John Kellogg

Assistant Chair
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  • Career Highlights


    • B.A., Political Science, M.S., Television and Radio, Syracuse University
    • J.D., Case Western Reserve University School of Law
    • Studies in the M.B.A. program at Weatherhead School of Management
    • Entertainment attorney in the states of New York and Ohio
    • Represented recording artists the late Gerald Levert, the O’Jays, L.S.G., Eddie Levert Sr., LeVert, G-Dep, and Stat Quo
    • Member of the board of directors of the Music and Entertainment Industry Educators Association (MEIEA)
    • Author of the book Take Care of Your Music Business, The Legal and Business Aspects You Need to Know to Grow in the Music Business
    • Has been profiled in Billboard, Ebony, Black Issues, and In the Black magazines
    • Recorded as a vocalist with CAmeo on Cardiac Arrest

In Their Own Words

"Berklee's a perfect combination. You have excellent musicians here, and you have excellent music business minds. I think that the ultimate thing to look forward to is that at some point, as these people become professionals on both ends, that those things merge, business professionals can help the musicians and musicians know something about the business."

"The reason why I think music business/management programs are growing all across the country is because I think that young people get it. They recognize that this business is changing and they have the potential to empower themselves and take it over. They know that they can actually have some form of ownership in the growth, in the development of the new music industry. They understand music, but they don't want to get ripped off, and they don't have to deal with those music companies. They think, I can do something else on my own, and I need to know how to protect myself within that whole framework of the new music business."

"I want students to have a good background of the music industry over the past 30 or 40 years, when it grew into something that made it what it is today. It's important for them to not only look to the future, but to learn from the past. Although the music industry didn't get it about the internet initially, there were some great things that people in the industry did that you need to learn."

"I'm still involved in the practice of entertainment law, although on a limited basis. What I'm primarily doing is getting involved in more organizations that have input and hopefully will have influence on the changes that are being made in the music business. I'm involved in research, as well, writing articles that will hopefully influence the drastic changes that will continue to happen over the next few years. I participate in NARAS's entertainment law initiative every year. I'm on the board of the Music and Entertainment Industry Educators Association. I have affiliations with ASCAP, BMI, and CSAC, and I'm hoping to expand in educational roles with things that they do."