The Regiment Horns is a group comprising three Berklee alumni: Sean Erick ‘06 (trumpet, flugelhorn), Kevin Lloyd Williams Jr. ’03 (flute, tuba, trombone), and Leon Silva Jr. ‘07 (saxophone). The three men met at Berklee but didn’t form the band until they had all graduated and moved to Los Angeles.
Kishi Bashi '99 is a multitalented musician whose years at Berklee infused his music with cinematic lushness. He composes on violin, and sings and writes songs blending Japanese and English, as well as performing on guitar and keyboard. His solo albums, 151a and Lighght, demonstrated his versatility. Another, Sonderlust, due out in September 2016, continues to showcase his talent.
Banda Magda, founded by Greek-born singer, film scorer, and composer Magda Giannikou '08 and joined by several Berklee alumni, deftly melds styles from samba to Greek folk to Columbian cumbia and has caught the attention of everyone from Kronos Quartet to Louis C.K.
Tal Even-Tzur, an Israeli pianist, vocalist, and composer with delicate yet modern harmonizations in her playing and her compositions, is an outstanding musician with a promising career ahead.
A native of Mumbai, India, and a graduate of Berklee College of Music, Clint Valladares serves as the managing director of the Berklee India Exchange. Since joining Berklee as a staff member in 2009, Valladares built capacity within the Berklee City Music Network®, a network of community organizations across the United States and Canada committed to delivering high-quality contemporary music instruction to youth from underserved communities, to create a richer consortium of like-minded organizations.
George Mraz came to Berklee in 1968 by way of the Czech Republic. Since coming to the United States, he has been an in-demand bassist, playing with a host of jazz greats including Dizzy Gillespie, Stan Getz, and Charles Mingus and garnering credits on almost 1,000 recordings.
Meghan Stabile's visionary and trailblazing work as an impresario has led to a number of unusual first-time collaborations, including one between Roy Ayers and Pete Rock and another between Yasiin Bey (formerly known as Mos Def) and the Robert Glasper Experiment. Her Revive-Music.com is a leading platform for promoting new jazz.
Trumpet and flugelhorn player Ingrid Jensen ’89 came to Berklee by way of Nanaimo, British Columbia. An award-winning musician, she has been considered a standout jazz trumpeter since the release of her first album, Vernal Fields (ENJA, 1995), which won a Juno Award. Jensen subsequently made two more acclaimed albums with ENJA and found herself in demand as a leader and a session musician.
Adam Sankowski, a board-certified music therapist working at the Kennedy Day School in Boston—a private school for students with significant special needs, located within the Franciscan Hospital for Children—helps young, often nonverbal students find their voice through music.
Mads Tolling’s path was set at age 14 when his father gave him a Miles Davis cassette. The native of Copenhagen, Denmark, so identified with the freedom and spirit of ‘60s jazz that he set on a path to bend his instrument, the violin, to that music. At age 20 he came to the United States to Berklee College of Music to pursue jazz studies, graduating summa cum laude in 2003.
Billboard chart-topping singer and songwriter Charlie Puth '13 first gained public attention through a slew of popular YouTube videos. His breakthrough onto the pop charts came by way of the song “See You Again” from the Furious 7 soundtrack in collaboration with hip-hop artist Wiz Khalifa, which reached No. 1 in America and abroad. He can frequently be seen on piano performing with and/or arranging for the likes of Wiz Khalifa, Meghan Trainor, Jason Derulo, Lil Wayne, Trey Songz, and countless others to come.
An eclectic, whimsical, inventive performer and personality, Rushad Eggleston is a cello player with a difference. Calling himself the Ambassador of Sneth and Wild Cello Goblin, Eggleston improvises in fiddle styles on the cello. Now touring the world—from Italy to Belgium and beyond—as a solo performer on cello, vocals, and kazoo, he wears a jester costume and sings in his own imaginary language.
A native of Carmel, California, he attended Berklee on a full scholarship after winning a competition.
To some musicians, fame comes early. Then there’s the rest of your career. Sierra Hull '11, who was called to the Grand Old Opry stage as an 11-year-old to play the mandolin by international star Alison Krauss, is figuring out hers.
Born and raised in San Jose, California, Rohith Jayaraman is a vocalist, composer, arranger, and percussionist who specializes in Carnatic (South Indian classical) vocal music and vocal percussion. As a student at Berklee College of Music, he was also one of the early members of the college’s renowned Berklee Indian Ensemble, arranging and composing for the group. After graduating summa cum laude with a degree in music therapy in 2016, Jayaraman became the assistant manager of the Berklee India Exchange.
Alex Lacamoire, who graduated from Berklee in 1995, has earned Tony Awards for his orchestration work on musicals Hamilton and In the Heights.
Born in Baghdad and raised in Amman, Jordan, Layth Al-Rubaye is a leading Middle Eastern violinist on the world music stage. Raised in a musical family, Al-Rubaye started playing the violin at the age of four and quickly began performing as a young soloist.
Award-winning jazz trombonist, composer, and former Berklee professor Hal Crook ’71 has been playing music for more than 60 years. He took up the piano at 5 years old, started composing original pieces at 8, and moved on to trombone at 12. He attended Berklee on a scholarship from DownBeat magazine and received a Bachelor of Music in arranging and composition.
Exposed to music early on through his legendary father and namesake, Latin Grammy-nominated Cuban tenor saxophonist Carlos Averhoff Jr. '11 is a contemporary Afro-Cuban jazz composer and educator described by All About Jazz as "a dynamic, fresh new voice on the saxophone," and now teaches woodwinds at Berklee's City Music Program.
Through her work at The Center for Teen Empowerment, Samantha Hale '06 conceptualized the intersection of the professional arts, music therapy, and social justice. In collaboration with fellow alumnus Matt MacArthur ’10, director of The Record Company, Hale conceived Boston’s only youth-run and adult-supported record label, B4 Records.