Ari Hoenig Clinic
Ari Hoenig was exposed at an early age to a variety of musical experiences. His father is a conductor and classical singer, his mother a violinist and pianist. Accordingly, at four years of age, Hoenig began studying the violin and piano. He began playing drums at age twelve, and by age fourteen he was honing his skills with other young jazz musicians at Philly clubs such as Ortlieb's Jazz Haus.
Hoenig attended the prestigious University of North Texas for three years, where he studied with Ed Soph while playing with the "One O'Clock" Lab Band. Wanting to be closer to New York, in 1995 Hoenig transferred to William Patterson College in northern New Jersey. He soon found himself playing for legendary Philadelphia organist Shirley Scott and working regularly in New York.
Shortly thereafter, Hoenig moved into Brooklyn and found himself playing extensively with a variety of groups, including Jean Michel Pilc Trio, Kenny Werner Trio, Chris Potter Underground, Kurt Rosenwinkel Group, Joshua Redman Elastic band, Jazz Mandolin Project and bands led by Wayne Krantz, Mike Stern, Richard Bona, Pat Martino, Dave Leibman, and Bojan Z. He has also shared the stage with such artists as Herbie Hancock, Ivan Linz, Wynton Marsalis, Toots Theilmans, Dave Holland, Joe Lovano, Pat Metheny, and Gerry Mulligan.
The Ari Hoenig Quartet was formed at the end of 2002 while playing every Monday night at the New York Village jazz club Fat Cat. The band featured Jacques Schwarz-Bart on tenor sax, Jean Michel Pilc on piano, and Matt Penman on bass. They released two records on the Smalls Records label, The Painter (2004) and the DVD Kinetic Hues (2005).
Both records received rave reviews and Fanfare Magazine listed The Painter as one of the top 5 records of 2004. Interviews and articles about Hoenig have appeared in numerous publications including Jazz Times, Modern Drummer, Jazzman, Bateria, Citizen Jazz, Philadelphia City Paper, All About Jazz, Philadelphia Weekly, Rim Shot, Time Out New York, Drummer, Jazziz, Relix, and Down Beat. Hoenig's quartet was filmed live at Fat Cat by Arte (French) television as part of a concert series Jazz in New York. They appeared on the show After Hours on MSNBC and toured extensively worldwide, drawing strong audiences and critical acclaim wherever they played.
In 2006 Hoenig signed a multi-record deal with Dreyfus Records and released his first record for them, Inversations. Inversations features Jean Michel Pilc and Johannes Weidenmueller. The fall of 2006 kicked off a long CD release tour, taking the group through Spain, Italy, and Finland, as well as various cities in the U.S.
Currently Hoenig leads two bands that both play his original music. Hoenig's Quartet, a.k.a. Punk Bop, features Will Vinson on alto, Jonathan Kreisberg or Gilad Hekselman on guitar, and Matt Penman or Orlando LeFleming on bass. Hoenig's second record on Dreyfus was released in 2008, on which Punk Bop is joined by Chris Potter on tenor. Hoenig's other group is a trio that he coleads with longtime partner pianist Jean Michel Pilc. After playing in each other's trios for some time, Hoenig and Pilc formed the Hoenig Pilc Project in 2006 to meld their two trios into a single, uniquely bold musical statement. Hoenig plays often with these two groups at his regular Monday night gig at Smalls in the Village. He also uses this gig to present other side projects and experiments he is working on at the time.
Both of Hoenig's self-produced solo drum CDs, Time Travels (2000) and The Life of a Day (2002), document his exploratory nature. They represent an ambitious tribute to the melodic possibilities of the drum set. Hoenig continues to build on the concepts of these two records by playing largely improvised solo concerts using a regular four-piece drum kit and no percussion. In January and February of 2007, Hoenig played solo drum concerts in the Opera House in Leon France; in New York's 55 Bar; and for a live broadcast on Philadelphia radio station WRTI.
Hoenig is also a composer, arranger, and pianist/keyboardist. His compositions and arrangements have been included in the repertoires and recordings of Kenny Werner, Jean Michel Pilc, Jazz Mandolin Project, the r&b pop group the Mariella Show, and Bojan Z's group. In 2005, in affiliation with the National Endowment for the Arts, Hoenig was awarded a Meet the Composer grant to perform his compositions with his own group.
As an educator, Hoenig teaches privately and is on faculty at New York University at the New School for Social Research in New York. He gives clinics and lectures at music schools and universities worldwide, and writes a regular educational column for Modern Drummer magazine. In collaboration with bassist Johannes Weidenmueller, Hoenig has finished a book on metric modulations.