Clinics and Master Classes

Society of Black Music with George Clinton

Tuesday / February 14, 2012 / 1:00 p.m.
David Friend Recital Hall
921 Boylston Street
Boston
MA
United States
02115

George Clinton and members of his band, PFunk, will do a Q&A with professor Bill Banfield's class and City Music students about black music and other subject matter related to music overall.

Admission: 

Gretchen Parlato: Connecting on the Bandstand

Tuesday / February 14, 2012 / 11:00 a.m.
Red Room at Cafe 939
939 Boylston Street
Boston
MA
United States
02115

A workshop for both singers and instrumentalists that will address interaction and communication between singer and the band, listening skills, creating a band sound, discussion and feedback on arrangements and instrumentation, and more.

Gretchen Parlato's 2009 sophomore breakthrough, In a Dream, signaled the arrival of an incredibly inventive modern jazz singer.  Her follow-up, The Lost and Found, demonstrates that she has staying power. In a Dream garnered international acclaim with Billboard magazine hailing it as "the most alluring jazz vocal album of 2009"; it also made it onto the top year-end polls for Jazz Times, the Boston Globe, the Village Voice and NPR. The Lost and Found shows immediate weight and intensity, exposing a greater dynamic range. "I feel like I stepped out of my own way and allowed myself to be more revealing and vulnerable through the music," reflects Parlato.

An alumni of the Thelonious Monk Institute, Parlato has been turning heads ever since she won the 2004 Thelonious Monk Institute International Vocal Competition with which she displayed a musical individuality loaded with paradoxical powers. Her sultry, intriguing voice and unique, rhythmically agile phrasing came with inescapable centripetal force; the more intimate and understated she sang, the more she drew listeners in. Since then she has toured worldwide to sold out audiences with BBC Radio proclaiming, "Star over London...A star is born!" Her originality captivates musicians as well, prompting invitations to appear on over 50 recordings with the likes of Terence Blanchard, Kenny Barron, Terri Lynn Carrington and Esperanza Spalding. Her breathtaking performances have been captured on television in Europe and Japan and she has become a sought after clinician on vocal styling.

 

Admission: 

George Clinton and the Funky Music Business: Copyrights, Publishing, and Protecting the Artist

Wednesday / February 15, 2012 / 12:00 p.m.
Berklee Performance Center
136 Massachusetts Avenue
Boston
MA
United States
02115

George Clinton, leader of the P-Funk movement, also created innovative business relationships with his recording, publishing, and performance partners that included record companies, publishers and artists. In addition to being one of the first artists that produced recordings for several labels at the same time, he also faced many challenges protecting his copyrights, publishing interests and collecting monies due him for his brilliant creative work.  

Clinton and others will participate in a panel moderated by Assistant Chair of the Music Business Management Department John Kellogg, discussing these issues in an effort to enlighten and inform the next generation of talented musicians. 

Topics to include:

  • George Clinton vs. the State of California: unauthorized use of the Funkadelic trademark, Clinton's name, and likeness and commercial exploitation
  • The process for reclaiming copyrights and collecting royalties
  • Fraudulent copyright filing
  • Sampling of music
  • Handle your "music business": suggestions from George on what to do and what not to do as an artist in the music industry.

 

Admission: 

Michael Carvin

Tuesday / February 21, 2012 / 12:00 p.m.
Oliver Colvin Recital Hall
1140 Boylston Street
Boston
MA
United States
02215

Michael Carvin is a drummer of extraordinary talent, inventiveness, and technique. His mastery affords him the ability to handle any musical situation and to skillfully pass on his knowledge of the instrument to an ever increasing number of students internationally.

Born in Houston, Texas, Carvin's musical training began at age 6 with his father, one of the top drummers in Houston. By the age of 12, Carvin began playing professionally and won what would be the first of five consecutive Texas rudimental championships. Mr. Carvin's diverse career has included two years as a staff drummer with Motown Records and extensive studio and television work on the West Coast.

Carvin moved to New York in 1973 to join Freddie Hubbard's band where he quickly gained a reputation as one of the most formidable drummers on the jazz scene. A prime example of his work with Hubbard can be seen on the Mosaic Records/Jazz Icons DVD released in fall 2011 featuring Carvin with Hubbard's very first touring group.

In addition to leading his own bands, Carvin's vast playing and recording experience includes work with Dizzy Gillespie, Dexter Gordon, Jackie McLean, Hank Jones, McCoy Tyner, Illinois Jacquet, Pharoah Sanders, Bobby Hutcherson, James Moody, Hampton Hawes, Ruth Brown, Johnny Hartman, Abbey Lincoln, Jimmy Smith, Hugh Masekela, Alice Coltrane, Cecil Taylor, Charles Brown, Terumasa Hino, Bobby Watson, Billy Bang, and many others. Michael Carvin has established himself as one of the world's most respected drum teachers and clinicians. He's attracted students from Europe, South America, Australia, Japan, and India. The alumni of the Michael Carvin School of Drumming in New York are among the elite drummers in music today. 

Admission: 

Marco Pereira: South American Guitar Styles

Thursday / February 9, 2012 / 12:00 p.m.
David Friend Recital Hall
921 Boylston Street
Boston
MA
United States
02115

Marco Pereira is beloved as one of Brazil's greatest guitarists and composers, his music ranging from solo guitar music infused with improvisatory flair, to fully orchestrated compositions. His is a sound world informed by the exotic and warm South American way; infused with rhythmic groove, romantic melodies and harmonies, and an energetic joie de vivre.
 
Pereira was born in Sao Paulo and took classical guitar lessons with the Uruguayan master Isaias Sávio and music theory lessons at the Music and Drama Conservatory of São Paulo.

He lived in France for five years and received a classical guitar master's degree in performance from the Université Musicale Internationale of Paris, and a master's degree in musicology from the University of Paris-Sorbonne with his thesis on Heitor Villa-Lobos and his guitar work.

Currently, he a professor in the Composition Department at the Federal University of Rio de Janeiro (UFRJ). His compositions were issued by the publisher Éditions Lemoine of Paris, France and GSP (Guitar Solo Publications) of San Francisco, California; they have been played and recorded by guitarists all around the world.

He has two CDs released in Europe: Stella del Matino (EGEA: Perugia, Italy) and Essence (Kind of Blue: Lugano, Switzerland).

In 2007 he released the album Camerístico for Guitar and Orchestra, featuring his own compostions and arrangements as well as the book/CD Ritmos Brazileiros, the definitive text regarding Brazilian rhythms for guitar.

Admission: 

Adam Nussbaum

Wednesday / February 8, 2012 / 12:00 p.m.
Oliver Colvin Recital Hall
1140 Boylston Street
Boston
MA
United States
02215

Adam Nussbaum grew up in Norwalk, Connecticut and started to play drums at age 12 after studying piano for five years; he played bass and saxophone as a teenager. He moved to New York City in 1975 to attend the Davis Center for Performing Arts at City College. While there he began working with Albert Dailey, Monty Waters, Joe Lee Wilson, Sheila Jordan and he played with Sonny Rollins in 1977 in Milwaukee. In 1978 he joined Dave Liebman's quintet and did his first European tour with John Scofield. During the early '80s he continued working with John Scofield in a celebrated trio with Steve Swallow. He later become a member of Gil Evans Orchestra and played with Stan Getz. He later joined the Eliane Elias/Randy Brecker Quartet, Gary Burton, and Toots Thielemans. In the late '80s he began touring with the Michael Brecker Quintet and they recorded the Grammy-winning Don't Try This at Home. During 1992 he was part of the Carla Bley Big Band and that same year John Abercrombie hired him to complete his organ trio.

Since then he has kept active in a wide variety of groups. Among them a recently formed quartet BANN with Seamus Blake, Jay Anderson, and Oz Noy, a co-op quartet Nuttree with Abercrombie, Jerry Bergonzi, Gary Versace, the James Moody Quartet, We Three with Dave Liebman and Steve Swallow, the Eliane Elias Trio, and Playing in Traffic with Swallow and Ohad Talmor.

Nussbaum has also busy maintaining an active freelance schedule. He has taught as an adjunct professor at New York University, the New School, and State University of New York at Purchase. He also does clinics and master classes around the world.

Admission: 

Tia Fuller

Monday / February 6, 2012 / 12:00 p.m.
Berk Recital Hall
1140 Boylston Street
Boston
MA
United States
02215

Jazz musicians are blessed with the desire and ability to play a genre that has a history as rich as its sound. All the greats, past and present, know that it's not enough to simply play the notes; one has to live the music and feel it with every breath. When Mack Avenue recording artist, Tia Fuller picks up her sax to play, the two become one and something amazing happens as the notes and reverberations of her musical elixir fill the room. Suddenly, everything in the universe feels right and it's easy to see and hear why this artist and teacher, who has a bachelor of arts degree in music from Spelman College in Atlanta, Georgia, (magna cum Laude) and a master's degree in jazz pedagogy and performance from the University of Colorado at Boulder (summa cum laude), was selected to be a member of the all-female band touring with R&B star, Beyoncé. As part of the I Am. . .Sasha Fierce and Beyoncé Experience World Tour promoting the superstar's CDs, Fuller has played in various venues throughout the U.S., Europe, Africa, Asia, and Australia. She is a featured soloist on the Beyoncé Experience DVD (Me, Myself and I) and also appeared on number of major television shows, such as the Oprah Winfrey Show, Today Show, Good Morning America, BET Awards, American Music Awards, and Total Request Live.

An accomplished performer in her own right, Fuller has recorded three CDs with her quartet. The first, Pillar of Strength (2005/Wambui), received praise as being "an exhilarating work that introduced her as a leader who strives for perfection" (Terrell Holmes, All About Jazz magazine). Her sophomore release, Healing Space (2007/Mack Avenue), is an offering of "melodic medicine" that the wide-eyed optimist sincerely hopes will serve as a healing agent for those who indulge in it. Fuller's third CD Decisive Steps, will be her second offering under the Mack Avenue label. Her quartet was recently featured at Oris Watches/Time Tourneau building for WBGO's jazz festival.

Fuller can also be seen performing regularly with a number of bands, including the Ralph Peterson Septet, the T.S. Monk Septet, the Jon Faddis Jazz Orchestra, the Rufus Reid Septet, the Sean Jones Quintet, the Nancy Wilson Jazz Orchestra, and Wycliffe Gordan Septet.

The dynamic saxophonist has been featured in Jazz Improv Magazine, Rocky Mountain News, the Philadelphia Tribune, the Star Ledger, DownBeat magazine, and many other print and online publications. 

Fuller believes her passion for teaching and inspiring students is in her genes because her parents were educators/administrators in the Denver Public School District. As a devoted educator, she presents lectures and teaches ensembles and master classes at some of the most respected institutions in the country, including Stanford University's Jazz Workshop" the University of Idaho's Lionel Hampton Jazz Festival, New Mexico State University, the IAJE Jazz Convention, Purchase College, WBGO's Children in Jazz Series, Duquesne University, and Panama Jazz Festival.

Admission: 

Berklee College of Music Visits Hong Kong

Saturday / February 11, 2012 / 2:00 p.m.
Baron School of Music
7/F, Tung Chiu Commercial Centre,
Wanchai, Hong Kong
United States

Berklee College of Music will present an afternoon of clinics and master classes at the Baron School of Music. The sessions will include:

3:00 p.m. to 4:30 p.m.: Ensemble and Rehearsal Techniques
4:30 p.m. to 6:00 p.m.: Preparing for a Live Audition and Interview
6:00 p.m. to 6:30 p.m.: Break
6:30 p.m. to 8:00 p.m.: Road Map for the Composer/Arranger

The presenters will be professor of contemporary writing and production Kurt Biederwolf, director of international programs Jason Camelio, and assistant director of admissions Pearly Lee.

For further details, visit bsm.com.hk/eng.

Admission: 
Free

Berklee Sabian Cymbal Clinic and Workshop featuring Jojo Mayer

Wednesday / February 1, 2012 / 12:00 p.m.
David Friend Recital Hall
921 Boylston Street
Boston
MA
United States
02115

Jojo Mayer, the son of bass player Vali Mayer, spent his early childhood on the road in Europe and the Far East. He received his first drum set at the age of 2, and made his first public performance in Hong Kong at 3. By 18 he had joined Monty Alexander's group touring major festivals in Europe, which led to gigs with Dizzy Gillespie and Nina Simone and introduced him to larger international jazz audiences.

Mayer moved to New York City in 1991. He built up a number of writing and production credits for his significant live and studio work. He also ran the popular Prohibited Beatz live electronica party in NYC from 1996 to 2001. Mayer is known for bringing together jazz, drum 'n' bass, jungle, and other influences. He is also famous for his ability to play the rhythms of programmed jungle drum 'n' bass music on acoustic drums, terming this technique "reverse engineering," a phrase borrowed from computing. He executes this approach using various methods such as the heel-toe bass drum technique, the Moeller stroke, and the pull-out or push-pull accent, which takes the beat on the rebound. These techniques allow him to play beats at astonishing speeds. His influences include Tony Williams, Jack DeJohnette, and Buddy Rich.

He played with the guitarist David Fiuczynski in the avant-garde pop rock band Screaming Headless Torsos and in the fusion jazz band Intergalactic Maiden Ballet. He also performed with such luminaries as Meshell Ndegeocello, Vernon Reid's Science Project, DJ Spooky, the Vienna Art Orchestra, Wayne Krantz, Gerald Veasley, John Zorn, James Blood Ulmer, Chico Freeman, Dhafer Youssef, John Medeski, Hiram Bullock, Depart, Friedrich Gulda, Harry Sokal, Mike Stern, and Wah Wah Watson. Mayer is a skilled clinician who continues to appear in numerous music festivals and sells out clinics all around the world.

Admission: 

Green Touring with Reverb and Randy Bird

Wednesday / February 1, 2012 / 5:00 p.m.
Berklee Media Lab
150 Massachusetts Avenue
Boston
MA
United States
02215
Green Touring with Reverb and Randy Bird

It's great to hit the road with your music, but how can you reduce the environmental impact of touring?  

Randy Bird will discuss how students recycle vegetable oil from Berklee's cafeteria to fuel specially equipped vans for touring musicians.  

Josh Glasheen of Reverb will explain how his organization provides greening programs for music tours while conducting grassroots outreach and education with fans around the globe.

See the library website or library facebook page for more information.

 

 

Admission: 
Free

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