ET-211 or ET-231, and bass private instruction level 4
Students will transcribe and perform solos and lines of major bass players in jazz. Projects chosen to reflect many different styles found throughout the history of jazz. Emphasis on major innovators including Pops Foster, Walter Page, Slam Stewart, Jimmy Blanton, Charles Mingus, Oscar Pettiford, Paul Chambers, and Scott LaFaro.
Development of a personal approach to improvisation through application of motivic development, harmolodic phrasing, and descriptive imagery through musical expression: dynamics, emotions, colors, shapes, and textures. Study of techniques found in the music of Ornette Coleman, Eric Dolphy, Lester Bowie, Charlie Haden, Cecil McBee, Sun Ra, Cecil Taylor, John Scofield, Dave Holland, and other improvisers.
Application of modern and traditional techniques of improvisation for bass. Creating melodic and harmonic concepts through the tools of scales, arpeggios, modal harmony, reharmonization, and rhythmic interpretation. Analysis and application of the principles of harmonic progression in improvisation.
Chronological study of bass performance and styles in Latin America.
Tai Chi Chuan, or "Grand Ultimate Fist," is a moving meditation/exercise/martial art that can complement and energize your studies, music, and all the activities of your busy day. Traditionally, it is an internal "yin" fighting style that develops grounding, relaxation, and the ability to utilize the attacker's own power to subdue them. It is also a constantly evolving art/science that promotes physical, mental, and emotional balance, and is a useful tool for identifying playing-related tension patterns and opening constricted channels of the body. Tai Chi Chuan is a slow, flowing, no-sweat exercise with excellent health benefits that requires no uniforms or equipment, a moderate amount of floor space to perform, and no opponent to compete against except yourself. This course will lead you through the first 20 postures of the 60-movement form developed by Grandmaster William C. C. Chen. Once the complete choreography is learned, this short form could be incorporated into your daily routine and would require only a few minutes to complete.
First level of principal instrument recital preparation for performance majors.
Second level of principal instrument recital preparation for performance majors.
Taken in conjunction with ILRE-375. Includes preparation of repertoire for performances in the recital workshop.
Includes preparation of repertoire for a public performance as a leader.
Includes preparation of repertoire for the jury, which must be presented successfully in order to schedule the senior recital.
Includes preparation of repertoire for the senior recital, which is the final project for performance majors.