Live Sound and Stage Craft teaches students the ins and outs of setting up and operating sound reinforcement systems. Students develop knowledge of signal flow, mixing board operation, microphone choice and placement as well as strategies to avoid feedback. Weekly hands-on guided set up and operation of sound reinforcement systems help illustrate concepts and allow students to learn through the power of experience. This includes mixing from the stage while performing, mixing for other musicians for and from the FOH (front of house) position, as well as monitors. In addition, students acquire effective set up and stage management skills as well as the common communication protocol with other musicians and technicians in live sound reinforcement situations. Finally, implementation of adapted practices and systems for problematic spaces or venues is also explored. Students will also gain experience with basic lighting and video stagecraft systems.
In this project-based production and engineering course, students complete two production projects: a step-by-step, singer-songwriter multitrack recording, and an exact sound-alike of an existing pivotal or hit record. In doing this, students acquire technical skills, including multitrack recording techniques, microphone technique for vocals, guitars, drum-set and other instruments, an understanding of signal flow, equalization, compression, gain stages, and effective capture of musical audio. Students also gain experience with effective techniques of music production, including identifying goals, serving the emotional content of the song, effective arranging for records, and interpersonal issues surrounding the recording process.
This is a project-based mixing course geared toward musicians. Students learn basic aspects of editing, mixing and delivery in the modern DAW environment. Students also learn mixing techniques and analysis, and an introduction to digital editing and signal processing. Students complete this course in conjunction with MTI-P305 Production and Recording Stratagems. Together, in the two courses, students learn the complete production process from preproduction though the mixing and delivery stage.
This course explores topics in electronic production and live performance techniques related to modern electronic dance music production, sound design, arrangement, and performance. Students will generate content and create their own music while learning how to use Ableton Live Suite. Students will learn to analyze electronic music, and explore techniques for remixing, performing, and creating electronic music.
This is an 'in-the-box' project-based virtual production course. Students learn to produce short sound-alikes of fragments of contemporary hit records employing sequencing and virtual instruments. They also learn to produce a full acoustic band cover using virtual instruments and one live instrument and/or vocalist. Additionally they learn to produce short musical creations by chopping and editing audio, incorporating tempo mapping, elastic audio, Melodyne, looping, beat detective, and other manipulation tools. Students also learn the skills needed to edit and arrange music to picture.
This course provides an introduction to the art and technology of creating music videos. Students learn the challenges and possibilities of representing music visually through the art of filmmaking. They explore the fundamental tools and techniques of music video production by reviewing and analyzing groundbreaking music videos. They also apply those techniques in the hands-on production of personal music videos.
An introduction to live electronic music performance and DJ skills, beginning with the use of the turntable as a musical instrument. Students will explore the culture and aesthetics of Hip-hop, turntablism, club DJs, radio, and mash-up DJs, and will master the following techniques: cueing, mixing, beat matching, beat extending, mash-ups, blending, and scratching (basic, scribble, laser, uzi, stab, cut, transformer, crab, chirp and flare). Students will create their own live mixes and present them as midterm and final performances.
This course will prepare students to compose, arrange, and produce music using Apple’s Logic Pro X software, a powerful, affordable and ubiquitous MIDI and audio production tool. This will be achieved through learning general concepts of music production and modern recording, as well as the specific workflow of Logic Pro X. Topics to be covered in include: virtual instruments such as EXS24 Sampler, ES2, Sculpture, Apple loops, audio processing, and editing tools. Students will also gain general knowledge in signal flow, MIDI, recording, mixing, and mastering.
The study of the musical concepts such as music theory as it relates to effective performance on your instrument; the development of basic musicianship skills (the ability to read, write, remember, and improvise music); performance and transcription of music from a wide variety of styles; and the development of individual instrumental skill through private study and ensemble performance. Class activities will include theoretical explanations, playing demonstrations, and listening to and analyzing relevant performers. This course is only available to 5-Week students who receive a grade of B or higher in FWTH-010 Theory in Performance, FWMU-010 Musicianship, FWPI-0X0 Private Instruction, and at least one section of FWEN-010 Five Week Ensemble.
Ear training with an emphasis on practical performance experience. Recognizing pitch, rhythm, harmony, and timbre by ear and responding on the student's instrument in class. Some dictation. Some nonsyllabic sight-singing.