What does a Music Supervisor (Film, TV, Video Games) do?
A recently popularized field, music supervision is the art of selecting and licensing preexisting songs or recordings for use in visual media like film, television, video games, and advertising. A skilled music supervisor might choose the perfect song to enhance a dramatic television moment, help an advertising producer make smart, inspired music choices, or find a cost-effective workaround when a film's plot requires a particularly expensive, hard-to-license recording. Music might be selected based around a central guiding aesthetic, a sense of how the music would complement a specific scene, or knowledge that a certain new track is well positioned to succeed.
At a Glance
As a professional field, music supervision has only come into the spotlight relatively recently, making it difficult to define a typical career path for a music supervisor. Music supervisors tend to be musically trained, extremely well connected, and knowledgeable about music licensing practices. However, the only real job requirement is to be an avid music listener with connections in the music industry (and failing that, persistence and dedication). The most successful music supervisors can be paid large sums for a single project and rarely lack for work.
There is some crossover between music supervision and music coordination, a similar, but more administratively-oriented, field.
Aspiring music supervisors should do whatever they can to get their first credits—performing music supervision for student films, for example. Keep in mind that music supervision isn't just about picking the right song for the job; it's also about negotiating the rights to the song, a task that requires strong professional connections and a reputation in the music licensing world. Aspiring music supervisors might consider doing an internship at a music publisher, possibly in the licensing department.
- Encyclopedic music knowledge (different genres, periods, etc.)
- Film knowledge
- Music licensing laws
- Connections in the music recording and publishing industries
- Negotiation
- Deadlines
- Research
Music supervisors possess an unusually far-reaching and diverse knowledge of music history and recording artists, an intuitive sense of the emotional nuance of music, and a developed relationship with visual media. Generally, they are people who seek out, listen to, and remember as much music as they possibly can, and can organize and recall this information at will. In addition, music supervisors should be excellent communicators with strong networking skills.
Most high-profile music supervisors are freelancers who work on a project-by-project basis. However, music supervisors can also be employed by production companies; film, television, and video game studios; advertising companies; or even small music-supervision companies. The majority are based in either Los Angeles or New York City.
