Integrated Course Offerings for Berklee College of Music and Boston Conservatory at Berklee
2020 Spring Integrated Course Offerings
There are several ways for students at Berklee College of Music and Boston Conservatory at Berklee to take advantage of curricula at each institution.
Chairs and academic administrators, please review this page to find required forms and additional information.
Berklee College of Music Students
- Dual-Listed Courses: Students should register for these courses through their normal registration process on MyBerklee (login required).
- Cross-Registered Courses: Students need permission from the course chair to register for these courses. Chair contact information is included in the list below for these courses.
- Boston Conservatory at Berklee Ensembles: Students should call, email, or visit the administrative coordinator in the Music Division office, 617-912-9124, 8 Fenway, second floor.
- Dance Courses: Students should register for these courses through their normal registration process on MyBerklee.
- Berklee Stage Management Minor: Students interested in this minor should email Patsy Collin Bandes.
- Berklee Contemporary Musical Theater Performance Minor: Students interested in this minor should contact the Performance Division at 617-747-2025 or 1140 Boylston Street, fifth floor.
- Berklee Dance Minor: Students interested in this minor should email Tommy Neblett.
Boston Conservatory at Berklee Students
- All integrated course offerings are available to undergraduate and graduate students at the Conservatory.
- Dual-Listed Courses: Students should register for these courses through their normal registration process through self-service.
- Cross-Registered Courses: Students need permission from the course chair to register for these courses. Chair contact information is included in the list below for these courses.
- Berklee Half-Hour Secondary Instrument Instruction: Students need chair permission to register for half-hour private instruction. See instructions below.
- Berklee Ensembles: Students need chair permission to register for Berklee College of Music ensembles. See instructions below.
- Graduate Classes: Conservatory graduate students in any Master of Music (M.M.) program can take specific graduate electives at the College.
Conservatory Courses for Berklee College of Music Students
Note: Students register for dual-listed courses through the normal registration process using my.berklee.edu (login required). Look for the course number when you register. Students must select "Campus" as "Boston Conservatory" to see dual-listed courses in the registration system.
| COLLEGE COURSE AND SECTION NUMBER | COURSE TITLE (CREDITS) |
|---|---|
Students should contact the chair listed to register for these courses.
| CONSERVATORY COURSE AND SECTION NUMBER | COURSE TITLE (CREDITS) | TIMES | LOCATION | CHAIR |
|---|---|---|
| M-EN 0069-01 | Instrumental Ensemble (1 credit) | Mon.-Fri. 1:30 p.m.-3:30 p.m. | 132 Ipswich 106 | Matthew Marsit |
| M-EN 0079-01 | Chamber Music (1 credit) | Fri. 11:00 a.m.-12:50 p.m. | 132 Ipswich 106 | Matthew Marsit |
| M-EN 0089-01 | Contemporary Music Ensemble (1 credit) |
Fri. 9:00 a.m.–10:50 a.m. | 132 Ipswich 106 | Sarah Brady |
| M-EN 0390-01 | Composers' Performance Ensemble (1 credit) | Mon., Wed. 10:00 a.m.–10:50 a.m. | 8 Fenway 007 | Jonathan Bailey Holland |
| M-EN 0399-01 | Improvisation Workshop (1 credit) | Tues. 4:00 p.m.–5:20 p.m. | 132 Ipswich 106 | Jonathan Bailey Holland |
| M-EN 0399-02 | Improvisation Workshop (1 credit) | Tues. 5:30 p.m.–6:50 p.m. | 132 Ipswich 106 | Jonathan Bailey Holland |
| M-EN 0399-03 | Improvisation Workshop (1 credit) | Thurs. 4:00 p.m.–5:20 p.m. | 132 Ipswich 106 | Jonathan Bailey Holland |
| M-EN 0399-04 | Improvisation Workshop (1 credit) | Thurs. 5:30 p.m.–6:50 p.m. | 132 Ipswich 106 | Jonathan Bailey Holland |
| M-EN 0709-01 | Choral Ensemble (1 credit) Prerequisites: audition | Mon., Wed. 1:45 p.m.–3:15 p.m. | 8 Fenway SH | George Case |
| M-EN 0709-02 |
Choral Ensemble: Women's Chorus (1 credit) Prerequisites: audition |
Mon., Wed. 12:05 p.m.–1:35 p.m. | 8 Fenway SH | George Case |
| M-LT 0712-01 | Song Repertoire: German (1 credit) | Thurs. 10:00 a.m.–11:50 a.m. | 8 Fenway 403 | Patty Thom |
| M-LT 0714-01 | Song Repertoire: English and American (1 credit) | Thurs. 10:00 a.m.–11:50 a.m. | 8 Fenway HH | Patty Thom |
| M-LT 0734-01 | Choral Repertoire 4: 20th and 21st Century (1 credit) | Thurs. 2:00 p.m.–3:50 p.m. | 8 Fenway 304 | George Case |
| M-LT 1102-01 | Music History 2: Baroque to Classical (3 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 31 Hemenway T401 Thurs. 8:00 a.m.–8:50 a.m. | 31 Hemenway T203 | Jonathan Bailey Holland |
| M-LT 1102-02 | Music History 2: Baroque to Classical (3 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 31 Hemenway T401 Thurs. 8:00 a.m.–8:50 a.m. | 31 Hemenway T203| Jonathan Bailey Holland |
| M-LT 1102-03 | Music History 2: Baroque to Classical (3 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 31 Hemenway T401 Fri. 9:00 a.m.–9:50 a.m. | 8 Fenway 303 | Jonathan Bailey Holland |
| M-LT 1102-04 | Music History 2: Baroque to Classical (3 credits) |
Mon. 8:00 a.m.–8:50 a.m. | 8 Fenway 406 Tues., Thurs. 8:00 a.m.–8:50 a.m. | 8 Fenway HH |
| M-LT 1102-05 | Music History 2: Baroque to Classical (3 credits) |
Fri. 9:00 a.m.–9:50 a.m. | 8 Fenway 007 Tues., Thurs. 8:00 a.m.–8:50 a.m. | 8 Fenway HH | Jonathan Bailey Holland |
| M-LT 1102-06 | Music History 2: Baroque to Classical (3 credits) |
Tues., Thurs 8:00 a.m.–8:50 a.m. | 8 Fenway SH Thurs. 11:00 a.m.–11:50 a.m. | 132 Ipswich 311| Jonathan Bailey Holland |
| M-LT 2102-01 | Music History 4: Modern (3 credits) |
Mon. 9:00 a.m.–9:50 a.m. | 132 Ipswich 106 Wed. 9:00 a.m.–9:50 a.m. | 8 Fenway 007 Fri. 10:00 a.m.-10:50 a.m. |132 Ipswich 106| Jonathan Bailey Holland |
| M-LT 2102-02 | Music History 4: Modern (3 credits) |
Mon., Wed., 9:00 a.m.–9:50 a.m. | 8 Fenway 007 Thur. 9:00 a.m.–9:50 a.m. | 132 Ipswich 106 | Jonathan Bailey Holland |
| M-LT 2102-03 | Music History 4: Modern (3 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 8 Fenway 007 Thurs. 11:00 a.m.–11:50 a.m. | 132 Ipswich 106 | Jonathan Bailey Holland |
| M-LT 2102-04 | Music History 4: Modern (3 credits) |
Tues., Thur. 9:00 a.m.–9:50 a.m. | 132 Ipswich 106 Fri. 9:00 a.m.–9:50 a.m. | 8 Fenway 406 | Jonathan Bailey Holland |
| M-LT 2102-05 | Music History 4: Modern (3 credits) |
Tues., Thur. 9:00 a.m.–9:50 a.m. | 8 Fenway SH Thurs. 11:00 a.m.– 11:50 a.m. | 1140 Boylston 4D.2| Jonathan Bailey Holland |
| M-LT 2102-06 | Music History 4: Modern (3 credits) |
Tues., Thur., Fri. 9:00 a.m.–9:50 a.m. | 8 Fenway SH | Jonathan Bailey Holland |
| M-LT 3702-01 | German Fluency for Singers 2 (3 credits) |
Mon., Wed. 12:30 p.m.–1:20 p.m. | 132 Ipswich 311 Fri. 1:00 p.m.–1:50 p.m. | 132 Ipswich 311| Jonathan Bailey Holland |
| M-LT 3702-02 | German Fluency for Singers 2 (3 credits) |
Mon., Wed., Fri. 2:00 p.m.–2:50 p.m. | 132 Ipswich 311| Jonathan Bailey Holland |
| M-LT 4702-01 | French Fluency for Singers 2 (3 credits) |
Tues., Thurs., Fri. 8:00 a.m.–8:50 a.m. | 1140 Boylston 4D.2| Jonathan Bailey Holland |
| M-LT 4702-02 | French Fluency for Singers 2 (3 credits) | Tues., Thurs., Fri. 9:00 a.m.–9:50 a.m. | 1140 Boylston 4D.2| Jonathan Bailey Holland |
| M-SK 0392-01 | Electronic Music 2 (2 credits) | Thurs. 6:00 p.m.–7:50 p.m. |161 Massachusetts Ave. 440| Jonathan Bailey Holland* |
| M-SK 0712-01 | Diction: German (1 credit) | Tues. 10:00 a.m.–11:50 a.m. | 8 Fenway HH | Patty Thom |
| M-SK 0714-01 | Diction: English and American (1 credit) | Wed. 10:00 a.m.–11:50 a.m. | 8 Fenway HH | Patty Thom |
| M-SK 0992-01 | Conducting 2 (1 credit) | Wed. 4:00 p.m.-4:50 p.m. | 132 Ipswich 106| Matthew Marsit |
| M-SK 0992-02 | Conducting 2 (1 credit) | Wed. 5:00 p.m.–5:50 p.m. | 132 Ipswich 106 | Matthew Marsit |
| M-SK 1102-01 | Harmony and Counterpoint 2 (2 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 8 Fenway 304 Fri. 10:00 a.m.–10:50 a.m. | 31 Hemenway T406 | Jonathan Bailey Holland |
| M-SK 1102-02 | Harmony and Counterpoint 2 (2 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 161 Massachusetts Ave. 442 Fri. 10:00 a.m.–10:50 a.m. |8 Fenway 304| Jonathan Bailey Holland |
| M-SK 1102-03 | Harmony and Counterpoint 2 (2 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 8 Fenway 402 Fri. 10:00 a.m.–10:50 a.m. | 8 Fenway 402 | Jonathan Bailey Holland |
| M-SK 1102-04 | Harmony and Counterpoint 2 (2 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 8 Fenway 403 Fri. 10:00 a.m.–10:50 a.m. |8 Fenway 503 | Jonathan Bailey Holland |
| M-SK 1102-05 | Harmony and Counterpoint 2 (2 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 8 Fenway 406 Fri. 10:00 a.m.–10:50 a.m. | 8 Fenway 303 | Jonathan Bailey Holland |
| M-SK 1106-01 | Time and Rhythm 2 (1 credit) | Tues. 4:00 p.m.–5:20 p.m. | 161 Massachusetts Ave. 442 | Jonathan Bailey Holland |
| M-SK 1106-02 | Time and Rhythm 2 (1 credit) | Tues. 5:30 p.m.–6:50 p.m. | 161 Massachusetts Ave. 442 | Jonathan Bailey Holland |
| M-SK 1106-03 | Time and Rhythm 2 (1 credit) | Thurs. 4:00 p.m.–5:20 p.m. | 161 Massachusetts Ave. 442 | Jonathan Bailey Holland |
| M-SK 1106-04 | Time and Rhythm 2 (1 credit) | Thurs. 5:30 p.m.–6:50 p.m. | 161 Massachusetts Ave. 442 | Jonathan Bailey Holland |
| M-SK 1712-01 | Survey of Diction 2 (1 credit) | Tues., Thurs. 10:00 a.m.–10:50 a.m. | 31 Hemenway T406 | Patty Thom |
| M-SK 1712-02 | Survey of Diction 2 (1 credit) | Tues., Thurs. 11:00 a.m.–11:50 a.m. | 31 Hemenway T406 | Patty Thom |
| M-SK 2102-01 | Harmony and Counterpoint 4 (2 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway 007 Fri. 9:00 a.m- 9:50 a.m. | 8 Fenway 304| Jonathan Bailey Holland |
| M-SK 2102-02 | Harmony and Counterpoint 4 (2 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway 402 Fri. 9:00 a.m- 9:50 a.m. | 8 Fenway 402| Jonathan Bailey Holland |
| M-SK 2102-03 | Harmony and Counterpoint 4 (2 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway 403 Fri. 9:00 a.m- 9:50 a.m. | 8 Fenway 503| Jonathan Bailey Holland |
| M-SK 2102-04 | Harmony and Counterpoint 4 (2 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 1140 Boylston 4D.2 Fri. 9:00 a.m- 9:50 a.m. | 8 Fenway 406| Jonathan Bailey Holland |
| M-SK 2102-05 | Harmony and Counterpoint 4 (2 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 1140 Boylston 4D.2 Fri. 9:00 a.m- 9:50 a.m. | 8 Fenway 406| Jonathan Bailey Holland |
| M-SK 2102-06 | Harmony and Counterpoint 4 (2 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway 406 Fri. 9:00 a.m- 9:50 a.m. | 31 Hemenway T406| Jonathan Bailey Holland |
| M-SK 2104-01 | Ear Training 4 (2 credits) |
Tues. 8:00 a.m.–8:50 a.m. | 8 Fenway 007 Thurs. 8:00 a.m.–8:50 a.m. | 132 Ipswich 204 Fri. 8:30 a.m- 8:55 a.m. | 8 Fenway SH| Jonathan Bailey Holland |
| M-SK 2104-02 | Ear Training 4 (2 credits) |
Tues. 8:00 a.m.–8:50 a.m. | 8 Fenway 304 Thurs. 8:00 a.m.–8:50 a.m. | 8 Fenway 007 Fri. 8:30 a.m- 8:55 a.m. | 8 Fenway SH| Jonathan Bailey Holland |
| M-SK 2104-03 | Ear Training 4 (2 credits) |
Tues. 8:00 a.m.–8:50 a.m. | 8 Fenway 007 Thurs. 8:00 a.m.–8:50 a.m. | 161 Massachusetts Ave. 442 Fri. 8:30 a.m- 8:55 a.m. | 8 Fenway SH| Jonathan Bailey Holland |
| M-SK 2104-04 | Ear Training 4 (2 credits) |
Tues., Thurs. 8:00 a.m.–8:50 a.m. | 8 Fenway 303 Fri. 8:30 a.m- 8:55 a.m. | 8 Fenway SH| Jonathan Bailey Holland |
| M-SK 2104-05 | Ear Training 4 (2 credits) |
Tues., Thurs. 10:00 a.m.–10:50 a.m. | 8 Fenway 304 Fri. 8:30 a.m- 8:55 a.m. | 8 Fenway SH| Jonathan Bailey Holland |
| M-SK 2104-06 | Ear Training 4 (2 credits) |
Tues., Thurs. 10:00 a.m.–10:50 a.m. | 161 Massachusetts Ave. 442 Fri. 8:30 a.m- 8:55 a.m. | 8 Fenway SH| Jonathan Bailey Holland |
| M-SK 2104-07 | Ear Training 4 (2 credits) |
Tues., Thurs. 10:00 a.m.–10:50 a.m. | 8 Fenway 406 Fri. 8:30 a.m- 8:55 a.m. | 8 Fenway SH| Jonathan Bailey Holland |
| M-SK 2104-08 | Ear Training 4 (2 credits) |
Tues., Thurs. 12:00 p.m.–12:50 p.m. | TBA Fri. 8:30 a.m- 8:55 a.m. | 8 Fenway SH| Jonathan Bailey Holland |
| M-ST 70910-01 | Silkroad Creativity Lab (1 credit) | Tues. 4:00 p.m.- 5:50 p.m. | 132 Ipswich 106| Matthew Marsit |
| T-EN 73110-01 | Musical Theater for Non-Majors (1 credit) |
Mon. 4:00 p.m.- 6:50 p.m. |161 Massachusetts Ave. 440| Patsy Collin Bandes |
| T-LT 1303-01 | History of Musical Theater (3 credits) |
Mon., Wed. 11:30 a.m.- 12:50 p.m. | 161 Massachusetts Ave. 442| Patsy Collin Bandes |
| T-LT 1303-02 | History of Musical Theater (3 credits) |
Tues., Fri. 11:30 a.m.- 12:50 p.m. |1140 Boylston 4D.2| Patsy Collin Bandes |
| T-LT 2902-01 | Theater History 2 (2 credits) |
Mon., Thurs. 9:00 a.m.–10:20 a.m. | 161 Massachusetts Ave. 440 | Patsy Collin Bandes |
| T-LT 2902-02 | Theater History 2 (2 credits) | Mon., Thurs. 11:00 a.m.–12:20 p.m. | 161 Massachusetts Ave. 440 | Patsy Collin Bandes |
| T-LT 2902-03 | Theater History 2 (2 credits) | Tues., Fri. 9:00 a.m.–10:20 a.m. | 161 Massachusetts Ave. 440 | Patsy Collin Bandes |
| T-LT 2902-04 | Theater History 2 (2 credits) | Tues., Fri. 11:00 a.m.–12:20 p.m. | 161 Massachusetts Ave. 440 | Patsy Collin Bandes |
| T-LT 3941-02 | Playwriting (3 credits) | Wed. 4:00 p.m.–6:50 p.m. | TBA | Patsy Collin Bandes |
| T-LT 3942-02 | Dramaturgy (3 credits) | Tues., Fri. 1:00 p.m.–2:20 p.m. | TBA | Patsy Collin Bandes |
| T-LT 79911-01 | Drag Performance and Queer Embodiments (3 credits) |
Mon. 5:30 p.m.-6:50 p.m. | 161 Massachusetts Ave. 442 Thurs. 5:30 p.m.-6:50 p.m. | 8 Fenway 007| Patsy Collin Bandes |
| T-LT 79914-01 | History of Musical Theater Dance (3 credits) | Mon., Thurs. 4:00 p.m.-5:20 p.m. | 8 Fenway 303| Patsy Collin Bandes |
| T-LT 79916-01 | Immersive and Experiential Theater (3 credits) | Tues., Fri. 2:30 p.m.-3:50 p.m. | 8 Fenway 403| Patsy Collin Bandes |
| T-LT 79919-01 |
Changing the Narrative: Women in Theater (3 credits)
|
Mon., Thurs. 2:00 p.m.-3:50 p.m. | 161 Massachusetts Ave. 442| Patsy Collin Bandes |
| T-LT 79920-01 | Contemporary Asian-American Plays (3 credits) | Tues., Fri. 5:30 p.m.-6:50 p.m. | TBA | Patsy Collin Bandes |
| T-PR 70912-01 | Sound and Space/Aural Awareness (1 credit) | Tues., Thurs. 4:00 p.m.-5:20 p.m. | TBA | Patsy Collin Bandes |
| T-ST 71010-01 | Acting for Non-Majors (1 credit) | Tues. 4:00 p.m.-6:50 p.m. | 132 Ipswich 204 | Patsy Collin Bandes |
| T-ST 72110-01 | Voice and Speech for Non-Majors (1 credit) | Wed. 4:00 p.m.-6:50 p.m. | 132 Ipswich 204 | Patsy Collin Bandes |
Students who wish to participate in performance opportunities at the Conservatory must complete an ensembles audition. Requirements for eligibility and registration, as well as audition repertoire for each department, are listed below:
Large ensemble eligibility/registration requirements for instrumentalists:
- Students with a rating of 3 or higher who have completed two semesters at the College or another institution are eligible to audition for ensembles at the Conservatory.
- Students must be available for all designated class times (Monday–Friday, 1:30 p.m.–3:30 p.m.) and occasional evening rehearsals and performances.
- Once accepted into our ensembles, students must register for the Instrumental Ensembles course (BCEN-110-001). It is not possible to play ad hoc in our performing groups, except in very specific cases.
- Students interested in participating in the Contemporary Music ensembles must also be prepared to sight-read during their audition, as well as be available on Mondays, Wednesdays, and Fridays from 1:30 p.m. until 3:00 p.m. and Fridays from 9:00 a.m. until 11:00 a.m.
Chamber music eligibility/registration requirements for instrumentalists:
- Students with a rating of 3 or higher who have completed two semesters at the College or another institution are eligible to audition for chamber music ensembles at the Conservatory.
- Students must be available for all designated class times (Friday, 11:00 a.m.–12:50 p.m.) and other additional coaching and rehearsal times to be determined with the ensemble coach.
- Once accepted into our ensembles, students must register for the Chamber Music course (BCEN-112-001). It is not possible to play ad hoc in our performing groups. For more information about chamber music at the Conservatory, contact program coordinator Judith Eissenberg.
Chorus eligibility/registration requirements for vocalists:
- All College students are eligible to audition for vocal ensembles at the Conservatory.
- Once accepted into our ensembles, students must register for the applicable vocal ensemble course and be available for all designated class times and occasional evening rehearsals and performances. It is not possible to sing ad hoc in our performing groups.
- BCEN-118-001: Chorale. Meets Monday and Wednesday, 1:45 p.m.–3:15 p.m.
- BCEN-118-002: Women's Chorus. Meets Monday and Wednesday, 12:05 p.m.–1:35 p.m.
Auditions should be scheduled with the appropriate instrumental chairperson (listed below):
For more information, contact the Ensembles Office.
Contact the faculty chair directly to schedule an audition time.
Brass Department: Larry Isaacson, chair
- Required repertoire:
- One etude from any standard collection (Arban, Kopprasch, Pottag, Rochut, Gower/Voxman, etc.)
- Two movements of contrasting nature and tempi from a sonata or concerto
- All major scales and arpeggios
- Sight-reading
Choruses: George Case, director of choral activities
- Required repertoire:
- One solo art song or aria (any language)
- Sight-singing with piano accompaniment
- No operatic arias
- Note: an accompanist will be provided.
Harp Department: Ina Zdorovetchi, chair
- Required repertoire:
- One of the following etudes:
- Boscha: Fifty Studies, Op. 34, Book II (Hasselmans edition), No. 39 (E-flat major)
- Pozzoli: Studies of Moderate Difficulty, No. 5
- Two pieces chosen from the following, or two compositions of a similar or higher degree of difficulty:
- Grandjany: Fantasie on a Theme by Hayden
- Salzedo: Whirlwind
- Dussek: Sonata in C minor (any edition)
- Pescetti: Sonata in C minor (any edition)
- Tournier: Feerie
- Tournier: Vers la source dans le bois
- Handel: Passacaglia from Suite No. 7 (any edition)
- Two orchestral excerpts chosen from the following:
- Tchaikovsky: Nutcracker, Waltz of the Flowers cadenza
- Tchaikovsky: Swan Lake cadenza
- Rimsky-Korsakov: Capriccio Español
- Britten: Young Person’s Guide to the Orchestra cadenza and/or fugue
- One of the following etudes:
Percussion Department: Nancy Zeltsman, chair
- Required repertoire:
- Snare drum
- Concert etude of your choice
- Suggested composers: Délécluse, Cirone, Aleo, Peters
- Rudimental solo
- Suggested composers: Pratt, Tompkins, Wilcoxon
- Snare drum
- Mallets:
- Two-mallet solo
- Suggested composers: Bach (preferably from Sonatas and Partitas for Unaccompanied Violin or Suites for Unaccompanied Cello), Kreisler, Abe, Green, or selections from the MassChap 2010 Xylophone Collection
- Four-mallet solo
- See this link for suggested works.
- Two-mallet solo
Piano Department: Max Levinson, chair
- Required repertoire, all from memory:
- A prelude and fugue from the Well-Tempered Clavier or another work by Bach that includes a fugue
- A complete sonata by Haydn, Mozart, Beethoven, or Schubert
- A major work for solo piano from the Romantic era (including Rachmaninoff)
- A solo piano piece from the 20th or 21st century
- One virtuosic etude, such as those by Chopin, Liszt, Debussy, Rachmaninoff, Scriabin, or Legeti
String Department: Rhonda Rider, chair
- Required repertoire:
- One etude or short technical work that best demonstrates your ability to freely shift around the instrument with good control of bowing articulation
- Two unaccompanied movements by Bach (bass players may substitute with another work of their choice)
- A complete first or last movement from the standard concerto repertoire
- A scale of your choice (major or minor) in three to four octaves, performed with a minimum of four slurred notes per bow, plus the corresponding arpeggios (the arpeggio cycle of Flesch or Galamain is preferred and should be performed three slurred notes to a bow)
Woodwinds Department: Michael Norsworthy, chair
- Required repertoire:
- One etude from any standard collection (Anderson, Voxman, Weissenborn, Klose, Rose, Milde, Kopprasch, etc.)
- Two movements of a contrasting nature from a sonata or concerto
Register for these courses through the normal college registration process.
| COURSE NUMBER | COURSE TITLE (credits) | PREREQUISITES |
|---|---|---|
| DANA-111 | African Dance (1 credit) | none |
| DANB-111 | Ballet (1 credit) | none |
| DANE-111 | Swing Dance (1 credit) | noen |
| DANH-111 | Beginning Hip-Hop Dance (1 credit) | none |
| DANH-211 | Intermediate Hip-Hop Dance (1 credit) | DANH-111 or comparable experience |
| DANJ-111 | Jazzdance Techniques (1 credit) | none |
| DANT-111 | Beginning Tap Dance (1 credit) | none |
| DANT-211 | Intermediate Tap Dance (1 credit) | DANT-111 or comparable experience |
| DANU-111 | Upside Down (1 credit) | none |
The minor in stage management puts students at the intersection of the artistic, the technical, and the managerial. Skills and understanding in all three areas make stage managers essential to every kind of performance, live and recorded, whether music, theater, dance, performance art, or opera. As the liaison between artists, directors, designers, technicians, and producers, stage managers are a critical link in the successful operation of any production.
The minor in stage management will address the principles of stage management, running and calling a show, lighting techniques, production management, and ways of approaching negotiation. Students will learn from professionals in all areas of performance. The minor also includes an internship through which students will be able to capitalize on their contacts and make further contacts to strengthen their careers. Contacts and internships should help lead to a full range of professional options upon graduation.
View program details, entrance requirements, and required courses.
The contemporary musical theater performance minor focuses on molding a total musical theater performer. It engages in a multidisciplinary exploration of this uniquely American art form, with an emphasis on the meeting place between classic musical theater and the rock musical. The course work includes musical preparation, character development, movement, composition, and ensemble work.
View program details, entrance requirements, and required courses.
The dance minor offers students the opportunity to study a range of movement forms including jazzdance, salsa, African dance, hip-hop, tap dance, and ballet, and to investigate dance as a social, cultural, and historical document, which both reflects and impacts the culture that creates it. The dance minor requires coursework in the academic study of dance, the creative process, somatics, and applied coursework in specific movement genres.
View program details, entrance requirements, and required courses.
Berklee College of Music Courses for Conservatory Students
Note: Conservatory students register for dual-listed courses through the normal registration process through self-service. Course descriptions are available here.
| CONSERVATORY COURSE AND SECTION NUMBER | COURSE TITLE (CREDITS) |
|---|---|
| C-CM 70910-01 | The Creative Entrepreneur Mindset: Music Thinking (2 credits) |
| C-CM 70911-01 | Business Fundamentals of Creative Industries (2 credits) |
| D-CM 71110-01 | Ballet (1 credit) |
| D-CM 71110-02 | Ballet (1 credit) |
| D-CM 73110-01 | African Dance (1 credit) |
| D-CM 73111-01 | Jazzdance Technique (1 credit) |
| D-CM 73113-01 | Beginning Tap Dance (1 credit) |
| D-CM 73114-01 | Beginning Hip-Hop Dance (1 credit) |
| D-CM 73210-01 | Intermediate Hip-Hop Dance (1 credit) |
| D-CM 73213-01 | Intermediate Tap Dance (1 credit) |
| D-CM 73910-01 | Swing Dance (1 credit) |
| D-CM 74910-01 | Upside Down (1 credit) |
| L-CM 1105-02 | English as a Second Language 2 (3 credits) |
| L-CM 1106-01 | English as a Second Language 3 (3 credits) |
| L-CM 1301-02 | Intro to College Writing (3 credits) |
| L-CM 1301-09 | Intro to College Writing (3 credits) |
| L-CM 1301-011 | Intro to College Writing (3 credits) |
| L-CM 1302-01 |
Literature Topics: Portable Lives (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-03 |
Literature Topics: Portable Lives (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-06 |
Literature Topics: Reading the Future (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-11 |
Literature Topics: Haunted (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-18 |
Literature Topics: Far from Home (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-28 |
Literature Topics: Lit Representations of Death (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-31 |
Literature Topics: Feminist and Queer Literature (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-33 |
Literature Topics: Lit Representations of Death (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-34 |
Literature Topics: Women's Dystopian Fiction (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-35 |
Literature Topics: Women's Dystopian Fiction (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-36 |
Literature Topics: Perennial Stories (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-37 |
Literature Topics: Perennial Stories (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-38 |
Literature Topics: Haunted (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-39 |
Literature Topics: Haunted (3 credits) Prerequisite: LENG-111 |
| L-CM 1302-40 |
Literature Topics: Reading the Future (3 credits) Prerequisite: LENG-111 |
| L-CM 72910-01 |
Introductory Spanish 1 (3 credits) Prerequisite: LENG-111 |
| L-CM 72910-02 |
Introductory Spanish 1 (3 credits) Prerequisite: LENG-111 |
| L-CM 72910-03 |
Introductory Spanish 1 (3 credits) Prerequisite: LENG-111 |
| L-CM 73912-01 |
Cinema in Hitler's Germany (3 credits) Prerequisite: LENG-111 |
| L-CM 73916-01 |
America from the Jazz Age to the MTV Age (3 credits) Prerequisite: LENG-111 |
| L-CM 73919-02 |
Great Discoveries (3 credits) Prerequisite: LENG-111 |
| L-CM 73920-01 |
Mesoamerican Art (3 credits) Prerequisite: LENG-111 |
| L-CM 73923-W02 |
Themes and Variations in West Art Online (3 credits) Prerequisite: LENG-111 |
| L-CM 73924-02 |
The Renaissance to the Present (3 credits) Prerequisite: LENG-111 |
| L-CM 73924-05 |
The Renaissance to the Present (3 credits) Prerequisite: LENG-111 |
| L-CM 73925-01 |
American Silent Film Age (3 credits) Prerequisite: LENG-111 |
| L-CM 73929-01 |
Japanese Art and Culture (3 credits) Prerequisite: LENG-111 |
| L-CM 73931-01 |
Western Philosophy (3 credits) Prerequisite: LENG-111 |
| L-CM 73941-07 |
Global History of Narcotics (3 credits) Prerequisite: LENG-111 |
| L-CM 73945-04 |
The Cave (3 credits) Prerequisite: LENG-111 |
| L-CM 73948-04 |
Exploring Avant-Garde Performance (3 credits) Prerequisite: LENG-111 |
| L-CM 73950-02 |
Crossing Cultures Greece/Japan (3 credits) Prerequisite: LENG-111 |
| L-CM 73951-08 |
A People's History of Monsters (3 credits) Prerequisite: LENG-111 |
| L-CM 73951-09 |
A People's History of Monsters (3 credits) Prerequisite: LENG-111 |
| L-CM 73952-01 |
Gender and Power in History (3 credits) Prerequisite: LENG-111 |
| L-CM 73953-03 |
Occupy the Museum (3 credits) Prerequisite: LENG-111 |
| L-CM 74910-01 |
General Psychology (3 credits) Prerequisite: LENG-111 |
| L-CM 74910-02 |
General Psychology (3 credits) Prerequisite: LENG-111 |
| L-CM 74910-05 |
General Psychology (3 credits) Prerequisite: LENG-111 |
| L-CM 74914-01 |
Human Sexuality (3 credits) Prerequisite: LENG-111 |
| L-CM 74916-01 |
Psychology of Music (3 credits) Prerequisite: LENG-111 |
| L-CM 74916-04 |
Psychology of Music (3 credits) Prerequisite: LENG-111 |
| L-CM 74922-08 |
Music and Politics of Resistance (3 credits) Prerequisite: LENG-111 |
| L-CM 74922-02 |
City Blues (3 credits) Prerequisite: LENG-111 |
| L-CM 74930-01 |
Eastern Philosophy (3 credits) Prerequisite: LENG-111 |
| L-CM 75910-02 |
The Science of Health (3 credits) Prerequisite: LENG-111 |
| L-CM 75910-03 |
The Science of Health (3 credits) Prerequisite: LENG-111 |
| L-CM 75911-01 |
Human Anatomy and Physiology (3 credits) Prerequisite: LENG-111 |
| L-CM 75911-02 |
Human Anatomy and Physiology (3 credits) Prerequisite: LENG-111 |
| L-CM 75911-03 |
Human Anatomy and Physiology (3 credits) Prerequisite: LENG-111 |
| L-CM 75913-02 |
Math, Science, and Truth (3 credits) Prerequisite: LENG-111 |
| L-CM 75913-03 |
Math, Science, and Truth (3 credits) Prerequisite: LENG-111 |
| L-CM 75918-04 |
Genetics in the Movies (3 credits) Prerequisite: LENG-111 |
| M-CM 00211-01 | The Music of John Lennon (2 credits) |
| M-CM 00910-01 | Bass Lab- Reading 1 (1 credit) |
| M-CM 00910-02 | Bass Lab- Reading 1 (1 credit) |
| M-CM 00911-01 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-02 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-03 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-04 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-05 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-06 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-07 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-08 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-09 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-10 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-11 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-12 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-13 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-14 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00912-01 | Native American Drumming Lab (1 credit) |
| M-CM 00913-01 | Brazilian Rhythms and Percussion (2 credits) |
| M-CM 00913-02 | Brazilian Rhythms and Percussion (2 credits) |
| M-CM 00913-03 | Brazilian Rhythms and Percussion (2 credits) |
| M-CM 00913-04 | Brazilian Rhythms and Percussion (2 credits) |
| M-CM 00914-01 | Mallet Lab 1 (1 credit) |
| M-CM 00914-02 | Mallet Lab 1 (1 credit) |
| M-CM 00915-01 | Intro to the Music Business (2 credits) |
| M-CM 00915-02 | Intro to the Music Business (2 credits) |
| M-CM 00915-03 | Intro to the Music Business (2 credits) |
| M-CM 00915-04 | Intro to the Music Business (2 credits) |
| M-CM 00915-05 | Intro to the Music Business (2 credits) |
| M-CM 00916-01 | Taxation in the Music Business (2 credits) |
| M-CM 00916-02 | Taxation in the Music Business (2 credits) |
| M-CM 00917-01 | Legal Aspects of the Music Industry (2 credits) |
| M-CM 00917-02 | Legal Aspects of the Music Industry (2 credits) |
| M-CM 00917-03 | Legal Aspects of the Music Industry (2 credits) |
| M-CM 00917-04 | Legal Aspects of the Music Industry (2 credits) |
| M-CM 00917-05 | Legal Aspects of the Music Industry (2 credits) |
| M-CM 00919-01 | Fundamentals of Woodwind and Brass Repairs (2 credits) |
| M-CM 00920-01 | Introduction to Music Production and Engineering (2 credits) |
| M-CM 00921-01 | Survey of Bass Styles (2 credits) |
| M-CM 00923-01 | Survey of Guitar Styles (2 credits) |
| M-CM 00924-01 | Survey of Drum Styles to the '60s (2 credits) |
| M-CM 00926-01 | Survey of Piano Styles (2 credits) |
| M-CM 00927-01 | Survey of Vocal Styles (2 credits) |
| M-CM 00927-02 | Survey of Vocal Styles (2 credits) |
| M-CM 00928-01 | Survey of Woodwind Styles (2 credits) |
| M-CM 00929-01 | R&B, Funk, and Smooth Jazz Saxophone Styles (2 credits) |
| M-CM 00930-01 | Movement for Musicians (2 credits) |
| M-CM 00930-02 | Movement for Musicians (2 credits) |
| M-CM 00930-03 | Movement for Musicians (2 credits) |
| M-CM 00931-01 | Awareness Training for Musicians (1 credit) |
| M-CM 00931-02 | Awareness Training for Musicians (1 credit) |
| M-CM 00931-03 | Awareness Training for Musicians (1 credit) |
| M-CM 00931-04 | Awareness Training for Musicians (1 credit) |
| M-CM 00931-05 | Awareness Training for Musicians (1 credit) |
| M-CM 00931-06 | Awareness Training for Musicians (1 credit) |
| M-CM 00932-01 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-02 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-03 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-04 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-05 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-06 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-07 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-08 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-09 | Yoga for Musicians 1 (1 credit) |
| M-CM 00933-01 | Playing in the Key of Qi: Qigong for Musicians (1 credit) |
| M-CM 00934-01 | Integral Tai Chi (1 credit) |
| M-CM 00936-01 | Stage Performance Techniques 1 (2 credits) |
| M-CM 01910-01 | Traditional Microtonal Theory and Application (1 credit) |
| M-CM 03910-01 | Survey of Jazz Composition and Arranging (2 credits) |
| M-CM 03910-02 | Survey of Jazz Composition and Arranging (2 credits) |
| M-CM 03912-01 | Electronics in the Soundtrack (2 credits) |
| M-CM 03913-01 | Essentials of Songwriting (1 credit) |
| M-CM 03913-02 | Essentials of Songwriting (1 credit) |
| M-CM 03913-03 | Essentials of Songwriting (1 credit) |
| M-CM 03913-04 | Essentials of Songwriting (1 credit) |
| M-CM 05910-01 | Percussion for Music Therapy (1 credit) |
| M-CM 05910-02 | Percussion for Music Therapy (1 credit) |
| M-CM 05910-03 | Percussion for Music Therapy (1 credit) |
| M-CM 05911-01 | World Percussion for Non-Percussionists (2 credits) |
| M-CM 05911-02 | World Percussion for Non-Percussionists (2 credits) |
| M-CM 05911-03 | World Percussion for Non-Percussionists (2 credits) |
| M-CM 06110-01 | Jazz Harmonic Techniques for Piano 1 (1 credit) |
| M-CM 06110-02 | Jazz Harmonic Techniques for Piano 1 (1 credit) |
| M-CM 07110-01 | American Diction for Singers (2 credits) |
| M-CM 08911-01 | Woodwind Doubling Lab—Saxophone and Theater Doubling (1 credit) |
| M-CM 08912-01 | Doubling/MIDI Wind Controller (1 credit) |
| M-CM 08913-01 | Audition Workshop for Instrumentalists (1 credit) |
| M-CM 75900-01 | Marimba Transcriptions and Repertoire Lab (2 credits) |
| M-CM 75901-01 | Marimba Ensemble 2 (1 credit) |
| M-CM 75902-01 | Marimba Ensemble 3 (1 credit) |
| M-CM 75903-01 | Marimba in Mixed Chamber Music Ensemble (1 credit) |
| M-CM 75906-01 | Mallet Lab 2 (1 credit) |
| T-CM 09510-01 | Elements of Theater Production (2 credits) |
Students should contact the chair listed to register for these courses. Prerequisites are listed where applicable for guidance. Course descriptions are available here.
| Course and Section Number | Course Title (Credits) | Times | Location | Chair |
|---|---|---|
| CM-221-001 | Techniques of Tonal Writing (2 credits) | Mon. 4:00 p.m.–5:50 p.m. | 18 Belvidere CL3| Richard Carrick |
| CM-221-002 | Techniques of Tonal Writing (2 credits) | Thurs. 11:00 a.m.–12:50 p.m. | 136 Massachusetts Ave. 303| Richard Carrick |
| CM-221-003 | Techniques of Tonal Writing (2 credits) | Fri. 2:00 p.m.–3:50 p.m. |150 Massachusetts Ave. 127| Richard Carrick |
| CM-221-004 | Techniques of Tonal Writing (2 credits) | Mon. 11:00 a.m.–12:50 p.m. | 130 Massachusetts Ave. 302| Richard Carrick |
| CM-221-005 | Techniques of Tonal Writing (2 credits) | Thurs. 4:00 p.m.–5:50 p.m. | 130 Massachusetts Ave. 204 | Richard Carrick |
| CM-221-006 | Techniques of Tonal Writing (2 credits) | Thurs. 2:00 p.m.- 3:50 p.m. | 150 Massachusetts Ave. 178| Richard Carrick |
| CM-231-001 | Instrumentation and Score Preparation (2 credits) | Thurs. 11:00 a.m.- 12:50 p.m. | 130 Massachusetts Ave. 205| Richard Carrick |
| CM-231-002 | Instrumentation and Score Preparation (2 credits) | Wed. 11:00 a.m.- 12:50 p.m. | 1108 Boylston 205| Richard Carrick |
| CM-231-003 | Instrumentation and Score Preparation (2 credits) | Mon. 4:00 p.m.- 5:50 p.m. | 150 Massachusetts Ave. A73| Richard Carrick |
| CM-231-004 | Instrumentation and Score Preparation (2 credits) | Mon. 2:00 p.m.- 3:50 p.m. | 150 Massachusetts Ave. 120| Richard Carrick |
| CM-231-005 | Instrumentation and Score Preparation (2 credits) | Wed. 4:00 p.m.- 5:50 p.m. | 150 Massachusetts Ave. 121| Richard Carrick |
| CM-231-006 | Instrumentation and Score Preparation (2 credits) | Thurs. 4:00 p.m.- 5:50 p.m. | 130 Massachusetts Ave. 207| Richard Carrick |
| CM-341-001 | Scoring for Strings (2 credits) | Fri. 11:00 a.m.- 12:50 p.m. | 7 Haviland 213| Richard Carrick |
| CM-341-002 | Scoring for Strings (2 credits) | Wed. 4:00 p.m.- 5:50 p.m. | 136 Massachusetts Ave. 303| Richard Carrick |
| CP-311-001 | Advanced Counterpoint (2 credits) | Thurs. 2:00 p.m.–3:50 p.m. | 150 Massachusetts Ave. 174| Richard Carrick |
| CP-311-002 | Advanced Counterpoint (2 credits) | Mon. 2:00 p.m.–3:50 p.m. | 136 Massachusetts Ave. 404| Richard Carrick |
| ICE-325-001 | The Startup of You (2 credits) | Thurs. 4:00 p.m.–5:50 p.m. | 1140 Boylston 2E| Don Gorder |
| ICE-335-001 | Music+ (2 credis) | Mon. 2:00 p.m.–3:50 p.m. | 7 Haviland 310| Don Gorder |
| ICE-425-001 | Startup Lab (3 credits) | Thurs. 4:00 p.m.–6:50 p.m. |7 Haviland 310| Don Gorder |
| MLAN-311-001 | Analysis of Classical and Romantic Music (2 credits) | Thurs. 2:00 p.m.–3:50 p.m. | 130 Massachusetts Ave. 212| Richard Carrick |
| MLAN-311-002 | Analysis of Classical and Romantic Music (2 credits) | Mon. 4:00 p.m.–4:50 p.m. | 1140 Boylston 2N| Richard Carrick |
| MTEC-111-1A | Introduction to Music Tech (2 credits) | Tues. 4:00 p.m.–5:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-1B | Introduction to Music Tech (2 credits) | Thurs. 11:00 a.m.–12:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-1C | Introduction to Music Tech (2 credits) | Wed. 9:00 a.m.–10:50 a.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-2A | Introduction to Music Tech (2 credits) | Wed. 4:00 p.m.- 5:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-2B | IIntroduction to Music Tech (2 credits) | Wed. 2:00 p.m.–3:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-3A | Introduction to Music Tech (2 credits) | Tues. 2:00 p.m.–3:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-3B | Introduction to Music Tech (2 credits) | Tues. 9:00 a.m.–10:50 a.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-B1B | Introduction to Music Tech, Blended (2 credits) | Tues. 9:00 a.m.–10:50 a.m. | 7 Haviland 310 | Michael Bierylo |
| MTEC-111-B3B | Introduction to Music Tech, Blended (2 credits) | Tues. 10:00 a.m.–10:50 a.m. | 7 Haviland 310 | Michael Bierylo |
| SW-221-001 | Lyric Writing 1 (2 credits) | Fri. 9:00 a.m.–10:50 a.m. |1108 Boylston 321| Bonnie Hayes |
| SW-221-002 | Lyric Writing 1 (2 credits) | Mon. 4:00 p.m.–5:50 p.m. |150 Massachusetts Ave. 119| Bonnie Hayes |
| SW-221-003 | Lyric Writing 1 (2 credits) | Mon. 4:00 p.m.–5:50 p.m. |130 Massachusetts Ave. 212| Bonnie Hayes |
| SW-221-004 | Lyric Writing 1 (2 credits) | Thurs. 1:00 p.m.–2:50 p.m. |150 Massachusetts Ave. 121| Bonnie Hayes |
| SW-221-005 | Lyric Writing 1 (2 credits) | Thurs. 11:00 a.m.–12:50 p.m. |130 Massachusetts Ave. 201| Bonnie Hayes |
| SW-221-006 | Lyric Writing 1 (2 credits) | Mon. 2:00 p.m.–3:50 p.m. |136 Massachusetts Ave. 302| Bonnie Hayes |
| SW-221-007 | Lyric Writing 1 (2 credits) | Thurs. 4:00 p.m.–5:50 p.m. |150 Massachusetts Ave. 123| Bonnie Hayes |
| SW-221-008 | Lyric Writing 1 (2 credits) | Mon. 11:00 a.m.–12:50 p.m. |150 Massachusetts Ave. 121| Bonnie Hayes |
| SW-221-009 | Lyric Writing 1 (2 credits) | Wed. 6:00 p.m.–7:50 p.m. |136 Massachusetts Ave. 301| Bonnie Hayes |
| SW-221-010 | Lyric Writing 1 (2 credits) | Thurs. 6:30 p.m.–8:20 p.m. |150 Massachusetts Ave. 2178| Bonnie Hayes |
| SW-221-011 | Lyric Writing 1 (2 credits) | Fri. 9:00 a.m.–10:50 a.m.|150 Massachusetts Ave. A75| Bonnie Hayes |
| SW-221-012 | Lyric Writing 1 (2 credits) | Weds. 4:00 p.m.–5:50 p.m.| 22 Fenway 204| Bonnie Hayes |
| SW-221-013 | Lyric Writing 1 (2 credits) | Thurs. 4:00 p.m.–5:50 p.m.|130 Massachusetts Ave. 203| Bonnie Hayes |
Students can review other liberal arts courses offered for the current registration period in my.berklee.edu. To do so:
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log in with your OnePass credentials,
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click "Student,"
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click "Browse Classes,"
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select the desired term under "Required Term,"
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select any of the course codes listed below under "Subjects,"
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scroll down to the days of the week and select every box (including Saturday/Sunday), and
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then scroll to the bottom of the page and click "Submit."
Any course that is on the Boston campus and marked "Open" is available for you to register for. If you find something that interests you and works in your schedule, please contact the Liberal Arts Department (liberalarts@berklee.edu) to ask for registration permission. Students can also visit the department for additional advising in 7 Haviland Street, room 302, on Mondays and Thursdays from 1:30 p.m. until 3:30 p.m. and on Tuesdays and Fridays from 2:30 p.m. until 5:00 p.m. If the department approves your request, they will complete an electronic form that notifies the Office of the Registrar to register you.
Liberal Arts Subcategories
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LENG English
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LFRN French
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LHIS History
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LHUM Humanities
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LJPN Japanese
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LMSC Math/Science
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LMAS Music and Society
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LPHL Philosophy
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LSOC Social Sciences
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LSPN Spanish
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LVIS Visual Studies
Conservatory students are eligible to enroll in half-hour secondary instrument private instruction at the College, and we have provided an opportunity to audition with the instrumental departments for consideration.
For more information, including department chair, faculty, building, and office location, visit these department pages:
- Bass
Chair, Steve Bailey
Assistant Chair, Sandro Scoccia - Brass
Chair, Tanya Darby - Guitar
Chair, Kim Perlak
Assistant Chair, Sheryl Bailey - Percussion
Interim Chair, Yoron Israel - Piano
Chair, Dave Limina
Assistant Chair, Tony Germain - Strings
Chair, David Wallace - Voice
Chair, Anne Peckham - Woodwinds
Chair, Walter Smith
Contact the office of the instrumental department above which corresponds to the instrument you intend to play in the ensemble. Office locations can be found on the department website linked to above. Email or call Barbara Gill, 617-747-2255, Ensemble Department program manager, with any questions.
- Ensemble auditions are open to all students.
- All candidates must be available to register for the course and be available for all designated class times.
- In order to play in ensembles, you must be registered in the course. It is not possible to play ad hoc in our ensemble courses.
All cross-registered ensemble and private instruction enrollment is on an “as-available” basis.
Conservatory graduate students in a Master of Music (M.M.) program are invited to enroll in any of the following graduate electives at the College by contacting the Graduate Studies Department.
| college course and section number | course title (credits) | times | location | course chair |
|---|---|---|
| PS-631-001 | Performance Pedagogy (3 credits) |
Mon. 10:00 a.m.–12:50 p.m. | 169 Massachusetts Ave. 310| Marco Pignataro |
| GS-556-001 | Avant Garde Exploration Music/Art (3 credits) | Fri. 9:00 a.m.–11:50 a.m. | 169 Massachusetts Ave. 310 |Robert Lagueux |