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Return to the Groove
The legendary Return to Forever rhythm section reunites for Black History Month.
By Andy Barrett '06
Berklee.edu Correspondent
March 22, 2006
A long line formed in the hallway outside of the David Friend Recital Hall last month as students and faculty alike gathered to witness a clinic featuring bassist Stanley Clarke and drummer Lenny White, the pair that provided the pulse to jazz-fusion supergroup Return to Forever. The event began with a 10-minute-plus improvisation, as Clarke and White fluidly changed keys and tempos quickly. The talented duo seemed as comfortable playing traditional jazz lines as they did chaotic modal riffs. When they finished jamming, Clarke and White fielded questions from the audience and spoke fondly about the origins of their friendship, which included stints playing with greats Herbie Hancock, Miles Davis, and Joe Henderson, before they both settled into Chick Corea's Return to Forever.
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Stanley Clarke and Lenny White take questions from the audience.
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Photo by Andy Barrett
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"I don't trust any other drummers like I trust Lenny," Clarke told the audience. "I don't mean that in a negative way, but I know that if I change styles, he'll change styles. If Lenny speeds up, I'll speed up. We're on the same wavelength like that."
When asked by one student about the importance of their African American heritage earlier in their careers as opposed to the present, Clarke told the audience that it's always important to recognize your background.
"Recognize your heritage whoever you are. If you're African American, Polish American, Jewish, Italian, it doesn't matter," Clarke said. "When you can express or incorporate your heritage into your music, that's a beautiful thing and that's what fusion brought to the table."
Other highlights of Black History Month at Berklee included a lecture by Terence Blanchard, and a performance of classical compositions by African American faculty composers Jonathan Holland, Julius Williams, and Bill Banfield, the college's newly appointed professor of Africana studies/music and society. One of the perennial favorites, the 15-member Bob Marley ensemble, also performed. Matt Jenson, assistant professor of piano and the ensemble's instructor, also presented slides of his recent trips to Jamaica and Ghana where he had the honor of meeting Marley's wife Rita and many others closely associated with the late reggae superstar.
Andy Barrett is an eighth-semester student from St. Louis, Missouri, majoring in music synthesis.
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