Clinics and Master Classes

Aaron Goldberg Clinic

Wednesday / November 3, 2010 / 3:00 p.m.
Cafe 939
939 Boylston Street
Boston
MA
United States
02115
Aaron Goldberg

Aaron Goldberg is a pianist and composer performing at the vanguard of jazz music. His new album Home (April 2010, Sunnyside) and his last, Worlds, both exhibit the sensitivity and dynamism of Goldberg's longstanding trio featuring Reuben Rogers and Eric Harland.

In 2004 and 2008, Goldberg produced and performed in historic fundraising concerts for senator John Kerry and president Barack Obama. He is the co-arranger/composer (with John Ellis) of the Baby Loves Jazz series of books and albums, as well as the musical director of All Souls at Sundown, a jazz and poetry series in New York. He is also a member of the instrumental faculty at the New School for Jazz and Contemporary Music, and a clinician at conservatories and universities around the world.

Admission: 
Free

Master Class: Exploring your Stage Persona with Nona Hendryx

Friday / September 24, 2010 / 1:00 p.m.
Berk Recital Hall
1140 Boylston Street
Boston
MA
United States
02215

Vocalist, producer, songwriter, author, and actress Nona Hendryx will be on campus in September as part of the Faculty Development Visiting Artists Series and in conjunction with the BeanTown Jazz Festival. From her beginnings with Patti LaBelle and the Bluebelles; to LaBelle (a trio with Patti LaBelle and Sarah Dash); followed by a stunning solo career; and then an induction into the Rhythm & Blues Foundation's Hall of Fame in 1999, Hendryx has always been on the cutting edge of music. Her songs are edgy, provocative, political, and full of double entendres and empowering messages. Her music has ranged from soul, funk, dance, and rhythm and blues to hard rock, art rock, and world music.

Admission: 

Lewis Nash: Zildjian Artist-In-Residence Master Class

Wednesday / September 29, 2010 / 1:00 p.m.
Berklee Performance Center
136 Massachusetts Avenue
Boston
MA
United States
02115

Rhythm Is My Business is the title of his debut recording as a leader, and rhythm is a booming business as far as Lewis Nash is concerned. He is the drummer of choice for an incredible array of artists-from the masters of the music to the hottest young players of today-and is equally in demand as a clinician and educator.

Born in Phoenix, Arizona, Nash developed an early interest in music and began playing drums at age 10. By 18, he was performing with local jazz groups. By the time he was 21, Nash had become the "first call" jazz drummer in Phoenix, working with Sonny Stitt, Art Pepper, Red Garland, Lee Konitz, Barney Kessel, and Slide Hampton during their engagements in the city.

In 1981, Nash moved to New York City and joined the trio of the great jazz vocalist Betty Carter. For nearly four years, he toured internationally with Carter. He is featured on three of her recordings, including the Grammy-winning Look What I Got.

World-renowned bassist Ron Carter hired Nash in 1984. As a member of Carter's nonet, quintet, and quartet, Nash toured extensively and is featured on several of the bassist's recordings.

In the fall of 1986, saxophonist Branford Marsalis asked Nash to join his quartet. That active association spanned two years and several continents, and is documented on Marsalis' Grammy-nominated recording Random Abstract, as well as two videos: Royal Garden Blues (directed by Spike Lee) and Branford Marsalis: Steep.

1988 marked the return to the jazz scene of trombone master J.J. Johnson. Johnson frequently asked Nash to provide rhythm duties for his band. That same year, Nash joined the Don Pullen/George Adams quartet, succeeding the late Dannie Richmond. 1989 proved to be an even busier year for Nash, touring with legendary saxophonist Sonny Rollins. He also performed with Stan Getz, Art Farmer, Clark Terry, and Milt Jackson.

From 1990 to 2000, Nash was a member of the Tommy Flanagan Trio, and is featured on seven CD recordings with the late piano master. During this period, Nash also toured and recorded with both the Carnegie Hall Jazz Band and the Lincoln Center Jazz Orchestra. His impressive discography (over 300 recordings) includes projects with jazz legends Dizzy Gillespie, Oscar Peterson, Benny Carter, Hank Jones, and John Lewis, as well as new jazz stars Diana Krall, Joe Lovano, and Roy Hargrove. Demonstrating his stylistic diversity, Nash is also featured on recordings by Natalie Cole, Bette Midler, Nancy Wilson, Kenny Rankin, Melissa Manchester, and George Michael.

Currently, while he continues to perform and record with a wide variety of artists, Nash leads several of his own exciting groups, from duo to septet. Outside of his many touring and recording accomplishments, thanks to the sponsorship of Sonor drums, Zildjian cymbals, Remo drumheads, and Regal Tip drumsticks, Nash has become a sought after jazz educator. His lectures, clinics and workshops are as much in demand as his bandstand and studio work. Lewis Nash: Rhythm is indeed his business.

 

Admission: 

Lewis Nash: Zildjian Artist-In-Residence Clinic

Tuesday / September 28, 2010 / 11:00 a.m.
David Friend Recital Hall
921 Boylston Street
Boston
MA
United States
02115

Rhythm Is My Business is the title of his debut recording as a leader, and rhythm is a booming business as far as Lewis Nash is concerned. He is the drummer of choice for an incredible array of artists-from the masters of the music to the hottest young players of today-and is equally in demand as a clinician and educator.

Born in Phoenix, Arizona, Nash developed an early interest in music and began playing drums at age 10. By 18, he was performing with local jazz groups. By the time he was 21, Nash had become the "first call" jazz drummer in Phoenix, working with Sonny Stitt, Art Pepper, Red Garland, Lee Konitz, Barney Kessel, and Slide Hampton during their engagements in the city.

In 1981, Nash moved to New York City and joined the trio of the great jazz vocalist Betty Carter. For nearly four years, he toured internationally with Carter. He is featured on three of her recordings, including the Grammy-winning Look What I Got.

World-renowned bassist Ron Carter hired Nash in 1984. As a member of Carter's nonet, quintet, and quartet, Nash toured extensively and is featured on several of the bassist's recordings.

In the fall of 1986, saxophonist Branford Marsalis asked Nash to join his quartet. That active association spanned two years and several continents, and is documented on Marsalis' Grammy-nominated recording Random Abstract, as well as two videos: Royal Garden Blues (directed by Spike Lee) and Branford Marsalis: Steep.

1988 marked the return to the jazz scene of trombone master J.J. Johnson. Johnson frequently asked Nash to provide rhythm duties for his band. That same year, Nash joined the Don Pullen/George Adams quartet, succeeding the late Dannie Richmond. 1989 proved to be an even busier year for Nash, touring with legendary saxophonist Sonny Rollins. He also performed with Stan Getz, Art Farmer, Clark Terry, and Milt Jackson.

From 1990 to 2000, Nash was a member of the Tommy Flanagan Trio, and is featured on seven CD recordings with the late piano master. During this period, Nash also toured and recorded with both the Carnegie Hall Jazz Band and the Lincoln Center Jazz Orchestra. His impressive discography (over 300 recordings) includes projects with jazz legends Dizzy Gillespie, Oscar Peterson, Benny Carter, Hank Jones, and John Lewis, as well as new jazz stars Diana Krall, Joe Lovano, and Roy Hargrove. Demonstrating his stylistic diversity, Nash is also featured on recordings by Natalie Cole, Bette Midler, Nancy Wilson, Kenny Rankin, Melissa Manchester, and George Michael.

Currently, while he continues to perform and record with a wide variety of artists, Nash leads several of his own exciting groups, from duo to septet. Outside of his many touring and recording accomplishments, thanks to the sponsorship of Sonor drums, Zildjian cymbals, Remo drumheads, and Regal Tip drumsticks, Nash has become a sought after jazz educator. His lectures, clinics and workshops are as much in demand as his bandstand and studio work. Lewis Nash: Rhythm is indeed his business.

Admission: 

Lewis Nash: Zildjian Artist-in-Residence Clinic

Monday / September 27, 2010 / 2:00 p.m.
David Friend Recital Hall
921 Boylston Street
Boston
MA
United States
02115

Rhythm Is My Business is the title of his debut recording as a leader, and rhythm is a booming business as far as Lewis Nash is concerned. He is the drummer of choice for an incredible array of artists—from the masters of the music to the hottest young players of today—and is equally in demand as a clinician and educator.

Born in Phoenix, Arizona, Nash developed an early interest in music and began playing drums at age 10. By 18, he was performing with local jazz groups. By the time he was 21, Nash had become the "first call" jazz drummer in Phoenix, working with Sonny Stitt, Art Pepper, Red Garland, Lee Konitz, Barney Kessel, and Slide Hampton during their engagements in the city.

In 1981, Nash moved to New York City and joined the trio of the great jazz vocalist Betty Carter. For nearly four years, he toured internationally with Carter. He is featured on three of her recordings, including the Grammy-winning Look What I Got.

World-renowned bassist Ron Carter hired Nash in 1984. As a member of Carter's nonet, quintet, and quartet, Nash toured extensively and is featured on several of the bassist's recordings.

In the fall of 1986, saxophonist Branford Marsalis asked Nash to join his quartet. That active association spanned two years and several continents, and is documented on Marsalis' Grammy-nominated recording Random Abstract, as well as two videos: Royal Garden Blues (directed by Spike Lee) and Branford Marsalis: Steep.

1988 marked the return to the jazz scene of trombone master J.J. Johnson. Johnson frequently asked Nash to provide rhythm duties for his band. That same year, Nash joined the Don Pullen/George Adams quartet, succeeding the late Dannie Richmond. 1989 proved to be an even busier year for Nash, touring with legendary saxophonist Sonny Rollins. He also performed with Stan Getz, Art Farmer, Clark Terry, and Milt Jackson.

From 1990 to 2000, Nash was a member of the Tommy Flanagan Trio, and is featured on seven CD recordings with the late piano master. During this period, Nash also toured and recorded with both the Carnegie Hall Jazz Band and the Lincoln Center Jazz Orchestra. His impressive discography (over 300 recordings) includes projects with jazz legends Dizzy Gillespie, Oscar Peterson, Benny Carter, Hank Jones, and John Lewis, as well as new jazz stars Diana Krall, Joe Lovano, and Roy Hargrove. Demonstrating his stylistic diversity, Nash is also featured on recordings by Natalie Cole, Bette Midler, Nancy Wilson, Kenny Rankin, Melissa Manchester, and George Michael.

Currently, while he continues to perform and record with a wide variety of artists, Nash leads several of his own exciting groups, from duo to septet. Outside of his many touring and recording accomplishments, thanks to the sponsorship of Sonor drums, Zildjian cymbals, Remo drumheads, and Regal Tip drumsticks, Nash has become a sought after jazz educator. His lectures, clinics and workshops are as much in demand as his bandstand and studio work. Lewis Nash: Rhythm is indeed his business.

Admission: 

Vocal Percussion: Bob Stoloff

Sunday / June 27, 2010 / 5:00 p.m.
Berk Recital Hall
1140 Boylston Street
Boston
MA
United States
02215

A vocal percussion clinic with Bob Stoloff as part of Vocal Summit.

Admission: 

How to Audition: Gwen Leathers

Sunday / June 27, 2010 / 2:00 p.m.
Oliver Colvin Recital Hall
1140 Boylston Street
Boston
MA
United States
02215

A how to audition clinic with Gwen Leathers as part of Vocal Summit.

Admission: 

Self-Accompanist Skills for the Vocalist with Adriana Balic

Sunday / June 27, 2010 / 2:00 p.m.
Berk Recital Hall
1140 Boylston Street
Boston
MA
United States
02215

A self-accompanist skills for the vocalist clinic with Adriana Balic as part of Vocal Summit.

Admission: 

Vocal Techniques: Adriana Balic

Sunday / June 27, 2010 / 10:00 a.m.
Berk Recital Hall
1140 Boylston Street
Boston
MA
United States
02215

A vocal techniques clinic with Adriana Balic as part of Vocal Summit.

Admission: 

Scat Class: Bob Stolloff

Friday / June 25, 2010 / 4:00 p.m.
Oliver Colvin Recital Hall
1140 Boylston Street
Boston
MA
United States
02215

Scat class with Bob Stoloff as part of Vocal Summit.

Admission: 

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