2 credit(s)
Course Chair: George Russell Jr.
Semesters Offered: Fall, Spring
Required of: None
Electable by: All
Prerequisites: HR-211 and ET-112
Department Code: HARM

The Music of Stevie Wonder is a harmony-driven course that builds on the Berklee core music curriculum foundation by examining the evolution of Wonder's music at a granular level. Topics covered include Wonder's harmonic language, melodic principles and use of melisma, lyrical approaches, and the ways in which these elements support the narrative structure of his compositions. Additional topics considered include recording and production techniques, use of technology, business-related issues, and biographical details.


3 credit(s)
Course Chair: Casey Driessen (Valencia), Marco Pignataro (Boston)
Semesters Offered: Spring, Summer
Required of: None; elective course in all graduate programs
Electable by: All graduate students
Prerequisites: Written approval of program director
Department Code: HARM

This course is a study of the pervasive harmonic language and techniques of popular American song. The goal of this course is to foster an understanding of the harmonic ideas that have carried American music through the latter half of the last century, and to discover harmonic alternatives to the traditional tonal systems that pervade American popular music of this time. Students come to understand the contextual relationship between melody and harmony through observation of different song forms from different styles of popular music, including show tunes, jazz standards, blues, rock/pop/R&B, and through-composed works in the jazz idiom. Harmonic options, both diatonic and otherwise, will be observed through study of the scale(s) that relate to the chord/tonality of the moment.