Since Berklee’s earliest days, courses in arranging have been staples of the curriculum. Through the years, students came to Berklee seeking the skills to arrange for big band, orchestra, small ensemble, and even solo instruments. Many have parlayed their arranging skills into successful careers...
Adapted from the book Arranging for Strings by Mimi Rabson. “Strings can play the melody, add a countermelody, insert fills between melodic phrases, hold the harmony together with pads, comp with the rhythm section, and more.”
Beginning in 2019, Berklee College of Music will offer incoming students the option to choose an electronic digital instrument (EDI), a computing device equipped with music software and performance controllers, as their principal instrument.
Seven young musicians from underserved communities in Boston and across the United States were awarded four-year, full-tuition scholarships to attend Berklee during an emotional presentation at the Berklee Performance Center on August 7.
Royal Caribbean teamed up with experts from Berklee and technologists from around the world to create SoundSeeker, a unique tool that transforms travelers’ most memorable photos into an original, shareable soundtrack with a video to match.
Since arriving in Nashville in 1995, Greg Becker ’95 has made his living by getting inside people’s heads. But instead of doing so as a doctor, he’s been doing it as one of the more successful songwriters in Nashville, Tennessee.
On her latest album, The Book of Longing, Los Angeles alumna Luciana Souza ’88 sings the poetry of Leonard Cohen, Edna St. Vincent Millay, Emily Dickinson, Christina Rossetti, and herself in settings she composed.
In the spring, Berklee announced a new scholarship created in honor of Phish cofounder Mike Gordon to support students studying bass who are also well-rounded artists with skills in such areas as songwriting, production, arranging, or creative entrepreneurship.
More than 100 participants from the academic, medical, healthcare, biotech, pharmaceutical, music, and civic sectors gathered for the Berklee Music and Health Institute’s inaugural event, “Crossroads of Music and Medicine.”
In July, associate professor of composition Panagiotis Liaropoulos left Boston to begin his work as a Fulbright Fellow in the Small Cyclades, a group of islands in the Aegean Sea southeast of the Greek mainland. Liaropoulos has made his home in America for more than two decades. But he continues...
After teaching at various Spanish educational institutions, Olga Román B.M. ’87 joined the Berklee Valencia faculty in Valencia, Spain, in 2015 as a voice instructor in the Master of Music in Contemporary Performance program (production concentration). “Teaching is something I have always...
Associate professor James Donahue built a Dolby Atmos mixing room over the summer. An album of Baroque music that he mixed for cellist Phoebe Carrai was released in September.
Professor Laszlo Gardony is a featured soloist on the album Our Story by New York–based flutist and composer, Christian Artmann. ShapeShifter Lab filmed a solo piano performance by Gardony and posted it on YouTube. (photo, credit Chris Drukker)
Ishaan Chhabra was 3 years old when he heard something so wondrous that it stamped the first indelible imprint on his memory. It was the industry-changing soundtrack to the 1992 Indian blockbuster Roja that had made composer A. R. Rahman a household name across India.
Stan Schertzer of Webster, MA, has released the choral piece “Life Is a Journey,” published by Renforth Music. Schertzer also plays keyboards with his son, Adam, in the four-piece SMS Jazz Project. Visit pianostylingsbystan.com.
Mark Buselli of Indianapolis, IN, is currently the director of jazz studies at Ball State University and was recently inducted into the Indianapolis Jazz Foundation Hall of Fame.