Composition Courses

MLAN-243

2 credit(s)
Course Chair: Richard Carrick
Semesters Offered: Fall Only
Required of: None
Electable by: All
Prerequisites: None
Department Code: COMP
Location: Boston Campus

A study of Japan's musical history and life, including: music of Shinto and Buddhism; music of the court and theater (gagaku, nogaku, kabuki); music of Japan's instruments (biwa, shakuhachi, koto, and shamisen); folk and popular music; demonstration of selected instruments; and introduction to notation systems. The class will examine Chinese and other Asian influence on traditional Japanese music, as well as later cross-cultural influence between the Japan and other cultures around the world.

MLAN-250

2 credit(s)
Course Chair: Richard Carrick
Semesters Offered: Spring Only
Required of: None
Electable by: All
Prerequisites: CM-211 or CM-251 and CP-210
Department Code: COMP
Location: Boston Campus

This course surveys the life and music of Maurice Ravel, one of the most important and influential composers of the 20th century. The class will include weekly listening and reading assignments with score study and analysis. We will watch videos of his ballet Daphnis et Chloé and his two operas, and students will write papers and give class presentations of his work. In addition to musical study, this class will be a historical survey of the era which Ravel lived and will include discussions and reading assignments about art, dance, literature, and political events that influenced his musical style.

MLAN-266

2 credit(s)
Course Chair: Richard Carrick
Semesters Offered: Fall, Summer
Required of: None
Electable by: All
Prerequisites: CM-212, and CP-210 or CP-211
Department Code: COMP
Location: Boston Campus

This course combines historical, theoretical, and psychological aspects of research on the life of Dmitri Shostakovich and the majority of his works. Special attention is devoted to the symphonic and theater works with detailed analysis of the principles of musical and theatrical dramaturgy and emphasis on style, form, and musical language. Videotapes with excerpts of performances of the composer's operas, ballets, and symphonic works, as well as passages from rare documentary films, are an integral part of the course.

MLAN-288

2 credit(s)
Course Chair: Richard Carrick
Semesters Offered: Fall Even Years
Required of: None
Electable by: All
Prerequisites: CM-211 and CP-210
Department Code: COMP
Location: Boston Campus

An exploration of Messiaen’s unique ideas, philosophy, and music. Topics include his concepts for pitch design and rhythmic generation, and his deep interest in Hindustani rhythms and birdsong studies. Major works examined include Quartet for the End of Time, Visions de l’Amen, Messe de la Pentecôte, and Chronochromie.

MLAN-311

2 credit(s)
Course Chair: Richard Carrick
Semesters Offered: Fall, Spring, Summer
Required of: COMP majors
Electable by: All
Prerequisites: CM-212 or CM-252
Department Code: COMP
Location: Boston Campus

Analysis of representative works from the classical and romantic periods. Emphasis on compositional practice and stylistic distinction.

MLAN-312

2 credit(s)
Course Chair: Richard Carrick
Semesters Offered: Fall, Spring
Required of: COMP majors
Electable by: All
Prerequisites: MLAN-311
Department Code: COMP
Location: Boston Campus

Study of music from the early 20th century to the present. Examination of the development of mainstream serial, electronic, aleatoric, and experimental composition.

MLAN-315

2 credit(s)
Course Chair: Richard Carrick
Semesters Offered: Fall Only
Required of: None
Electable by: All
Prerequisites: CM-212, and CP-210 or CP-211
Department Code: COMP
Location: Boston Campus

A comprehensive survey of the forms that originated in the Renaissance, baroque, and classical periods, and their development and use by composers of the 19th and 20th centuries. Isorhythm, ground bass, variation passage, and fugue are traced in detail from their earliest use to the 20th century.

MLAN-316

2 credit(s)
Course Chair: Richard Carrick
Semesters Offered: Spring Only
Required of: None
Electable by: All
Prerequisites: MLAN-315
Department Code: COMP
Location: Boston Campus

A continuation of the survey of forms. Sonata, rondo, simple ternary, and other forms are analyzed in detail and traced through the music of composers from the 18th century to the present day.

MLAN-320

2 credit(s)
Course Chair: Richard Carrick
Semesters Offered: Spring Only
Required of: None
Electable by: All
Prerequisites: CM-212, and CP-210 or CP-211
Department Code: COMP
Location: Boston Campus

John Cage and Morton Feldman were two of the most influential composers of the 20th century. This course is designed to acquaint students with their philosophies, their relationship to visual art and poetry, and, most importantly, their unique and original compositional techniques.

MLAN-371

2 credit(s)
Course Chair: Richard Carrick
Semesters Offered: Fall Only
Required of: None
Electable by: All
Prerequisites: CM-212
Department Code: COMP
Location: Boston Campus

Comparative study and analysis of the principal Beethoven quartets. Relationship of the quartets to his work as a whole. Examination of the outstanding compositional characteristics of this important body of literature.

MLAN-372

2 credit(s)
Course Chair: Richard Carrick
Semesters Offered: Fall, Spring
Required of: None
Electable by: All
Prerequisites: CM-212
Department Code: COMP
Location: Boston Campus

Score analysis, discussion, and study of Bartók's principal chamber works. Comparison of formal characteristics, scoring, and compositional practices.

MLAN-373

2 credit(s)
Course Chair: Richard Carrick
Semesters Offered: Fall, Summer
Required of: None
Electable by: All
Prerequisites: CM-212
Department Code: COMP
Location: Boston Campus

Analysis of the early tonal and free atonal techniques in Schoenberg's pre-1923 compositions. Examinations of the causes and effects of preserial techniques in 20th-century composition.

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