Courses

e.g. AR or AR-211
e.g. Film or "Bass Lab"

SW-P375

2 credit(s)
Course Chair: Bonnie Hayes
Semesters Offered: Fall, Spring
Required of: None
Electable by: All except SONG majors
Prerequisites: HR-212
Department Code: SONG

This course will allow upper semester students who have never taken a songwriting course at Berklee during their first six semesters to gain knowledge about their craft as well as experience critiques of their songs. It will allow these students the opportunity to learn many of the songwriting techniques taught throughout the Berklee songwriting curriculum and to receive individual attention from an instructor from the Songwriting Department.

SW-P411

2 credit(s)
Course Chair: Bonnie Hayes
Semesters Offered: Fall, Spring
Required of: None
Electable by: All
Prerequisites: Approval of instructor
Department Code: SONG

The focus of this course is collaborative writing of radio hits for artists currently charting on the Billboard Hot 100, as well as songs meant to break new artists currently being developed. This is an intensive course requiring a significant amount of listening, analysis, songwriting, vocal production and working with and to tracks/beats. All Hot 100 genres will be investigated, but most of the work will be devoted to pop, dance, and R&B. Current radio singles will be analyzed in order to understand the attributes of melody, song idea/lyric, harmony, form, and production common to hit songs. The relationship of technology and production to hit making will also be explored. Throughout the course, select topics relevant to the business of songwriting will be covered. In order to maximize the number of writing opportunities in the course, as well as model the real-world songwriting experience, all assignments will be collaborative, and students will be working in groups of two to four. Working from industry tip sheets and listings, students will select and analyze current hit singles from various artists in their genre, and collaborate to write and produce songs with hit potential. They will write songs both top down (conception to production), as well as bottom up (production first, with melody and lyrics then top-lined). Through cooperation with the MP&E/EPD departments, students will have access to student-produced tracks that they will write to. Students will also be required to create their own productions for some of their song projects. Depending upon availability, it is also a goal of this course to provide students with the opportunity to get feedback on their songs via publishers and/or industry A&R executives, either in person or online.

 

SW-P421

2 credit(s)
Course Chair: Bonnie Hayes
Semesters Offered: Fall, Spring
Required of: None
Electable by: SONG majors
Prerequisites: SW-321 and written approval of course instructor
Department Code: SONG

Advanced Lyric Writing 2 offers students a close look at their own writing process in an intimate seminar setting, focusing on individual strengths and weaknesses, tailoring assignments to each individual student's needs. We'll look especially at the rewriting process, concentrating on how and why choices are made, paying special attention to prosody. The course will demand a high level of skill and commitment. A project will be due each week.

SW-P497

2 credit(s)
Course Chair: Bonnie Hayes
Semesters Offered: Fall, Spring
Required of: SONG majors
Electable by: SONG majors
Prerequisites: SW-311, SW-321, or SW-371; SW-361 and SW-398
Department Code: SONG

Small group seminar designed to guide students majoring in songwriting in the preparation of their final projects.

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