Integrated Course Offerings for Berklee College of Music and Boston Conservatory at Berklee
2018 Summer Integrated Course Offerings
Students at Boston Conservatory at Berklee are able to register for courses at Berklee College of Music with approval from the course chair. Chair contact information can be found on this page. The list of courses offered this summer from Berklee College of Music can be found on this page.
Chairs and academic administrators, please review this page to find required forms and additional information.
2018 Fall Integrated Course Offerings
There are several ways for students at Berklee College of Music and Boston Conservatory at Berklee to take advantage of curricula at each institution.
Chairs and academic administrators, please review this page to find required forms and additional information.
Berklee College of Music Students
- Dual-Listed Courses: Students should register for these courses through their normal registration process on MyBerklee (login required). Students should search for courses with a BC prefix to see dual-listed courses in the registration system, with the exception of stage management courses, which have the prefix SMGT.
- Cross-Registered Courses: Students need permission from the course chair to register for these courses. Chair contact information is included in the list below for these courses.
- Boston Conservatory at Berklee Ensembles: Students should call, email, or visit the administrative coordinator in the Music Division office, 617-912-9124, 8 Fenway, second floor.
- Dance Courses: Students should register for these courses through their normal registration process on MyBerklee.
- Berklee Stage Management Minor: Students interested in this minor should email Sara Stackhouse.
- Berklee Contemporary Musical Theater Performance Minor: Students interested in this minor should contact the Performance Division at 617-747-2025 or 1140 Boylston Street, fifth floor.
- Berklee Dance Minor: Students interested in this minor should email Tommy Neblett.
Boston Conservatory at Berklee Students
- All integrated course offerings are available to undergraduate and graduate students at the Conservatory.
- Dual-Listed Courses: Students should register for these courses through their normal registration process through self-service.
- Cross-Registered Courses: Students need permission from the course chair to register for these courses. Chair contact information is included in the list below for these courses.
- Berklee Half-Hour Secondary Instrument Instruction: Students need chair permission to register for half-hour private instruction. See instructions below.
- Berklee Ensembles: Students need chair permission to register for Berklee College of Music ensembles. See instructions below.
- Graduate Classes: Boston Conservatory at Berklee graduate students in any Master of Music (M.M.) program can take specific graduate electives at Berklee College of Music.
Conservatory Courses for Berklee College of Music Students
Note: Students register for dual-listed courses through the normal registration process through MyBerklee. Look for the course number when you register. Students must select "Campus" as "Boston Conservatory" to see dual-listed courses in the registration system.
| COLLEGE COURSE AND SECTION NUMBER | COURSE TITLE (CREDITS) |
|---|---|
| SMGT-152-001 | Lighting Seminar 1 (2 credits) |
| SMGT-111-001 | Introduction to Stage Management 1 (3 credits) |
| LVIS-223-007 | Topics in Art: Occupy the Museum (3 credits) |
| LVIS-223-008 | The Cave (3 credits) |
| LENG-338-001 | Poetry Workshop: Microcosm/Macrocosm (3 credits) |
| LENG-338-002 | Poetry Workshop: Microcosm/Macrocosm (3 credits) |
Students should contact the chair listed to register for these courses. Prerequisites are listed where applicable.
| CONSERVATORY COURSE AND SECTION NUMBER | COURSE TITLE (CREDITS) | TIMES | LOCATION | CHAIR |
|---|---|---|
| D-LT 1601-02 | Introduction to Dance (3 credits) | Mon., Wed. 2:15 p.m.–3:45 p.m. | 8 Fenway 007 | Mila Thigpen |
| D-LT 1601-03 | Introduction to Dance (3 credits) | Tues., Thurs. 2:15 p.m.–3:45 p.m. | 8 Fenway 007 |Mila Thigpen |
| D-ST 1204-01 | Improvisation (1 credit) | Tues. 12:30 p.m.–1:50 p.m. | 1112 Boylston 2B | Mila Thigpen |
| D-ST 1204-02 | Improvisation (1 credit) | Thurs. 12:30 p.m.–1:50 p.m. | 31 Hemenway T001 |Mila Thigpen |
| D-ST 1409-01 | Dance Composition (1 credit) | Wed. 4:00 p.m.–4:50 p.m. | 31 Hemenway T003 | Mila Thigpen |
| D-ST 1409-02 | Dance Composition (1 credit) | Wed. 5:00 p.m.–5:50 p.m. | 31 Hemenway T003 | Mila Thigpen |
| D-ST 1409-03 | Dance Composition (1 credit) | Fri. 1:00 p.m.–1:50 p.m. | 132 Ipswitch 306 | Mila Thigpen |
| D-ST 1502-01 | Floor Barre 1 (1 credit) |
Tues. 1:00 p.m.–2:00 p.m. | 31 Hemenway T003 Thurs. 1:00 p.m.–2:00 p.m. | Transnational ST1 | Mila Thigpen |
| D-ST 1503-01 | Gyrokinesis (1 credit) | Tues., Thurs. 10:45 a.m.–11:45 a.m. | 31 Hemenway T001 | Mila Thigpen |
| D-ST 2205-01 | Creative Process (1.5 credits) | Tues., Thurs. 12:30 p.m.–1:50 p.m. | Location TBA | Mila Thigpen |
| D-ST 2205-02 | Creative Process (1.5 credits) | Fri. 1:00 p.m.–3:50 p.m. | 31 Hemenway T003 | Mila Thigpen |
| M-EN 0003-01 | Orchestral Repertoire 3 (1 credit) | Thurs. 11:00 a.m.–12:50 p.m. | 132 Ipswich 106| Doug Perkins |
| M-EN 0069-01 | Instrumental Ensemble (1 credit) |
All week days, 1:30 p.m.–3:30 p.m. | 132 Ipswich 106| Doug Perkins |
| M-EN 0079-01 | Chamber Music (1 credit) | Fri. 11:00 a.m.–12:50 p.m. | TBA | Judith Eissenberg |
| M-EN 0089-01 | Contemporary Music Ensemble (1 credit) |
Fri. 1:30 p.m.–3:30 p.m. | 132 Ipswich 106 | Sarah Brady |
| M-EN 0390-01 | Composers' Performance Ensemble (1 credit) | Mon., Wed. 1:00 p.m.–1:50 p.m. | 8 Fenway 007 | Jonathan Bailey Holland |
| M-EN 0399-01 | Improvisation Workshop (1 credit) | Tues. 4:00 p.m.–5:20 p.m. | 132 Ipswich 106 | Jonathan Bailey Holland |
| M-EN 0399-02 | Improvisation Workshop (1 credit) | Tues. 5:30 p.m.–6:50 p.m. | 132 Ipswich 106 | Jonathan Bailey Holland |
| M-EN 0399-03 | Improvisation Workshop (1 credit) | Thurs. 4:00 p.m.–5:20 p.m. | 132 Ipswich 106 | Jonathan Bailey Holland |
| M-EN 0399-04 | Improvisation Workshop (1 credit) | Thurs. 5:30 p.m.–6:50 p.m. | 132 Ipswich 106| Jonathan Bailey Holland |
| M-EN 0709-01 | Choral Ensemble (1 credit) Prerequisites: audition | Mon., Wed. 1:45 p.m.–3:15 p.m. | 8 Fenway SH | George Case |
| M-EN 0709-02 | Choral Ensemble (1 credit) Prerequisites: audition | Mon., Wed. 12:05 p.m.–1:35 p.m. | 8 Fenway SH| George Case |
| M-LT 0711-01 | Song Repertoire: Italian (1 credit) | Thurs. 10:00 a.m.–11:50 a.m. | 8 Fenway 403 | Patty Thom |
| M-LT 0733-01 | Choral Repertoire 3: 19th Century (1 credit) | Thurs. 2:00 p.m.–3:50 p.m. | 8 Fenway 304| Patty Thom |
| M-LT 1101-01 | Music History 1: Ancient to Renaissance (3 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway HH Thurs. 8:00 a.m.–8:50 a.m. | 8 Fenway 303 | Jonathan Bailey Holland |
| M-LT 1101-02 | Music History 1: Ancient to Renaissance (3 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway HH Fri. 9:00 a.m.–9:50 a.m. | 8 Fenway 503 | Jonathan Bailey Holland |
| M-LT 1101-03 | Music History 1: Ancient to Renaissance (3 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway HH Fri. 10:00 a.m.–10:50 a.m. | 132 Ipswich 311| Jonathan Bailey Holland |
| M-LT 1101-04 | Music History 1: Ancient to Renaissance (3 credits) |
Tues., Thurs. 8:00 a.m.–8:50 a.m. | 8 Fenway SH Mon. 8:00 a.m.–8:50 a.m. | Fenway 503 | Jonathan Bailey Holland |
| M-LT 1101-05 | Music History 1: Ancient to Renaissance (3 credits) |
Tues., Thurs. 8:00 a.m.–8:50 a.m. | 8 Fenway SH Fri. 9:00 a.m.–9:50 a.m. | 8 Fenway 303 | Jonathan Bailey Holland |
| M-LT 1101-06 | Music History 1: Ancient to Renaissance (3 credits) |
Tues., Thurs. 8:00 a.m.–8:50 a.m. | 8 Fenway SH Thurs. 11:00 a.m.–11:50 a.m. | 8 Fenway 402| Jonathan Bailey Holland |
| M-LT 2101-01 | Music History 3: Classical-Post-Romantic (3 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 8 Fenway SH Thurs. 10:00 a.m.–10:50 a.m. | 8 Fenway 304 | Jonathan Bailey Holland |
| M-LT 2101-02 | Music History 3: Classical-Post-Romantic (3 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 8 Fenway SH Thurs. 9:00 a.m.–9:50 a.m. | 8 Fenway 304| Jonathan Bailey Holland |
| M-LT 2101-03 | Music History 3: Classical-Post-Romantic (3 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 8 Fenway SH Thurs. 11:00 a.m.–11:50 a.m. | 8 Fenway 007| Jonathan Bailey Holland |
| M-LT 71115-01 | Complexity in Rhythm (2 credits) | Thur. 4:00 p.m.–5:50 p.m. | 8 Fenway 403 | Jonathan Bailey Holland |
| M-LT 71129-01 | Tuning & Western Temperament Before 1900 (2 credits) | Mon. 11:00 a.m.–12:50 p.m. | 8 Fenway 402| Jonathan Bailey Holland |
| M-LT 71150-01 | The Faust Tradition (2 credits) | Mon. 11:00 a.m.–12:50 p.m. | 8 Fenway 403| Jonathan Bailey Holland |
| M-LT 71151-01 | Forms (2 credits) | Thur. 11:00 a.m.–12:50 p.m. | 8 Fenway 303| Jonathan Bailey Holland |
| M-LT 71152-01 | Program Music (2 credits) | Tues. 11:00 a.m.–12:50 p.m. | 8 Fenway 403| Jonathan Bailey Holland |
| M-LT 71153-01 | From Isorhythm to Shenker (2 credits) | Mon. 11:00 a.m.–12:50 p.m. | 1112 Boylston 2D| Jonathan Bailey Holland |
| M-LT 71154-01 | Vocal Music of Stravinsky (2 credits) | Wed. 11:00 a.m.–12:50 p.m. | 8 Fenway 402| Jonathan Bailey Holland |
| M-LT 71155-01 | Keyboard Sonata from Scarlatti through Haydn (2 credits) | Wed. 11:00 a.m.–12:50 p.m. | 161 Massachusetts Ave. 440 | Jonathan Bailey Holland |
| M-LT 71156-01 | Orchestration as Analysis (2 credits) | Tues. 11:00 a.m.–12:50 p.m. | 8 Fenway 402| Jonathan Bailey Holland |
| M-LT 77911-01 | Characterization (1 credit) | Thurs. 12:00 p.m.–1:50 p.m. | 8 Fenway 406| Patty Thom |
| M-PD 0201-01 | Pedagogy 1: Brass (1 credit) |
Wed., Fri. 10:00 a.m.–10:50 a.m. 8 Fenway SH | Larry Isaacson |
| M-PD 0401-01 | Pedagogy 1: Strings (1 credit) | Wed. 10:00 a.m.–10:50 a.m. | 8 Fenway HH| Rhonda Rider |
| M-PD 0431-01 | Pedagogy 1: Harp (1 credit) | Thurs. 10:00 a.m.–10:50 a.m. | 132 Ipswich 203| Ina Zdorovetchi |
| M-PD 0611-01 | Pedagogy 1: Piano (1 credit) | Thurs. 10:00 a.m.–10:50 a.m. | 132 Ipswich 106 | Max Levinson |
| M-PD 0711-05 | Pedagogy 1: Voice (1 credit) | Wed. 4:00 p.m.–5:50 p.m. | 8 Fenway 402 | Patty Thom |
| M-PD 0801-01 | Pedagogy 1: Woodwinds (1 credit) | Mon. 6:00 p.m.–6:50 p.m. | 31 Hemenway T401| Michael Norsworthy |
| M-PR 70911-01 | The Creative Musician (1 credit) | Thurs. 5:00 p.m.–6:50 p.m. | 8 Fenway 406 Eli Epstein |
| M-SK 0301-01 | Orchestration 1 (2 credits) |
Wed. 10:00 a.m.–11:50 a.m. | 31 Hemenway T406| Jonathan Bailey Holland |
| M-SK 0391-01 | Electronic Music 1 (2 credits) | Thurs. 6:00 p.m.–7:50 p.m. | 8 Fenway 503| Jonathan Bailey Holland |
| M-SK 0711-01 | Diction: Italian (1 credit) | Tues. 10:00 a.m.–11:50 a.m. | 8 Fenway HH | Patty Thom |
| M-SK 0991-01 | Conducting 1 (1 credit) | Wed. 4:00 p.m.–4:50 p.m. | 132 Ipswich 106| Doug Perkins |
| M-SK 0991-02 | Conducting 1 (1 credit) | Fri. 10:00 a.m.–10:50 a.m. | 132 Ipswich 106| Doug Perkins |
| M-SK 1101-01 | Harmony & Counterpoint 1 (2 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 8 Fenway 304 Fri. 10:00 a.m.–10:50 a.m. | 8 Fenway 503 | Jonathan Bailey Holland |
| M-SK 1101-02 | Harmony & Counterpoint 1 (2 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 161 Massachusetts Ave. 442 Fri. 10:00 a.m.–10:50 a.m. | 1140 Boylston 4D2 | Jonathan Bailey Holland |
| M-SK 1101-03 | Harmony & Counterpoint 1 (2 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 8 Fenway 402 Fri. 10:00 a.m.–10:50 a.m. | 8 Fenway 402 | Jonathan Bailey Holland |
| M-SK 1101-04 | Harmony & Counterpoint 1 (2 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 8 Fenway 403 Fri. 10:00 a.m.–10:50 a.m. | 31 Hemenway T406| Jonathan Bailey Holland |
| M-SK 1101-05 | Harmony & Counterpoint 1 (2 credits) |
Mon., Wed. 9:00 a.m.–9:50 a.m. | 8 Fenway 406 Fri. 10:00 a.m.–10:50 a.m. | 8 Fenway 406 | Jonathan Bailey Holland |
| M-SK 1103-01 | Ear Training 1 (2 credits) |
Tues., Thurs. 9:00 a.m.–9:50 a.m. | 8 Fenway 402 Fri. 8:00 a.m.–8:25 a.m. | 8 Fenway SH| Jonathan Bailey Holland |
| M-SK 1103-02 | Ear Training 1 (2 credits) |
Tues., Thurs. 9:00 a.m.–9:50 a.m. | 8 Fenway 403 Fri. 8:00 a.m.–8:25 a.m. | 8 Fenway SH | Jonathan Bailey Holland |
| M-SK 1103-03 | Ear Training 1 (2 credits) |
Tues., Thurs. 9:00 a.m.–9:50 a.m. | 8 Fenway 303 Fri. 8:00 a.m.–8:25 a.m. | 8 Fenway SH | Jonathan Bailey Holland |
| M-SK 1103-04 | Ear Training 1 (2 credits) |
Mon., Wed. 10:00 a.m.–10:50 a.m. | 8 Fenway 402 Fri. 8:00 a.m.–8:25 a.m. | 8 Fenway SH | Jonathan Bailey Holland |
| M-SK 1103-05 | Ear Training 1 (2 credits) |
Tues., Thurs. 11:00 a.m.–11:50 a.m. | 1112 Boylston 2D Fri. 8:00 a.m.–8:25 a.m. | 8 Fenway SH| Jonathan Bailey Holland |
| M-SK 1103-06 | Ear Training 1 (2 credits) |
Tues. 10:00 a.m.–10:50 a.m. | 8 Fenway 304 Thurs. 10:00 a.m.–10:50 a.m. | 1112 Boylston 2D Fri. 8:00 a.m.–8:25 a.m. | 8 Fenway SH| Jonathan Bailey Holland |
| M-SK 1103-07 | Ear Training 1 (2 credits) |
Mon., Wed. 10:00 a.m.–10:50 a.m. | 8 Fenway 403 Fri. 8:00 a.m.–8:25 a.m. | 8 Fenway SH | Jonathan Bailey Holland |
| M-SK 1103-08 | Ear Training 1 (2 credits) |
Tues., Thurs. 9:00 a.m.–9:50 a.m. | 8 Fenway 406 Fri. 8:00 a.m.–8:25 a.m. | 8 Fenway SH | Jonathan Bailey Holland |
| M-SK 1105-01 | Time and Rhythm 1 (1 credit) | Tues. 4:00 p.m.–5:20 p.m. | 161 Massachusetts Ave. 442 | Jonathan Bailey Holland |
| M-SK 1105-02 | Time and Rhythm 1 (1 credit) | Tues. 5:30 p.m.–6:50 p.m. | 161 Massachusetts Ave. 442 | Jonathan Bailey Holland |
| M-SK 1105-03 | Time and Rhythm 1 (1 credit) | Thurs. 4:00 p.m.–5:20 p.m. | 161 Massachusetts Ave. 442 | Jonathan Bailey Holland |
| M-SK 1105-04 | Time and Rhythm 1 (1 credit) | Thurs. 5:30 p.m.–6:50 p.m. | 161 Massachusetts Ave. 442| Jonathan Bailey Holland |
| M-SK 1105-05 | Time and Rhythm 1 (1 credit) | Wed. 5:30 p.m.–6:50 p.m. | 161 Massachusetts Ave. 442| Jonathan Bailey Holland |
| M-SK 1105-06 | Time and Rhythm 1 (1 credit) | Wed. 4:00 p.m.–5:20 p.m. | 161 Massachusetts Ave. 442| Jonathan Bailey Holland |
| M-SK 1105-07 | Time and Rhythm 1 (1 credit) | Tues. 4:00 p.m.–5:20 p.m. | 161 Massachusetts Ave. 440| Jonathan Bailey Holland |
| M-SK 1105-08 | Time and Rhythm 1 (1 credit) | Tues. 5:30 p.m.–6:50 p.m. | 161 Massachusetts Ave. 440| Jonathan Bailey Holland |
| M-SK 1201-01 | Brass Fundamentals 1 (1 credit) | Mon. 4:00 p.m.-4:50 p.m. | 8 Fenway SH | Larry Isaacson |
| M-SK 1301-01 | Instrumentation and Notation 1 (2 credits) | Tues., Thurs. 10:00 a.m.–10:50 a.m. | 8 Fenway 303 | Jonathan Bailey Holland |
| M-SK 2101-01 | Harmony & Counterpoint 3 (2 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway 007 Fri. 9:00 a.m- 9:50 a.m. | 8 Fenway 007 | Jonathan Bailey Holland |
| M-SK 2101-02 | Harmony & Counterpoint 3 (2 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway 403 Fri. 9:00 a.m.- 9:50 a.m. | 8 Fenway 403 | Jonathan Bailey Holland |
| M-SK 2101-03 | Harmony & Counterpoint 3 (2 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway 402 Fri. 9:00 a.m.- 9:50 a.m. | 8 Fenway 402 | Jonathan Bailey Holland |
| M-SK 2101-04 | Harmony & Counterpoint 3 (2 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway 304 Fri. 9:00 a.m.- 9:50 a.m. | 161 Massachusetts Ave. 442 | Jonathan Bailey Holland |
| M-SK 2101-05 | Harmony & Counterpoint 3 (2 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway 303 Fri. 9:00 a.m.- 9:50 a.m. | 8 Fenway 406 | Jonathan Bailey Holland |
| M-SK 2101-06 | Harmony & Counterpoint 3 (2 credits) |
Mon., Wed. 8:00 a.m.–8:50 a.m. | 8 Fenway 406 Fri. 9:00 a.m.- 9:50 a.m. | 31 Hemenway T406 | Jonathan Bailey Holland |
| M-SK 2103-01 | Ear Training 3 (2 credits) |
Mon., Wed. 10:00 a.m.–10:50 a.m. | 8 Fenway 007 Fri. 8:30 a.m.- 8:55 a.m. | 8 Fenway SH| Jonathan Bailey Holland |
| M-SK 2103-02 | Ear Training 3 (2 credits) |
Mon., Wed. 10:00 a.m.–10:50 a.m. | 8 Fenway 304 Fri. 8:30 a.m.- 8:55 a.m. | 8 Fenway SH| Jonathan Bailey Holland |
| M-SK 2103-03 | Ear Training 3 (2 credits) |
Tues., Thurs. 8:00 a.m.–8:50 a.m. | 8 Fenway 402 Fri. 8:30 a.m.- 8:55 a.m. | 8 Fenway SH| Jonathan Bailey Holland |
| M-SK 2103-04 | Ear Training 3 (2 credits) |
Tues., Thurs. 8:00 a.m.–8:50 a.m. | 8 Fenway 403 Fri. 8:30 a.m.- 8:55 a.m. | 8 Fenway SH| Jonathan Bailey Holland |
| M-SK 2103-05 | Ear Training 3 (2 credits) |
Tues., Thurs. 10:00 a.m.–10:50 a.m. | 8 Fenway 007 Fri. 8:30 a.m- 8:55 a.m. | 8 Fenway SH| Jonathan Bailey Holland |
| M-SK 2103-06 | Ear Training 3 (2 credits) |
Tues., Thurs. 10:00 a.m.–10:50 a.m. | 8 Fenway 402 Fri. 8:30 a.m.- 8:55 a.m. | 8 Fenway SH| Jonathan Bailey Holland |
| M-ST 77910-01 | Movement for Singers 1 (1 credit) | Fri. 10:30 a.m.–12:20 p.m. | 1112 Boylston 2B | Patty Thom |
| T-LT 1301-01 | History of Musical Theater 1 (2 credits) |
Wed. 11:00 a.m.- 12:20 p.m. | 8 Fenway HH Fri. 11:00 a.m.–12:20 p.m. | 1140 Boylston 4D.2 | Sara Stackhouse
|
| T-LT 2901-01 | Theater History 1 (3 credits) | Mon., Thurs. 9:00 a.m.–10:20 a.m. | 161 Massachusetts Ave. 440 | Sara Stackhouse |
| T-LT 2901-02 | Theater History 1 (3 credits) | Mon., Thurs. 11:00 a.m.–12:20 p.m. | 161 Massachusetts Ave. 440 | Sara Stackhouse |
| T-LT 2901-03 | Theater History 1 (3 credits) | Tues., Fri. 9:00 a.m.–10:20 a.m. | 161 Massachusetts Ave. 440 | Sara Stackhouse |
| T-LT 2901-04 | Theater History 1 (3 credits) | Tues., Fri. 11:00 a.m.–12:20 p.m. | 161 Massachusetts Ave. 440 | Sara Stackhouse |
| T-LT 79913-01 | Queer Theater & Film (3 credits) |
Mon. 5:30 p.m.-6:50 p.m. | 161 Massachusetts Ave. 442 Thurs. 5:30 p.m.-6:50 p.m. | 8 Fenway 007 | Sara Stackhouse |
| T-LT 79914-01 | History of Musical Theater Dance (3 credits) | Mon., Thurs. 2:30 p.m.-3:50 p.m. | 161 Massachusetts Ave. 442 | Sara Stackhouse |
Students who wish to participate in performance opportunities at the Conservatory must complete an ensembles audition. Requirements for eligibility and registration, as well as audition repertoire for each department, are listed below:
Large ensemble eligibility/registration requirements for instrumentalists:
- Students with a rating of 3 or higher who have completed two semesters at the college or another institution are eligible to audition for ensembles at the Conservatory.
- Students must be available for all designated class times (Monday–Friday, 1:30 p.m.–3:30 p.m.) and occasional evening rehearsals and performances.
- Once accepted into our ensembles, students must register for the Instrumental Ensembles course (BCEN-110-001). It is not possible to play ad hoc in our performing groups, except in very specific cases.
Chamber music eligibility/registration requirements for instrumentalists:
- Students with a rating of 3 or higher who have completed two semesters at the college or another institution are eligible to audition for chamber music ensembles at the Conservatory.
- Students must be available for all designated class times (Friday, 11:00 a.m.–12:50 p.m.) and other additional coaching and rehearsal times to be determined with the ensemble coach.
- Once accepted into our ensembles, students must register for the Chamber Music course (BCEN-112-001). It is not possible to play ad hoc in our performing groups. For more information about chamber music at the Conservatory, contact program coordinator Judith Eissenberg.
Chorus eligibility/registration requirements for vocalists:
- All Berklee College of Music students are eligible to audition for vocal ensembles at the Conservatory.
- Once accepted into our ensembles, students must register for the applicable vocal ensemble course and be available for all designated class times and occasional evening rehearsals and performances. It is not possible to sing ad hoc in our performing groups.
- BCEN-118-001: Chorale. Meets Monday and Wednesday, 1:45 p.m.–3:15 p.m.
- BCEN-118-002: Women's Chorus. Meets Monday and Wednesday, 12:05 p.m.–1:35 p.m.
Auditions should be scheduled before the following dates with the appropriate instrumental chairperson (listed below):
- Fall 2017: before May 5, 2017. Students who successfully pass this audition will be invited to register for Large Ensembles for the fall semester 2017 and complete a placement audition during the first week of the fall semester 2017.
For more information, contact the Ensembles Office.
Contact the faculty member directly to schedule an audition time.
Brass Department: Larry Isaacson
- Required repertoire:
- One etude from any standard collection (Arban, Kopprasch, Pottag, Rochut, Gower/Voxman, etc.)
- Two movements of contrasting nature and tempi from a sonata or concerto
- All major scales and arpeggios
- Sight-reading
Choruses: George Case
- Required repertoire:
- One solo art song or aria (any language)
- Sight-singing with piano accompaniment
- No operatic arias, please
- Note: an accompanist will be provided
Harp Department: Ina Zdorovetchi
- Required repertoire:
- One of the following etudes:
- Boscha: Fifty Studies, Op. 34, Book II (Hasselmans edition), No. 39 (E-flat major)
- Pozzoli: Studies of Moderate Difficulty, No. 5
- Two pieces chosen from the following, or two compositions of a similar or higher degree of difficulty:
- Grandjany: Fantasie on a Theme by Hayden
- Salzedo: Whirlwind
- Dussek: Sonata in C minor (any edition)
- Pescetti: Sonata in C minor (any edition)
- Tournier: Feerie
- Tournier: Vers la source dans le bois
- Handel: Passacaglia from Suite No. 7 (any edition)
- Two orchestral excerpts chosen from the following:
- Tchaikovsky: Nutcracker, Waltz of the Flowers cadenza
- Tchaikovsky: Swan Lake cadenza
- Rimsky-Korsakov: Capriccio Español
- Britten: Young Person’s Guide to the Orchestra cadenza and/or fugue
Percussion Department: Nancy Zeltsman
- Required repertoire:
- Snare drum
- Concert etude of your choice
- Suggested composers: Délécluse, Cirone, Aleo, Peters
- Rudimental solo
- Suggested composers: Pratt, Tompkins, Wilcoxon
- Snare drum
- Mallets:
- Two-mallet solo
- Suggested composers: Bach (preferably from Sonatas and Partitas for Unaccompanied Violin or Suites for Unaccompanied Cello), Kreisler, Abe, Green, or selections from the MassChap 2010 Xylophone Collection
- Four-mallet solo
- See link for suggested works
- Two-mallet solo
Piano Department: Max Levinson
- Required repertoire, all from memory:
- A prelude and fugue from the Well-Tempered Clavier or another work by Bach that includes a fugue
- A complete sonata by Haydn, Mozart, Beethoven, or Schubert
- A major work for solo piano from the Romantic era (including Rachmaninoff)
- A solo piano piece from the 20th or 21st century
- One virtuosic etude, such as those by Chopin, Liszt, Debussy, Rachmaninoff, Scriabin, or Legeti
String Department: Rhonda Rider
- Required repertoire:
- One etude or short technical work that best demonstrates your ability to freely shift around the instrument with good control of bowing articulation
- Two unaccompanied movements by Bach (bass players may substitute with another work of their choice)
- A complete first or last movement from the standard concerto repertoire
- Prepare a scale of your choice (major or minor) in 3–4 octaves, performed with a minimum of 4 slurred notes per bow, plus the corresponding arpeggios (the arpeggio cycle of Flesch or Galamain is preferred and should be performed 3 slurred notes to a bow)
Woodwinds Department: Michael Norsworthy
- Required repertoire:
- One etude from any standard collection (Anderson, Voxman, Weissenborn, Klose, Rose, Milde, Kopprasch, etc.)
- Two movements of a contrasting nature from a sonata or concerto
Register for these courses through the normal college registration process.
| COURSE NUMBER | COURSE TITLE (credits) | PREREQUISITES |
|---|---|---|
| DANA-111 | Beginning and Intermediate African Dance (1 credit) | none |
| DANB-111 | Beginning Ballet Technique (1 credit) | none |
| DANH-111 | Beginning Hip-Hop Dance (1 credit) | none |
| DANH-211 | Intermediate Hip-Hop Dance (1 credit) | DANH-P111 or comparable experience |
| DANJ-111 | Beginning Jazzdance Techniques (1 credit) | none |
| DANJ-211 | Intermediate Jazzdance Techniques (1 credit) | DANJ-P111 or comparable experience |
| DANT-111 | Beginning Tap Dance (1 credit) | none |
The minor in stage management puts students at the intersection of the artistic, the technical, and the managerial. Skills and understanding in all three areas make stage managers essential to every kind of performance, live and recorded, whether music, theater, dance, performance art, or opera. As the liaison between artists, directors, designers, technicians, and producers, stage managers are a critical link in the successful operation of any production.
The minor in stage management will address the principles of stage management, running and calling a show, lighting techniques, production management, and ways of approaching negotiation. Students will learn from professionals in all areas of performance. The minor also includes an internship through which students will be able to capitalize on their contacts and make further contacts to strengthen their careers. Contacts and internships should help lead to a full range of professional options upon graduation.
View program details, entrance requirements, and required courses.
The contemporary musical theater performance minor focuses on molding a total musical theater performer. It engages in a multidisciplinary exploration of this uniquely American art form, with an emphasis on the meeting place between classic musical theater and the rock musical. The course work includes musical preparation, character development, movement, composition, and ensemble work.
View program details, entrance requirements, and required courses.
The dance minor offers students the opportunity to study a range of movement forms including jazzdance, salsa, African dance, hip-hop, tap dance, and ballet, and to investigate dance as a social, cultural, and historical document, which both reflects and impacts the culture that creates it. The dance minor requires coursework in the academic study of dance, the creative process, somatics, and applied coursework in specific movement genres.
View program details, entrance requirements, and required courses.
Berklee College of Music Courses for Conservatory Students
Note: Conservatory students register for dual-listed courses through the normal registration process through self-service. Course descriptions are available here.
| CONSERVATORY COURSE AND SECTION NUMBER | COURSE TITLE (CREDITS) |
|---|---|
| C-CM 70910 | Creative Entrepreneurs Mindset (2 credits) |
| C-CM 70911 | Business Fundamentals of the Creative Industries (2 credits) |
| C-CM 70912 | Startup of You (2 credits) |
| D-CM 73110-01 | Beginning and Intermediate African Dance |
| D-CM 71110-01 | Beginning Ballet |
| D-CM 73114-01 | Beginning Hip-Hop Dance |
| D-CM 73210-01 | Intermediate Hip-Hop Dance |
| D-CM 73111-01 | Beginning Jazzdance Technique |
| D-CM 73211-01 | Intermediate Jazzdance Technique |
| D-CM 73113-01 | Beginning Tap Dance |
| M-CM 03910-01 | Survey of Jazz Composition and Arranging (2 credits) |
| M-CM 03910-02 | Survey of Jazz Composition and Arranging (2 credits) |
| M-CM 03915-01 | Instrumentation & Score Prep (2 credits) |
| M-CM 03915-02 | Instrumentation & Score Prep (2 credits) |
| M-CM 03915-03 | Instrumentation & Score Prep (2 credits) |
| M-CM 03915-04 | Instrumentation & Score Prep (2 credits) |
| M-CM 03915-05 | Instrumentation & Score Prep (2 credits) |
| M-CM 03915-06 | Instrumentation & Score Prep (2 credits) |
| M-CM 03912-01 | Electronics in the Soundtrack (2 credits) |
| M-CM 00910-01 | Bass Lab—Reading 1 (1 credit) |
| M-CM 00911-01 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-02 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-03 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-04 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-05 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-06 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-07 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-08 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-09 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-10 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-11 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-12 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00911-13 | Guitar Performance Skills for the Non-Guitar Principal (1 credit) |
| M-CM 00912-01 | Native American Drumming Lab (1 credit) |
| M-CM 00913-01 | Brazilian Rhythms and Percussion (2 credits) |
| M-CM 00913-02 | Brazilian Rhythms and Percussion (2 credits) |
| M-CM 00913-03 | Brazilian Rhythms and Percussion (2 credits) |
| M-CM 06110-01 | Jazz Harmonic Techniques for Piano 1 (1 credit) |
| M-CM 06110-02 | Jazz Harmonic Techniques for Piano 1 (1 credit) |
| M-CM 06110-03 | Jazz Harmonic Techniques for Piano 1 (1 credit) |
|
M-CM 06110-01 |
Jazz Harmonic Techs for Pno 1 (1 credit) |
| M-CM 06110-02 | Jazz Harmonic Techs for Pno 1 (1 credit) |
| M-CM 06110-03 | Jazz Harmonic Techs for Pno 1 (1 credit) |
| M-CM 08910-02 | Woodwind Doubling Lab—Flute (1 credit) |
| M-CM 08911-01 | Woodwind Doubling Lab—Saxophone and Theater Doubling (1 credit) |
| M-CM 08912-01 | Doubling/MIDI Wind Controller (1 credit) |
| M-CM 05910-01 | Percussion for Music Therapy (1 credit) |
| M-CM 05910-02 | Percussion for Music Therapy (1 credit) |
| M-CM 05910-03 | Percussion for Music Therapy (1 credit) |
| L-CM 01301-04 | Intro to College Writing (3 credits) |
| L-CM 01301-07 | Intro to College Writing (3 credits) |
| L-CM 01301-11 | Intro to College Writing (3 credits) |
| L-CM 01301-12 | Intro to College Writing (3 credits) |
| L-CM 01301-19 | Intro to College Writing (3 credits) |
| L-CM 01301-26 | Intro to College Writing (3 credits) |
| L-CM 01301-31 | Intro to College Writing (3 credits) |
| L-CM 01301-33 | Intro to College Writing (3 credits) |
| L-CM 01301-39 | Intro to College Writing (3 credits) |
| L-CM 01301-40 | Intro to College Writing (3 credits) |
| L-CM 01301-41 | Intro to College Writing (3 credits) |
| L-CM 01301-43 | Intro to College Writing (3 credits) |
| L-CM 01301-44 | Intro to College Writing (3 credits) |
| L-CM 01301-45 | Intro to College Writing (3 credits) |
| L-CM 01301-46 | Intro to College Writing (3 credits) |
| L-CM 01301-47 | Intro to College Writing (3 credits) |
| L-CM 01301-50 | Intro to College Writing (3 credits) |
| L-CM 01301-51 | Intro to College Writing (3 credits) |
| L-CM 01301-52 | Intro to College Writing (3 credits) |
| L-CM 01301-53 | Intro to College Writing (3 credits) |
| L-LT 73919-08 |
Harlem Renaissance (3 credits) Prerequisite: LENG-111 |
| L-CM 01302-09 |
Children's Literature (3 credits) Prerequisite: LENG-111 |
| L-LT 73919-10 |
Harlem Renaissance (3 credits) Prerequisite: LENG-111 |
| L-CM 01302-13 |
Fight Club to Ghandi (3 credits) Prerequisite: LENG-111 |
| L-CM 73912-01 |
Cinema in Hitler's Germany (3 credits) Prerequisite: LENG-111 |
| L-CM 73913-02 |
Law & Disorder (3 credits) Prerequisite: LENG-111 |
| L-CM 73936-04 |
Bandits: History of Crime (3 credits) Prerequisite: LENG-111 |
| L-CM 73937-07 |
Transnational Pop Cultures (3 credits) Prerequisite: LENG-111 |
| L-CM 73938-02 |
Contemplatice & Mystical Tradition (3 credits) Prerequisite: LENG-111 |
| L-CM 73916-02 |
America From Jazz to MTV Age (3 credits) Prerequisite: LENG-111 |
| L-CM 73932-01 |
The Beatles (3 credits) Prerequisite: LENG-111 |
| L-CM 73918-04 |
DJ Cultures/American Social Dance (3 credits) Prerequisite: LENG-111 |
| L-CM 73933-05 |
Global Childhood Culture (3 credits) Prerequisite: LENG-111 |
| L-CM 73934-01 |
Music Spirit & Transformation (3 credits) Prerequisite: LENG-111 |
| L-CM 73935-03 |
Blues and Southern Culture (3 credits) Prerequisite: LENG-111 |
| L-CM 75910-01 |
The Science of Health (3 credits) Prerequisite: LENG-111 |
| L-CM 75910-03 |
The Science of Health (3 credits) Prerequisite: LENG-111 |
| L-CM 75911-01 |
Human Anatomy and Physiology (3 credits) Prerequisite: LENG-111 |
| L-CM 75911-02 |
Human Anatomy and Physiology (3 credits) Prerequisite: LENG-111 |
| L-CM 75911-03 |
Human Anatomy and Physiology (3 credits) Prerequisite: LENG-111 |
| L-CM 75911-04 |
Human Anatomy and Physiology (3 credits) Prerequisite: LENG-111 |
| L-CM 74910-03 |
General Psychology (3 credits) Prerequisite: LENG-111 |
| L-CM 74910-06 |
General Psychology (3 credits) Prerequisite: LENG-111 |
| L-CM 74912-01 |
Positive Pyschology (3 credits) Prerequisite: LENG-111 |
| L-CM 74914-02 |
Human Sexuality (3 credits) Prerequisite: LENG-111 |
| L-CM 74915-01 |
Human Interaction Psychology (3 credits) Prerequisite: LENG-111 |
| L-CM 74917-02 |
City Life: Local and Global Perspectives (3 credits) Prerequisite: LENG-111 |
| L-CM 73920-01 |
Mesoamerican Art (3 credits) Prerequisite: LENG-111 |
| L-CM 73922-05 |
Art of the Renaissance (3 credits) Prerequisite: LENG-111 |
| L-CM 73923-W01 | Themes and Variations on Western Art- Online (3 credits) |
| L-CM 73924-02 |
The Renaissance to the Present (3 credits) Prerequisite: LENG-111 |
| M-CM 00915-01 | Intro to the Music Business (2 credits) |
| M-CM 00915-02 | Intro to the Music Business (2 credits) |
| M-CM 00915-03 | Intro to the Music Business (2 credits) |
| M-CM 00915-04 | Intro to the Music Business (2 credits) |
| M-CM 00916-01 | Taxation in the Music Business (2 credits) |
| M-CM 00916-02 | Taxation in the Music Business (2 credits) |
| M-CM 00917-01 | Legal Aspects of the Music Industry (2 credits) |
| M-CM 00917-02 | Legal Aspects of the Music Industry (2 credits) |
| M-CM 00917-03 | Legal Aspects of the Music Industry (2 credits) |
| M-CM 00917-04 | Legal Aspects of the Music Industry (2 credits) |
| M-CM 00919-01 | Fundamentals of Woodwind and Brass Repairs (2 credits) |
| M-CM 00110-01 | Analysis Classical/Romantic Music |
| M-CM 00111-01 | The Bop Masters (2 credits) |
| M-CM 00920-01 | Introduction to Music Production and Engineering (2 credits) |
| M-CM 00920-02 | Introduction to Music Production and Engineering (2 credits) |
| M-CM 00510-01 | Introduction to International Music Therapy (3 credits) |
| M-CM 00510-01 | Introduction to International Music Therapy (3 credits) |
| M-CM 00921-01 | Survey of Bass Styles (2 credits) |
| M-CM 00923-01 | Survey of Guitar Styles (2 credits) |
| M-CM 00924-02 | Survey of Drum Styles to the '60s (2 credits) |
| M-CM 00926-01 | Survey of Piano Styles (2 credits) |
| M-CM 00927-01 | Survey of Vocal Styles (2 credits) |
| M-CM 00927-02 | Survey of Vocal Styles (2 credits) |
| M-CM 00928-01 | Survey of Woodwind Styles (2 credits) |
| M-CM 00930-01 | Movement for Musicians (2 credits) |
| M-CM 00930-02 | Movement for Musicians (2 credits) |
| M-CM 00930-03 | Movement for Musicians (2 credits) |
| M-CM 00931-01 | Awareness Training for Musicians (1 credit) |
| M-CM 00931-02 | Awareness Training for Musicians (1 credit) |
| M-CM 00931-04 | Awareness Training for Musicians (1 credit) |
| M-CM 00931-05 | Awareness Training for Musicians (1 credit) |
| M-CM 00931-06 | Awareness Training for Musicians (1 credit) |
| M-CM 00931-07 | Awareness Training for Musicians (1 credit) |
| M-CM 00931-08 | Awareness Training for Musicians (1 credit) |
| M-CM 00932-01 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-02 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-03 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-04 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-05 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-06 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-07 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-08 | Yoga for Musicians 1 (1 credit) |
| M-CM 00932-9P | Yoga for Musicians 1 (1 credit) |
| M-CM 00933-01 | Playing in the Key of Qi: Qigong for Musicians (1 credit) |
| M-CM 00934-01 | Integral Tai Chi (1 credit) |
| M-CM 01910-01 | Traditional Microtonal Theory and Application (1 credit) |
| M-CM 00936-01 | Stage Performance Techniques 1 (2 credits) |
| M-CM 00936-02 | Stage Performance Techniques 1 (2 credits) |
| T-CM 09510-01 | Elements of Theater Production (2 credits) |
| M-CM 07110-01 | American Diction for Singers (2 credits) |
| M-CM 05911-01 | World Percussion for Non-Percussionists (2 credits) |
| M-CM 05911-02 | World Percussion for Non-Percussionists (2 credits) |
| M-CM 05911-03 | World Percussion for Non-Percussionists (2 credits) |
| M-CM 05911-04 | World Percussion for Non-Percussionists (2 credits) |
| M-CM 03913-01 | Essentials of Songwriting (1 credit) |
| M-CM 03913-02 | Essentials of Songwriting (1 credit) |
| M-CM 03913-03 | Essentials of Songwriting (1 credit) |
| M-CM 03913-04 | Essentials of Songwriting (1 credit) |
|
L-CM 03911-01 |
The Music of Miles Davis (2 credits) |
Students should contact the chair listed to register for these courses. Prerequisites are listed where applicable for guidance. Course descriptions are available here.
| Course and Section Number | Course Title (Credits) | Times | Location | Chair |
|---|---|---|
| CM-221-001 | Techniques of Tonal Writing (2 credits) | Thurs. 2:00 p.m.–3:50 p.m. | 150 Massachusetts Ave. 178| Richard Carrick |
| CM-221-002 | Techniques of Tonal Writing (2 credits) | Tues. 4:00 p.m.–5:50 p.m. | 150 Massachusetts Ave. 178| Richard Carrick |
| CM-221-003 | Techniques of Tonal Writing (2 credits) | Thurs. 11:00 a.m.–12:50 p.m. |150 Massachusetts Ave. 185| Richard Carrick |
| CM-221-004 | Techniques of Tonal Writing (2 credits) | Tues. 11:00 a.m.–12:50 p.m. | 18 Belvidere Street CL4 | Richard Carrick |
| CM-221-005 | Techniques of Tonal Writing (2 credits) | Thurs. 4:00 p.m.–5:50 p.m. | 136 Massachusetts Ave. 401 | Richard Carrick |
| CM-221-006 | Techniques of Tonal Writing (2 credits) | Thurs. 2:00 p.m.–3:50 p.m. | 130 Massachusetts Ave. 204| Richard Carrick |
| CP-311-001 | Advanced Counterpoint (2 credits) | Mon. 2:00 p.m.–3:50 p.m. | 136 Massachusetts Ave. 404| Richard Carrick |
| CP-311-002 | Advanced Counterpoint (2 credits) | Thurs. 2:00 p.m.–3:50 p.m. | 130 Massachusetts Ave. 208| Richard Carrick |
|
CP-311-003 |
Advanced Counterpoint (2 credits) | Wed. 1:00 p.m.–2:50 p.m. | 1108 Boylston St. 305 | Richard Carrick |
| ICE-425-001 |
Startup Lab (3 credits) Granted petition required |
Tues. 4:00 p.m.–6:50 p.m. | 150 Massachusetts Ave. 124| Nicole d'Avis |
| ICE-435-001 |
Developing Technologies: Music + (2 credits) Application required |
Fri. 2:00 p.m.–3:50 p.m. | Nicole d'Avis |
| MTEC-111-1A | Intro to Music Tech (2 credits) | Mon. 2:00 p.m.–3:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-1B | Intro to Music Tech (2 credits) | Fri. 4:00 p.m.–5:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-1C | Intro to Music Tech (2 credits) | Tues. 11:00 a.m.–12:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-2A | Intro to Music Tech (2 credits) | Tues. 2:00 p.m.–3:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-2B | Intro to Music Tech (2 credits) | Tues. 4:00 p.m.–5:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-3A | Intro to Music Tech (2 credits) | Tues. 9:00 a.m.–10:50 a.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-3B | Intro to Music Tech (2 credits) | Thurs. 9:00 a.m.–10:50 a.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-4A | Intro to Music Tech (2 credits) | Thurs. 4:00 p.m.–5:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-4B | Intro to Music Tech (2 credits) | Mon. 9:00 a.m.–10:50 a.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-5A | Intro to Music Tech (2 credits) | Wed. 2:00 p.m.–3:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-5B | Intro to Music Tech (2 credits) | Thurs. 2:00 p.m.–3:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-6A | Intro to Music Tech (2 credits) | Wed. 4:00 p.m.–5:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-6B | Intro to Music Tech (2 credits) | Thurs. 11:00 a.m.–12:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-6C | Intro to Music Tech (2 credits) | Fri. 11:00 a.m.–12:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-6D | Intro to Music Tech (2 credits) | Mon. 11:00 a.m.–12:50 p.m. | 22 Fenway 112 | Michael Bierylo |
| MTEC-111-B1B | Intro to Music Tech – Blended (2 credits) | Thurs. 5:00 p.m.–5:50 p.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B1C | Intro to Music Tech – Blended (2 credits) | Wed. 8:00 p.m.–8:50 p.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B2A | Intro to Music Tech – Blended (2 credits) | Wed. 4:00 p.m.–5:50 p.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B2B | Intro to Music Tech – Blended (2 credits) | Wed. 3:00 p.m.–3:50 p.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B2C | Intro to Music Tech – Blended (2 credits) | Fri. 3:00 p.m.–3:50 p.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B2D | Intro to Music Tech – Blended (2 credits) | Wed. 10:00 a.m.–10:50 a.m. |22 Fenway 112 | Michael Bierylo |
| MTEC-111-B3A | Intro to Music Tech – Blended (2 credits) | Tues. 4:00 p.m.–4:50 p.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B3B | Intro to Music Tech – Blended (2 credits) | Fri. 1:00 p.m.–1:50 p.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B3C | Intro to Music Tech – Blended (2 credits) | Mon. 1:00 p.m.–1:50 p.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B3D | Intro to Music Tech – Blended (2 credits) | Thurs. 6:00 p.m.–6:50 p.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B4A | Intro to Music Tech – Blended (2 credits) | Mon. 6:00 p.m.–6:50 p.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B4B | Intro to Music Tech – Blended (2 credits) | Mon. 8:00 p.m.–8:50 p.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B4C | Intro to Music Tech – Blended (2 credits) | Fri. 2:00 p.m.–2:50 p.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B5A | Intro to Music Tech – Blended (2 credits) | Wed. 9:00 a.m.–9:50 a.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B5B | Intro to Music Tech – Blended (2 credits) | Mon. 4:00 p.m.–4:50 p.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B6A | Intro to Music Tech – Blended (2 credits) | Tues. 1:00 p.m.–1:50 p.m. | 7 Haviland St. 310 | Michael Bierylo |
| MTEC-111-B6B | Intro to Music Tech – Blended (2 credits) | Thurs. 9:00 a.m.–9:50 a.m. | 7 Haviland St. 310 | Michael Bierylo |
| PSW-335-001 | World Percussion for Percussionist (2 credits) | Wed. 4:00 p.m.–5:50 p.m. | 1140 Boylston S | Omar Hakim |
| SW-221-001 | Lyric Writing 1 (2 credits) | Thurs. 11:00 a.m.–12:50 a.m. |150 Massachusetts Avenue A73| Bonnie Hayes |
| SW-221-002 | Lyric Writing 1 (2 credits) | Mon. 2:00 p.m.–3:50 p.m. |18 Belvidere Street CL5| Bonnie Hayes |
| SW-221-003 | Lyric Writing 1 (2 credits) | Mon. 2:00 p.m.–3:50 p.m. |150 Massachusetts Avenue 120| Bonnie Hayes |
| SW-221-004 | Lyric Writing 1 (2 credits) | Wed. 5:00 p.m.–6:50 p.m. |150 Massachusetts Avenue 178| Bonnie Hayes |
| SW-221-005 | Lyric Writing 1 (2 credits) | Fri. 3:00 p.m.–4:50 p.m. |7 Haviland Street 303| Bonnie Hayes |
| SW-221-006 | Lyric Writing 1 (2 credits) | Tues. 4:00 p.m.–5:50 p.m. |1108 Boylston Street 205| Bonnie Hayes |
| SW-221-007 | Lyric Writing 1 (2 credits) | Thurs. 2:00 p.m.–3:50 p.m. |150 Massachusetts Avenue 174| Bonnie Hayes |
| SW-221-008 | Lyric Writing 1 (2 credits) | Tues. 12:00 p.m.–1:50 p.m. |150 Massachusetts Avenue 185| Bonnie Hayes |
| SW-221-009 | Lyric Writing 1 (2 credits) | Tues. 4:00 .m.–5:50 p.m. |150 Massachusetts Avenue 123| Bonnie Hayes |
| SW-221-010 | Lyric Writing 1 (2 credits) | Thurs. 9:00 a.m.–10:50 a.m. |22 Fenway 314| Bonnie Hayes |
| SW-221-011 | Lyric Writing 1 (2 credits) | Tues. 6:00 p.m.–7:50 p.m.|150 Massachusetts Avenue 122| Bonnie Hayes |
Students can review other liberal arts courses offered for the spring here. Please email liberalarts@berklee.edu to confirm course availability and meeting times. Students can also visit the department for additional advising in 7 Haviland, room 302 on Mondays and Thursdays from 1:30-3:30pm and Tuesdays and Fridays from 2:30-5:00pm.
Conservatory students are eligible to enroll in half-hour secondary instrument private instruction at the College, and we have provided an opportunity to audition with the instrumental departments for consideration.
For more information, including department chair, faculty, building, and office location, visit these department pages:
- Bass
Chair, Steve Bailey
Assistant Chair, Sandro Scoccia - Brass
Chair, Sean Jones - Guitar
Chair, Larry Baione
Assistant Chair, Kim Perlak - Percussion
Chair, Omar Hakim
Assistant Chair, Yoron Israel - Piano
Interim Chair, Tony Germain - Strings
Chair, David Wallace - Voice
Chair, Anne Peckham
Assistant Chair, Maureen McMullan - Woodwinds
Chair, Harry Skoler
Contact the office of the instrumental department above which corresponds to the instrument you intend to play in the ensemble. Office locations can be found on the department website linked to above. Email or call Barbara Gill, 617-747-2255, Ensemble Department program manager, with any questions.
- Ensemble auditions are open to all students.
- All candidates must be available to register for the course and be available for all designated class times.
- In order to play in ensembles, you must be registered in the course. It is not possible to play ad hoc in our ensemble courses.
All cross-registered ensemble and private instruction enrollment is on an “as-available” basis.
Conservatory graduate students in a Master of Music (M.M.) program are invited to enroll in any of the following graduate electives at the College by contacting the Graduate Studies Department.
| college course and section number | course title (credits) | times | location | course chair |
|---|---|---|
| GS-627-001 | The Composing Performer (3 credits) | Wed. 10:00 a.m.–12:50 p.m. | 1140 Boylston Street W | Bruno Raberg |
| PS-530-001 | Business Potential of Making Music Today (3 credits) | Thurs. 10:00 a.m.–12:50 p.m. | 136 Massachusetts Ave. 403 | Rob Hochschild |
| PS-540-001 | Masters Performance Forum: Global Jazz (3 credits) |
Mon. 2:30 p.m.–4:20 p.m.| 1260 Boylston Street 201 | Wed. 4:30 p.m.- 6:20 p.m. | 1260 Boylston Street 201 | Marco Pignataro |
| PS-621-001 | Topics in Improvisation (3 credits) | Thurs. 2:00 p.m.–4:50 p.m. | 136 Massachusetts Ave. B16 | Allan Chase |
| PS-631-001 | Performance Pedagogy (3 credits) |
Thurs. 2:00 p.m.–4:50 p.m. | 1260 Boylston Street 201 | Marco Pignataro |