Composition
Donald McDonnell, Professor
DEPARTMENT : Composition Department"I tend to like to compose at the piano. The computer I use at the final stage for engraving, once I've made all the decisions. I encourage my students to do that, as well. Depending on the style of music that you do, the process is crucially important to producing a certain product. I know a lot of film music people who will compose at a MIDI keyboard and play right into the computer. But I think for the sort of music that I do, and that my students do , it actually doesn't work out that well. It can be quite limiting. Sometimes students will play something on the computer and it'll go by so quickly that it won't register on their ear—they can't hear the wrong notes."
Read More"These courses are really all about learning how to account for everything you write. I think it's important for students to take the strict rules we give them and refine their music in that way during class, so that when they approach the music they want to write outside of class, they're going to have just as much control over it. When I compose music, I don't think about all the rules I was taught in my classes, but with every single note I have some awareness of why I chose that particular pitch and that particular rhythm."
Read MoreApostolos Paraskevas, Professor
DEPARTMENT : Composition Department"Most of my courses are in composition: traditional tonal harmony, counterpoint techniques of Johann Sebastian Bach, and contemporary techniques for composers, including guitar composers. Many people think we're just theorists in the composition department, but I'm an active performer. So if I'm talking to students about Bach's style of writing music, I'll start playing Bach on the guitar. And their eyes open wide because some of them have never heard guitar that sounds like this."
Read More"I think a lot of times people think about theory as random rules on how notes have to go together. I'm trying to stress that nothing is random, that everything makes sense from point A to point Z, and that everything at point A is the same as everything at point Z, just on a smaller scale. If you look at one phrase of music, everything that happens in that phrase is similar to what happens over the course of the entire piece. And everything that goes into each chord within the phrase is related to the shape of the entire phrase. I think a lot of times, especially in theory classes, you just look at the details endlessly and you lose track of what the whole piece is about. I try to keep a balance as much as possible."
Read More"In Conducting 211 and 212, I aim to show students what it takes to prepare a score for performance and give an overview of what conducting is all about. A production engineering student, for example, gets to see what it takes to conduct an orchestra or an ensemble in a recording session. Somebody's first job might be teaching general music in high school, and as part of their obligation they have to conduct a musical. You just never know which way your career is going to go. So it is one more tool we give our students."
Read MoreYakov Gubanov, Professor
DEPARTMENT : Composition Department"Because Berklee is a very international institution, about one half of my directed studies students are international ones, and I'm always trying to encourage a student to maintain his national tradition. It's a big temptation when a student comes to the United States to try to develop this kind of international idiom which will sound American. I never push, but if you have this feeling of your own tradition, I suggest, just stay with your own tradition. In my opinion the 21st century will be the time when the national tradition of art will be restored. It seems to me the future of music is in the return of each individual to his or her national roots."
Read MoreLarry Bell, Associate Professor
DEPARTMENT : Composition Department"One of my teachers told me that you can always get more money, but you cannot always get more time, an idea that emphasizes the importance of time management, particularly for musicians. If 80 percent of life is showing up, the other 20 percent is being on time. It is no longer true that an artist is given much latitude because of his or her talent. The aspiring composer's capacity to deliver on deadline is part and parcel of that person's ambition to succeed."
Read MoreArmand Qualliotine, Professor
DEPARTMENT : Composition Department"Berklee is a really practical college. Most of the students come in and they know what they want, and so they're motivated to go after that particular field. It's a mission of the college to provide not just an abstract learning experience, but a practical learning experience as well. There is a success rate here. I've had students go to Tufts and Yale and all kinds of really high-end schools for graduate school. Or they graduate and they get a job in whatever field it is they're interested in."
Read MoreMarti Epstein, Professor
DEPARTMENT : Composition Department"To graduate, students have to have a portfolio of pieces and-very important-they have to have a certain number of these pieces performed. Because one of the aspects of a composer's training is, how do you get people to play your music? So we try to get them to start doing that right away."
Read MoreTibor Pusztai, Associate Professor
DEPARTMENT : Composition DepartmentWhen one teaches, one is not teaching subjects, but people. The things that I teachprimarily conducting and compositionare pretty esoteric and have to do very much with the development of self-confidence in the student. I bring the kids out of themselves, so that they can explore their own inner poetry. My task is to make my students understand that conducting, for instance, is the synthesis of all the various things that we study, such as history and harmony, and that the conductor is the galvanizer of all of this information when interpreting a score and seeing what the vision of a composer is. It's essential to teach this even if the student never conducts at all. For a business major, for instance, or a drummer, it might not be of great utility from a technical perspective, but from a conceptual perspective, certainly, it's very important."
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