-CM 00914-03 | Mallet Lab 1 (1 credit) |
| M-CM 00915-01 | Intro to the Music Business (2 credits) |
| M-CM 00915-02 | Intro to the Music Business (2 credits) |
| M-CM 00915-03 | Intro to the Music Business (2 credits) |
| M-CM 00915-04 | Intro to the Music Business (2 credits) |
| M-CM 00916-01 | Taxation in the Music Business (2 credits) |
| M-CM 00916-02 | Taxation in the Music Business (2 credits) |
| M-CM 00917-01 | Legal Aspects of the Music Industry (2 credits) |
| M-CM 00917-02 | Legal Aspects of the Music Industry (2 credits) |
| M-CM 00917-03 | Legal Aspects of the Music Industry (2 credits) |
| M-CM 00917-04 | Legal Aspects of the Music Industry (2 credits) |
| M-CM 00919-01 | Fundamentals of Woodwind and Brass Repairs (2 credits) |
| M-CM 00920-01 | Introduction to Music Production and Engineering (2 credits) |
| M-CM 00921-01 | Survey of Bass Styles (2 credits) |
| M-CM 00923-01 | Survey of Guitar Styles (2 credits) |
| M-CM 00924-01 | Survey of Drum Styles to the '60s (2 credits) |
| M-CM 00924-02 | Survey of Drum Styles to the '60s (2 credits) |
| M-CM 00926-01 | Survey of Piano Styles (2 credits) |
| M-CM 00927-01 | Survey of Vocal Styles (2 credits) |
| M-CM 00927-02 | Survey of Vocal Styles (2 credits) |
| M-CM 00928-01 | Survey of Woodwind Styles (2 credits) |
| M-CM 00929-01 | R&B, Funk, and Smooth Jazz Saxophone Styles (2 credits) |
| M-CM 00930-01 | Movement for Musicians (2 credits) |
| M-CM 00930-02 | Movement for Musicians (2 credits) |
| M-CM 00930-03 | Movement for Musicians (2 credits) |
| M-CM 00931-01 | Awareness Training for Musicians (1 credit) |
| M-CM 00931-02 | Awareness Training for Musicians (1 credit) |
| M-CM 00931-03 | Awareness Training for Musicians (1 credit) |
| M-CM 00931-04 | Awareness Training for Musicians (1 credit) |
| M-CM 00931-05 | Awareness Training for Musicians (1 credit) |
| M-CM 00931-06 | Awareness Training for Musicians (1 credit) |
| M-CM 00931-07 | Awareness Training for Musicians (1 credit) |
| M-CM 00932-01 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-02 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-03 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-04 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-05 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-06 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-07 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-08 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-09 | Yoga for Musicians 1 (1 credit) |
| M-CM 00933-01 | Playing in the Key of Qi: Qigong for Musicians (1 credit) |
| M-CM 00934-01 | Integral Tai Chi (1 credit) |
| M-CM 00936-01 | Stage Performance Techniques 1 (2 credits) |
| M-CM 00936-02 | Stage Performance Techniques 1 (2 credits) |
| M-CM 01910-01 | Traditional Microtonal Theory and Application (1 credit) |
| M-CM 03910-01 | Survey of Jazz Composition and Arranging (2 credits) |
| M-CM 03910-02 | Survey of Jazz Composition and Arranging (2 credits) |
| M-CM 03912-01 | Electronics in the Soundtrack (2 credits) |
| M-CM 03913-01 | Essentials of Songwriting (1 credit) |
| M-CM 03913-02 | Essentials of Songwriting (1 credit) |
| M-CM 03913-03 | Essentials of Songwriting (1 credit) |
| M-CM 03913-04 | Essentials of Songwriting (1 credit) |
| M-CM 03915-01 | Instrumentation and Score Prep (2 credits) |
| M-CM 03915-02 | Instrumentation and Score Prep (2 credits) |
| M-CM 03915-03 | Instrumentation and Score Prep (2 credits) |
| M-CM 03915-04 | Instrumentation and Score Prep (2 credits) |
| M-CM 03915-05 | Instrumentation and Score Prep (2 credits) |
| M-CM 03915-06 | Instrumentation and Score Prep (2 credits) |
| M-CM 05910-01 | Percussion for Music Therapy (1 credit) |
| M-CM 05910-02 | Percussion for Music Therapy (1 credit) |
| M-CM 05910-03 | Percussion for Music Therapy (1 credit) |
| M-CM 05911-01 | World Percussion for Non-Percussionists (2 credits) |
| M-CM 05911-02 | World Percussion for Non-Percussionists (2 credits) |
| M-CM 05911-03 | World Percussion for Non-Percussionists (2 credits) |
| M-CM 05911-04 | World Percussion for Non-Percussionists (2 credits) |
| M-CM 06110-01 | Jazz Harmonic Techniques for Piano 1 (1 credit) |
| M-CM 06110-02 | Jazz Harmonic Techniques for Piano 1 (1 credit) |
| M-CM 06110-03 | Jazz Harmonic Techniques for Piano 1 (1 credit) |
| M-CM 07110-01 | American Diction for Singers (2 credits) |
| M-CM 08911-01 | Woodwind Doubling Lab—Saxophone and Theater Doubling (1 credit) |
| M-CM 08912-01 | Doubling/MIDI Wind Controller (1 credit) |
| M-CM 08913-01 | Audition Workshop for Instrumentalists (1 credit) |
| M-CM 08914 -01 | Woodwind Doubling Lab- Clarinet (1 credit) |
| T-CM 09510-01 | Elements of Theater Production (2 credits) |
Students should contact the chair listed to register for these courses. Prerequisites are listed where applicable for guidance. Course descriptions are available here.
| Course and Section Number | Course Title (Credits) | Times | Location | Chair |
|---|---|---|
| CM-221-001 | Techniques of Tonal Writing (2 credits) | Thurs. 2:00 p.m.–3:50 p.m. | 22 Fenway 204| Richard Carrick |
| CM-221-002 | Techniques of Tonal Writing (2 credits) | Thurs. 11:00 a.m.–12:50 p.m. | 130 Massachusetts Ave. 203| Richard Carrick |
| CM-221-003 | Techniques of Tonal Writing (2 credits) | Thurs. 11:00 a.m.–12:50 p.m. |150 Massachusetts Ave. 185 | Richard Carrick |
| CM-221-004 | Techniques of Tonal Writing (2 credits) | Tues. 11:00 a.m.–12:50 p.m. | 136 Massachusetts Ave. 301 | Richard Carrick |
| CM-221-005 | Techniques of Tonal Writing (2 credits) | Thurs. 4:00 p.m.–5:50 p.m. | 161 Massachusetts Ave. 204 | Richard Carrick |
| CM-221-006 | Techniques of Tonal Writing (2 credits) | Thurs. 2:00 p.m.–3:50 p.m. | 1108 Boylston 217 | Richard Carrick |
| CM-221-007 | Techniques of Tonal Writing (2 credits) | Wed. 4:00 p.m.–5:50 p.m. | 1108 Boylston 217 | Richard Carrick |
| CM-231-001 | Instrumentation and Score Preparation (2 credits) | Thrus. 11:00 a.m.–12:50 p.m. | 150 Massachusetts Ave. A75 | Richard Carrick |
| CM-231-002 | Instrumentation and Score Preparation (2 credits) | Mon. 4:00 p.m.–5:50 p.m. | 150 Massachusetts Ave. 175 | Richard Carrick |
| CM-231-003 | Instrumentation and Score Preparation (2 credits) | Mon. 5:00 p.m.–6:50 p.m. | 1140 Boylston 2N | Richard Carrick |
| CM-231-004 | Instrumentation and Score Preparation (2 credits) | Mon. 6:00 p.m.–7:50 p.m. | 150 Massachusetts Ave. 174 | Richard Carrick |
| CM-231-005 | Instrumentation and Score Preparation (2 credits) | Tues. 4:00 p.m.–5:50 p.m. | 150 Massachusetts Ave. A75| Richard Carrick |
| CM-231-006 | Instrumentation and Score Preparation (2 credits) | Thurs. 2:00 p.m.–3:50 p.m. | 150 Massachusetts Ave. 178| Richard Carrick |
| CM-231-007 | Instrumentation and Score Preparation (2 credits) | Tues. 4:00 p.m.–5:50 p.m. | 130 Massachusetts Ave. 212| Richard Carrick |
| CM-231-008 | Instrumentation and Score Preparation (2 credits) | Thurs. 2:00 p.m.–3:50 p.m. | 150 Massachusetts Ave. 176| Richard Carrick |
| CM-341-001 | Scoring for Strings (2 credits) | Fri. 1:00 p.m.–2:50 p.m. | 7 Haviland 231| Richard Carrick |
| CM-341-002 | Scoring for Strings (2 credits) | Wed. 4:00 p.m.–5:50 p.m. | 136 Massachusetts Ave. 302| Richard Carrick |
| CP-311-001 | Advanced Counterpoint (2 credits) | Mon. 2:00 p.m.–3:50 p.m. | 136 Massachusetts Ave. 403| Richard Carrick |
| CP-311-002 | Advanced Counterpoint (2 credits) | Thurs. 9:00 a.m.-10:50 a.m. | 1108 Boylston 305| Richard Carrick |
| MLAN-311-001 | Analysis of Classical and Romantic Music (2 credits) | Tues. 11:00 a.m.–12:50 p.m. | 1140 Boylston 3B| Richard Carrick |
| MTEC-111-1A | Intro to Music Tech (2 credits) | Mon. 2:00 p.m.–3:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-1B | Intro to Music Tech (2 credits) | Fri. 4:00 p.m.–5:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-1C | Intro to Music Tech (2 credits) | Tues. 11:00 a.m.–12:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-2A | Intro to Music Tech (2 credits) | Tues. 2:00 p.m.–3:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-2B | Intro to Music Tech (2 credits) | Tues. 4:00 p.m.–5:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-2C | Intro to Music Tech (2 credits) | Wed. 11:00 a.m.–12:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-3A | Intro to Music Tech (2 credits) | Tues. 9:00 a.m.–10:50 a.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-3B | Intro to Music Tech (2 credits) | Thurs. 9:00 a.m.–10:50 a.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-4A | Intro to Music Tech (2 credits) | Thurs. 4:00 p.m.–5:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-4B | Intro to Music Tech (2 credits) | Mon. 9:00 a.m.–10:50 a.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-5A | Intro to Music Tech (2 credits) | Wed. 2:00 p.m.–3:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-5B | Intro to Music Tech (2 credits) | Thurs. 2:00 p.m.–3:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-6A | Intro to Music Tech (2 credits) | Wed. 4:00 p.m.–5:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-6B | Intro to Music Tech (2 credits) | Thurs. 11:00 a.m.–12:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-6C | Intro to Music Tech (2 credits) | Fri. 11:00 a.m.–12:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-6D | Intro to Music Tech (2 credits) | Mon. 11:00 a.m.–12:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-B1A | Intro to Music Tech – Blended (2 credits) | Thurs. 5:00 p.m.–5:50 p.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B1B | Intro to Music Tech – Blended (2 credits) | Thurs. 8:00 p.m.–8:50 p.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B2A | Intro to Music Tech – Blended (2 credits) | Wed. 4:00 p.m.–5:50 p.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B2B | Intro to Music Tech – Blended (2 credits) | Wed. 3:00 p.m.–3:50 p.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B2C | Intro to Music Tech – Blended (2 credits) | Fri. 3:00 p.m.–3:50 p.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B2D | Intro to Music Tech – Blended (2 credits) | Wed. 10:00 a.m.–10:50 a.m. |22 Fenway 112 | Michael Bierylo |
| MTEC-111-B3A | Intro to Music Tech – Blended (2 credits) | Tues. 4:00 p.m.–4:50 p.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B3B | Intro to Music Tech – Blended (2 credits) | Fri. 1:00 p.m.–1:50 p.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B3C | Intro to Music Tech – Blended (2 credits) | Mon. 1:00 p.m.–1:50 p.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B3D | Intro to Music Tech – Blended (2 credits) | Thurs. 6:00 p.m.–6:50 p.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B4A | Intro to Music Tech – Blended (2 credits) | Fri. 4:00 p.m.–4:50 p.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B4B | Intro to Music Tech – Blended (2 credits) | Mon. 8:00 p.m.–8:50 p.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B4C | Intro to Music Tech – Blended (2 credits) | Fri. 2:00 p.m.–2:50 p.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B5A | Intro to Music Tech – Blended (2 credits) | Wed. 9:00 a.m.–9:50 a.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B5B | Intro to Music Tech – Blended (2 credits) | Mon. 4:00 p.m.–4:50 p.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B6A | Intro to Music Tech – Blended (2 credits) | Tues. 1:00 p.m.–1:50 p.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B6B | Intro to Music Tech – Blended (2 credits) | Thurs. 9:00 a.m.–9:50 a.m. | 7 Haviland St. 310 | Michael Bierylo |
| SW-221-001 | Lyric Writing 1 (2 credits) | Thurs. 4:00 p.m.–5:50 .m. | 1180 Boylston 205 | Bonnie Hayes |
| SW-221-002 | Lyric Writing 1 (2 credits) | Wed. 4:00 p.m.–5:50 p.m. | 22 Fenway 314 | Bonnie Hayes |
| SW-221-003 | Lyric Writing 1 (2 credits) | Wed. 5:00 p.m.–6:50 p.m. | 150 Massachusetts Avenue 121| Bonnie Hayes |
| SW-221-004 | Lyric Writing 1 (2 credits) | Fri. 3:00 p.m.–4:50 p.m. | 921 Boylston 511 | Bonnie Hayes |
| SW-221-005 | Lyric Writing 1 (2 credits) | Thrus. 7:00 p.m.–8:50 p.m. | 130 Massachusetts Avenue 212| Bonnie Hayes |
| SW-221-006 | Lyric Writing 1 (2 credits) | Thurs. 2:00 p.m.–3:50 p.m. | 1140 Boylston Street 2N | Bonnie Hayes |
| SW-221-007 | Lyric Writing 1 (2 credits) | Tues. 12:00 p.m.–1:50 p.m.| 150 Massachusetts Avenue 185| Bonnie Hayes |
| SW-221-008 | Lyric Writing 1 (2 credits) | Tues. 2:00 p.m.–3:50 p.m. | 130 Massachusetts Avenue 207| Bonnie Hayes |
| SW-221-009 | Lyric Writing 1 (2 credits) | Tues. 6:00 .m.–7:50 p.m. | 150 Massachusetts Avenue 122 | Bonnie Hayes |
| SW-221-010 | Lyric Writing 1 (2 credits) | Mon. 1:00 p.m.–2:50 p.m. | 130 Massachusetts Avenue 201| Bonnie Hayes |
| SW-221-011 | Lyric Writing 1 (2 credits) | Mon. 1:00 p.m.–2:50 p.m.| 18 Belvidere CL5 | Bonnie Hayes |
| SW-221-012 | Lyric Writing 1 (2 credits) | Mon. 1:00 p.m.–2:50 p.m.| 7 Haviland 203 | Bonnie Hayes |
Students can review other liberal arts courses offered for the current registration period in my.berklee.edu. To do so:
- Log in with your OnePass credentials;
- click "Student;"
- click "Browse Classes;"
- select the desired term under "Required Term;"
- select any of the course codes listed below under "Subjects;"
- scroll down to the days of the week, and select every box (including Satruday/Sunday); and
- then scroll to the bottom of the page and click "Submit."
Any course that is on the Boston Campus and 'Open' is available for you to register for. If you find something that interests you and works in your schedule, please contact the Liberal Arts Office (liberalarts@berklee.edu) to ask for registration permission. Students can also visit the department for additional advising in 7 Haviland, room 302 on Mondays and Thursdays from 1:30 p.m.–3:30 p.m. and Tuesdays and Fridays from 2:30 p.m.–5:00 p.m. If they approve, they will complete an electronic form that notifies the Registrar's Office to register you.
*Liberal Arts sub-categories:
- LENG English
- LFRN French
- LHIS History
- LHUM Humanities
- LJPN Japanese
- LMSC Math/Science
- LMAS Music and Society
- LPHL Philosophy
- LSOC Social Sciences
- LSPN Spanish
- LVIS Visual Studies
Conservatory students are eligible to enroll in half-hour secondary instrument private instruction at the College, and we have provided an opportunity to audition with the instrumental departments for consideration.
For more information, including department chair, faculty, building, and office location, visit these department pages:
- Bass
Chair, Steve Bailey
Assistant Chair, Sandro Scoccia - Brass
Chair, Tanya Darby - Guitar
Chair, Kim Perlak
Chair Emeritus, Larry Baione - Percussion
Chair, Omar Hakim
Assistant Chair, Yoron Israel - Piano
Chair, David Limina
Assistant Chair, Tony Germain - Strings
Chair, David Wallace - Voice
Interim Chair, Phil Lima - Woodwinds
Interim Chair, Harry Skoler
Contact the office of the instrumental department above which corresponds to the instrument you intend to play in the ensemble. Office locations can be found on the department website linked to above. Email or call Barbara Gill, 617-747-2255, Ensemble Department program manager, with any questions.
- Ensemble auditions are open to all students.
- All candidates must be available to register for the course and be available for all designated class times.
- In order to play in ensembles, you must be registered in the course. It is not possible to play ad hoc in our ensemble courses.
All cross-registered ensemble and private instruction enrollment is on an “as-available” basis.
Conservatory graduate students in a Master of Music (M.M.) program are invited to enroll in any of the following graduate electives at the College by contacting the Graduate Studies Department.
| college course and section number | course title (credits) | times | location | course chair |
|---|---|---|
| PS-621-001 | Topics in Improvisation (3 credits) | Thurs. 2:00 p.m.–4:50 p.m. | 1260 Boylston Street 201 | Allan Chase |
| PS-631-001 | Performance Pedagogy (3 credits) |
Mon. 10:00 2.m.–12:50 p.m. | 1260 Boylston Street 201 | Marco Pignataro |