Courses

e.g. AR or AR-211
e.g. Film or "Bass Lab"

LHUM-218

3 credit(s)
Course Chair: Simone Pilon
Semesters Offered: Fall Only
Required of: None
Electable by: All
Prerequisites: LENG-111
Department Code: LART
Location: Boston Campus

This course explores artistic expression through musical responses to poetry, dance, painting, film, photography, and other art forms. Through guided listening, viewing films and discussion, students learn to integrate the arts by preparing a performance. The class experiments and creates pieces to realize a synthesis of the arts. Artists to be examined include Paul Klee, Gunther Schuller, John Cage, Merce Cunningham, Mark Morris, Yo Yo Ma, and more. Collaborations among music students, dancers, writers, and visual artists are encouraged.

LHUM-223

3 credit(s)
Course Chair: Simone Pilon
Semesters Offered: Fall, Spring, Summer
Required of: None
Electable by: All
Prerequisites: LENG-111
Department Code: LART
Location: Boston Campus

Humanities Topics courses enable students to choose from a variety of course themes that change each semester. Humanities topics courses are generally interdisciplinary and focus on the intersection of different approaches to studying a topic, culture or geographic region. Individual course descriptions are available to registering students at www.berklee.edu/liberal-arts.

LHUM-251

3 credit(s)
Course Chair: Simone Pilon
Semesters Offered: Fall Only
Required of: None
Electable by: All
Prerequisites: FS-221 and LENG-223
Department Code: LART
Location: Boston Campus

This course provides film scoring majors with an introduction to how film makes visual and narrative meaning through the language of film, which includes camera, frame composition, lighting, production design, acting styles, editing, dialogue, plot, genre, themes, sound, and point of view. Students will learn to read and analyze film from a film studies perspective. Written assignments and in-class activities will reinforce writing, reading, and oral communication skills, with the goal of strengthening students' abilities to communicate with directors.

LHUM-310

3 credit(s)
Course Chair: Simone Pilon
Semesters Offered: Fall Only
Required of: Berklee Global Jazz Institute students
Electable by: None
Prerequisites: LENG-111 or written permission of course instructor
Department Code: LART
Location: Boston Campus

In this course, students explore the artistic and creative processes involved in jazz and examine the connections among jazz and different modes of artistic expression, including the connections among jazz performance and visual art forms. Students analyze the ways that different art forms influence their music performances and compositions. Students evaluate the expressive qualities found in music and other art forms, including dance, visual arts, literature, film and more. Students refine their own personal aesthetic through reflection, research, inventive performance, improvisation, composition and analysis. This course is team taught by a faculty member from Liberal Arts and a faculty member from the Berklee Global Jazz Institute.

LHUM-400

2 credit(s)
Course Chair: Simone Pilon
Semesters Offered: Fall, Spring, Summer
Required of: All
Electable by: All
Prerequisites: Sixth-semester standing
Department Code: LART
Location: Boston Campus, Valencia (Spain) Campus

The Professional Development Seminar provides an opportunity for students in their sixth semester to reflect upon their academic and professional experience at Berklee, prepare to complete their Berklee programs, and transition from college into the professional world and/or graduate school. Students evaluate their knowledge, skills, abilities, and interests as they develop and/or refine college and career goals. Students also explore their own identities and their professional and personal relationships as they reflect on the role of the artist in society generally and their role as a musician in their community specifically. Students learn business, entrepreneurship, legal, and communication skills, and address issues of business ethics. Additionally, students refine and redirect their Berklee College of Music electronic portfolio towards a professional model and explore issues of presentation and critique. The Professional Development Seminar provides a creative and reflective atmosphere that encourages students to participate in their own learning while preparing for their future.

LHUM-410

3 credit(s)
Course Chair: Simone Pilon
Semesters Offered: Spring Only
Required of: None
Electable by: All
Prerequisites: LENG-223
Department Code: LART
Location: Boston Campus

The motto of Berklee College of Music is Esse quam videri, a phrase from Cicero's essay On Friendship" which translates as "to be rather than to seem." This course gives students the opportunity to focus and reflect upon the differences between seeming and being and think deeply about existence self and image. Organized around three interrelated themes: seeming vs. being; performance on stage and in everyday life; and the power of images and illusion in contemporary culture the seminar requires students to consider real world issues by exploring in depth the great works of philosophy literature and psychology. The course includes the reading and discussion of Plato's Republic Machiavelli's The Prince Shakespeare's Hamlet and Cervantes' Don Quixote. Funded by a National Endowment for the Humanities Enduring Questions grant LHUM-P410 is a unique opportunity for serious seminar-style exploration of a foundational issue in human thought.

LHUM-433

3 credit(s)
Course Chair: Simone Pilon
Semesters Offered: Spring Only
Required of: None
Electable by: All
Prerequisites: LENG-111 and MTEC-111
Department Code: LART
Location: Boston Campus

This course blends theory and practice in an exploration of digital narrative: how stories can be told with digital and new media technologies. We will work critically and creatively with linear and nonlinear narratives in a range of media: writing, graphics, animation, games, multimedia, virtual worlds, and interactive media. The overall theme of the course will focus on moving image narratives—both linear and nonlinear—that explore ideas about storytelling, time, and memory. In particular, we will consider how interactivity changes narrative, and whether there are new kinds of digital narratives and aesthetics emerging. Students will make movies, websites, DVDs, movies and online installations that illuminate ideas about story, plot, character, time, and narration; comment on their creative work using the critical concepts they learn; and experiment with word processing, graphics, and web design software programs.