It's a familiar sight: the silent, well-dressed musician at the podium waving a baton to keep time. Yet conductors are much more than timekeepers—they're interpreters and leaders who shape and refine every aspect of the performance's sound and—when working at their best—unify the performing group. In fact, most of a conductor's work takes place long before the performance, and perhaps even before meeting with the orchestra.
A conductor must be an insightful, charismatic individual—capable of inspiring hard work and deep musicality from ensemble members, and able to verbally and nonverbally communicate a vast array of emotions.
When conductors receive the setlist for the next concert or season—usually created by the orchestra's music director—they begin to explore and analyze the music at hand, seeking to fully understand and interpret a composer's vision. Shortly thereafter, they begin rehearsals with the orchestra: shaping particular and sometimes minute aspects of the performance—dynamics, phrasing, timing, and more—to better blend the orchestra's sound, promote rhythmic unity, and create a unique interpretation of the piece.
When it comes to performance, conductors typically use a baton to outline tempos and use the free hand to indicate entrances and nuances, but some conductors dispense with the baton altogether, freeing both hands and arms for more elaborate interpretive directions. Conductors also use torso movements and facial expressions to convey their wishes for phrasing and dynamics to the ensemble.
Some conductors, known as music directors, have broad authority over an ensemble's affairs, extending far beyond the podium: selecting repertoire, overseeing auditions and hiring, and assisting with fundraising and publicity, among other duties.
Conductor at a Glance
Generally speaking, conductors must be accomplished instrumentalists with significant training. Many spend the early part of their careers working as orchestra musicians, although some dive right into conducting. For first professional conducting experiences, it's common to start out with youth and college orchestras, or as an assistant or associate conductor. From there, one might become the principal conductor of a small regional ensemble before progressing to a more prestigious group. Successful conductors might have their pick of orchestra, while the most successful could even become international celebrities. Those with managerial abilities might take on the broad duties of a music director.
Conductors work for and with orchestras, concert bands, choral groups, opera and ballet companies, and schools (as music teachers or professors). Those who aren't the principal conductor or music director for an ensemble are likely freelancers who travel to different orchestras and ensembles across the world as guest conductors, or assist with local orchestras on a part-time basis. Conductors with studio experience might also perform session work.
- Music theory
- Reading and writing music notation
- Music history
- A unique style, interpretation, or viewpoint
- Live performance
- Verbal communication
A good conductor is an insightful, communicative, and charismatic individual, capable of inspiring hard work and coaxing strong performances from ensemble members while also being able to verbally communicate a vast array of emotions. It takes discipline and endless study to be successful as a conductor, the best of whom are constantly refining and revisiting their understanding of pieces, composers, and conducting techniques.
The life of a conductor is varied, including stretches of introspection and solitude while looking over scores, long hours in the rehearsal room working with the orchestra, performances at night, and—sometimes—a public life as a center-stage performer. If the conductor is a music director, the job might include a slew of additional managerial duties. While established conductors can make a living from their work, conductors who are just getting started might supplement their income by working in music prep—as an arranger, orchestrator, copyist, or proofreader—or leading recording sessions for film, TV, and video game soundtracks.