In this course, students learn skills needed to administer, lead, and develop music therapy programs effectively. They explore the following topics, among others: ethics, administration, communication, entrepreneurship, the Health Insurance Portability and Accountability Act (HIPPA), human subjects training, and self-care. They also explore what it means to be a leader in a workplace and in a more general sense. Additionally, they explore methods to advocate for music therapy practice. They also learn teamwork, workplace management, and other important practical employment skills. Through this course, students also complete an advanced clinical practicum.
This course supports students' completion of the culminating experience/thesis, which is a practicum or research project enabling the student to make a contribution to the field of music therapy. The student works in consultation with his/her faculty advisor to develop his/her unique project. The goal is to complete original work at a professional level. A faculty committee composed of the advisor and one to two other faculty members will evaluate the final project that results from the culminating experience. This team will serve as the examining committee. The process of writing this culminating experience/thesis calls upon individual experience, intelligence, creativity, and synthesis of acquired knowledge. The process also requires independence, organization, and determination. The result demonstrates a student's capabilities to have an impact on the body of knowledge in the field of music therapy, which will be further developed in MTH-690, and completed in MTH-695. Those opting for the research track will continue their research through MTH-550 and MTH-551.
This project-based course is broken into two weekly sessions, the first focused on production and engineering concepts and the second focused on mixing skills. Throughout the semester, students complete two production projects: a step-by-step, singer-songwriter multitrack recording, and an exact sound-alike of an existing pivotal or hit record. Students experience the complete production process from preproduction though delivery, acquiring technical skills including multitrack recording techniques, microphone technique for vocals, guitars, drum-set and other instruments, and an understanding of signal flow, editing, mixing and delivery in the modern DAW environment. Students also gain experience with effective techniques of music production, including identifying goals, serving the emotional content of the song, effective arranging for records, and interpersonal issues surrounding the recording process.
Live Sound and Stage Craft teaches students the ins and outs of setting up and operating sound reinforcement systems. Students develop knowledge of signal flow, mixing board operation, microphone choice and placement as well as strategies to avoid feedback. Weekly hands-on guided set up and operation of sound reinforcement systems help illustrate concepts and allow students to learn through the power of experience. This includes mixing from the stage while performing, mixing for other musicians for and from the FOH (front of house) position, as well as monitors. In addition, students acquire effective set up and stage management skills as well as the common communication protocol with other musicians and technicians in live sound reinforcement situations. Finally, implementation of adapted practices and systems for problematic spaces or venues is also explored. Students will also gain experience with basic lighting and video stagecraft systems.
This course explores topics in electronic production and live performance techniques related to modern electronic dance music production, sound design, arrangement, and performance. Students will generate content and create their own music while learning how to use Ableton Live Suite. Students will learn to analyze electronic music, and explore techniques for remixing, performing, and creating electronic music.
This is an 'in-the-box' project-based virtual production course. Students learn to produce short sound-alikes of fragments of contemporary hit records employing sequencing and virtual instruments. They also learn to produce a full acoustic band cover using virtual instruments and one live instrument and/or vocalist. Additionally they learn to produce short musical creations by chopping and editing audio, incorporating tempo mapping, elastic audio, Melodyne, looping, beat detective, and other manipulation tools. Students also learn the skills needed to edit and arrange music to picture.
This course provides an introduction to the art and technology of creating music videos. Students learn the challenges and possibilities of representing music visually through the art of filmmaking. They explore the fundamental tools and techniques of music video production by reviewing and analyzing groundbreaking music videos. They also apply those techniques in the hands-on production of personal music videos.
An introduction to live electronic music performance and DJ skills, beginning with the use of the turntable as a musical instrument. Students will explore the culture and aesthetics of Hip-hop, turntablism, club DJs, radio, and mash-up DJs, and will master the following techniques: cueing, mixing, beat matching, beat extending, mash-ups, blending, and scratching (basic, scribble, laser, uzi, stab, cut, transformer, crab, chirp and flare). Students will create their own live mixes and present them as midterm and final performances.
In this course, students learn to utilize digital technology and MIDI to create musical arrangements of either original or existing thematic material using a Digital Audio Workstation (DAW). Students focus on the musical use of technology and production aspects of a project, including the MIDI standard, signal flow of a MIDI and recording workstation, utilizing sound processing equipment, choosing appropriate sounds and combining elements from software synthesizers, and alternate approaches to quantizing and refining rhythmic grooves. Students learn aspects of mixing and production through practical applications of tools and techniques such as equalizers, reverbs, delays, flangers, and choruses, and dynamic processing units-compressors, noise gates, and limiters. Students learn ways to enhance writing in recording and mixing through the effective use of sound processing equipment. In addition to class meetings, students will be expected to schedule individual hands-on time for practice and assignments in the lab.
In this course, students develop skills and techniques for producing and engineering music sessions in a large format recording studio. Students learn studio etiquette, recording techniques, signal flow, and subsequent work flow within a professional studio environment. The course emphasizes console signal flow within a modern hybrid environment; microphone types, characteristics, and placement; analog and digital signal processing; asset management; and practical troubleshooting skills.
Music Technology Innovation Seminar 1 is a comprehensive, practical, and goals-oriented exploration of innovation in artistry, music, and technology. The biographies, accomplishments and traits of innovative individuals will be considered, and students will prepare media-rich presentations on innovators of their choosing. Current brain science will be scrutinized, and best approaches to exploratory innovation, idea generation, evaluation, and implementation will be examined with an eye towards adapting the most applicable practices to each student's field of specialization. This course will also function as a forum to integrate the skills and information students are learning in their other courses, as well as focusing students on defining their culminating experience thesis projects. The final project in the course will be a detailed definition and action plan for each student's culminating experience.
Our daily interactions in the social, cultural, and commercial spheres are increasingly digitally mediated, resulting in systems that are open to user input or that persist for an indeterminate amount of time. Thus, conventional notions of sequential narrative lose their efficacy, and a new type of system-based problem solving is required. Such nonlinear formats represent a growth area for composers and music producers. This course examines the network of emerging practices that are springing up in such fields as sound art and architecture and video game design, providing students with the technical and theoretical skills to navigate this new acoustic ecology of digital media. Using the graphical programming language Max, students will develop projects that examine precedents for nonlinear structure across boundaries of discipline, culture, and history. Developing fluency with alternative organizational models to traditional linear forms will allow students to innovate and thrive in a new digital ecosystem.