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Woodwinds Department

For you, music is not a hobby; it is going to be your career.

Many of today's most successful woodwind players began their careers at Berklee—Richie Cole, Donald Harrison, Pat LaBarbera, Joe Lovano, Eric Marienthal, Donny McCaslin, Ralph Moore, Greg Osby, Bill Pierce, Ernie Watts.

They came to Berklee because of who we are: the world's largest independent music school and the premier institution for the study of today's music.

The Woodwind Department at Berklee offers the most comprehensive woodwind education you'll find anywhere. We provide individualized instruction in:

  • Bassoon
  • Clarinet
  • Flute
  • Oboe
  • Saxophone

...allowing you to choose any of these as your principal instrument. You can also choose to study multiple instruments as a woodwind prinicipal. We offer you professional faculty who specialize in each of these disciplines, course work specifically designed to enhance your abilities, and abundant playing opportunities.

We respect the classical traditions that you may have established in your studies. We also know how your instrument fits in today's music world, and we give it the respect it deserves. Woodwinds are versatile instruments that can be effective in any musical style. Studying at a college that offers you all those musical styles is the best way to turn your playing into a career.

Studying Woodwinds at Berklee

At Berklee, you will find your own voice and develop your own style. You won't be limited to one direction. We encourage you to experiment with other styles that interest you, so that you can challenge yourself and improve your skills.

Berklee prepares you for today's music by building on traditional aspects of learning. Woodwind Department instruction emphasizes a solid foundation in the standard technical challenges of professional performance. This includes the basics—breathing, embouchure, articulation—as well as theoretical studies involving scales, chords, arpeggios, and repertoire. In addition, advanced styles, improvisation, and interpretation are studied.

Private Lessons

In your first week at Berklee, you will be auditioned by the woodwind faculty and placed with an instructor best suited to your level of ability and your needs for private instruction. You will take at least four semesters of private lessons and must pass a final exam at the end of each semester on the skills you have learned. (Music Education and Professional Music majors will take six semesters; Performance majors will take eight semesters, with extra Recital Preparation lessons before their senior jury and recital.)

Instrumental Labs

These group lessons bring together woodwind players of similar skill levels and provide training in specific aspects of woodwind performance. Many of the teaching materials used in these labs are created by the very Berklee faculty who will be teaching you. In addition to required lab subjects such as sight-reading and section playing, the elective labs include:

  • (Classical) Clarinet Choir
  • Flute Choir
  • Jazz Flute Lab
  • Saxophone Quartet
  • Woodwind Doubling Labs (for flute, clarinet, saxophone, and MIDI wind controller)

Course Work

The courses at Berklee are continually reviewed and evaluated to be sure they consistently reflect today's musical needs. In classes such as Survey of Woodwind Styles, you will learn the history of your instrument and analyze its present-day challenges, and pursue an in-depth study of styles and techniques.

Ensembles

Through ensembles, you will hone essential performance skills and techniques. They will help you broaden your stylistic range, expand your network of musical friends and colleagues, and give you experience playing with a variety of groups.

Ensembles are offered in multiple sections with varying levels of ability. You choose the group and style that appeal to you. Your eligibility is determined by ongoing auditions that measure your growth as a performer. This system enables you to move into more advanced ensembles as you develop your skills.

More than 270 ensembles rehearse weekly at Berklee. The range of these ensembles reflects the full range of musical styles:

  • Advanced Woodwind Ensemble (woodwind quartet and quintet)
  • Art Blakey Ensemble
  • Avant-garde Ensemble
  • Berklee Recording Orchestra
  • Buddy Rich Ensemble
  • Cannonball Adderley Ensemble
  • Chord Scale Madness Ensemble
  • Commercial pop/rock recording ensembles
  • Contemporary Wind Ensemble (cutting-edge repertoire played with film, dancers, and more)
  • Count Basie Ensemble
  • 8– and 9–piece jazz ensembles
  • Flute Choir (classical)
  • Funk bands
  • Jazz Flute Ensemble
  • Jazz, funk, rock, and fusion ensembles
  • Latin ensembles
  • Saxophone quartets
  • Symphonic Orchestra
  • Trombone ensembles
  • Wayne Shorter Ensemble
  • Wind Ensemble
  • Woody Herman Ensemble

Visiting Artists

Through our Visiting Artist Series, you will receive valuable firsthand career insight from some of the finest performers, songwriters, film composers, music business experts, and music professionals from every sector of the industry. Visiting woodwind professionals have included Michael Brecker, Nick Brignola '66, Claude DeLangle, Buddy DeFranco, Bill Evans, Lee Konitz, Steve Lacy, Dave Liebman, Joe Lovano '72, Bob Mintzer, James Moody, Greg Osby '83, Sam Rivers, Chris Vadala, Jim Walker, Ernie Watts '66, and Phil Woods.

Woodwind Rooms

The Woodwind Department has more than 10 rehearsal rooms for private or small ensemble instruction. Audiotapes are used extensively for listening/analysis classes and for "play along" purposes. Woodwind Department performances and recitals are often videotaped for subsequent faculty and student analysis.

Woodwind Faculty

One-on-one faculty-student interaction is a crucial element of your Berklee education. As preparation for a career in the music industry, it is essential that you work intensively with men and women who have been living that career already. Berklee's woodwind faculty are innovative educators as well as experienced professional musicians. Their expertise in contemporary woodwind techniques and technology makes them invaluable teachers.

Berklee also boasts one of the largest woodwind faculties in the world. The diversity of styles and experience of our faculty means you will be exposed to the best education possible. You need not be restricted to one teacher throughout your education; you can work with any number of faculty during your time at Berklee, giving you the ultimate educational experience.

Chairs

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    Bill Pierce

    Title: Chair
    Department: Woodwinds

    "Playing with Art Blakey's and Tony Williams's bands, I really felt a part of a jazz lineage. And I was able to play with them long enough to be part of a living, growing organism. Over a period of time playing with the same people, the music morphs into something more than the composer may have intended. It develops into more than the sum of its parts. Because of that experience, I can convey to students the significance of a group concept, a band concept. Music is a source of communication between people, regardless of whether you want to be a star or not."

    "Playing with Art Blakey's and Tony Williams's bands, I really felt a part of a jazz lineage. And I was able to play with them long enough to be part of a living, growing organism. Over a period of time playing with the same people, the music morphs into something more than the composer may have intended. It develops into more than the sum of its parts. Because of that experience, I can convey to students the significance of a group concept, a band concept. Music is a source of communication between people, regardless of whether you want to be a star or not.

    "My teaching style is very informal. I teach the way I go about music now. When I was younger, I went about things differently. But my approach now is the sum of all the things I've learned. You've got to have fun and enjoy what you do, otherwise there's no point in doing it.

    "I really like seeing music being carried on. I really like seeing young people develop, achieve their dreams, and be a part of the history. Many of my students have made a name for themselves: Antonio Hart, Mark Gross, Javon Jackson, Walter Smith, Mark Turner, Miguel Zenon. But a lot of the former students who I consider to be really successful are just good people, good citizens. That's an important part of teaching.

    "My goal is to have the department reflect the ideals of the man who founded it, Joe Viola. He was a master teacher. Whatever you wanted to learn he could teach it to you. Beyond that, it's to prepare people to survive in the world of music as it exists today."

    • B.M., Berklee College of Music
    • Performances and recordings with Freddie Hubbard, Tony Williams, Art Farmer, James Williams, Hank Jones, Art Blakey, Branford Marsalis, and Wynton Marsalis
    • Featured saxophonist at major international jazz festivals

View all Woodwind Department faculty...

Berklee College of Music

Berklee was founded on two revolutionary ideas: that musicianship could be taught through the music of the time; and that our students need practical, professional skills for successful, sustainable music careers. While our bedrock philosophy has not changed, the music around us has and requires that we evolve with it.

For over half a century, we've demonstrated our commitment to this approach by wholeheartedly embracing change. We update our curriculum and technology to make them more relevant, and attract diverse students who reflect the multiplicity of influences in today's music. We prepare our students for a lifetime of professional and personal growth through the study of the arts, sciences, and humanities. And we are developing new initiatives to reach and influence an ever-widening audience.

More than a college, Berklee has become the world's singular learning lab for the music of today—and tomorrow. We are a microcosm of the music world, reflecting the interplay between music and culture; an environment where aspiring music professionals learn how to integrate new ideas, adapt to changing musical genres, and showcase their distinctive skills in an evolving community. We are at the center of a widening network of industry professionals who use their openness, virtuosity, and versatility to take music in surprising new directions.

Performance Facilities

The Berklee Performance Center, our largest facility, seats 1,220 and is constantly alive with student and faculty concerts sponsored by the college or professional performances sponsored by independent music producers. In addition, Berklee maintains four professional-quality recital halls for smaller concerts and gatherings. All in all, more than 650 performances take place each year at Berklee. As you progress musically, you are sure to be part of many of them.

Learning Resources

The Stan Getz Media Center and Library - offers an extensive collection of printed materials, audiotapes of Berklee performances and seminars, videotapes of concerts and clinics, and other instructional media for student use.

Career Development Center - providing career counseling, a job board listing hundreds of employment opportunities, an extensive career library, and Macintosh computers for student use, this office also houses the Berklee Career Network, which provides students and alumni with assistance in reaching their career goals.

Learning Center - equipped with 40 computer-based MIDI workstations, 15 cassette stations, four tutoring/ private study rooms, and a technology-based classroom, this is the largest networked music technology facility of its kind in the world.

Studio and Lab Facilities

Berklee offers a wide range of facilities specifically designed to help you realize your goal of becoming a professional musician. The technology at Berklee is that of the industry—the same equipment being used in studios and concert halls around the world.

Recording Studio Complex - consists of 12 studio facilities that include 8-, 16-, and 24-track digital and analog recording capability, automated mixdown, digital editing, video postproduction, and comprehensive signal processing facilities.

Synthesis Labs - feature more than 250 MIDI and digitally equipped synthesizers, expanders, drum machines, sequencers, and computers, including hard-disk recording.

Professional Performance Division MIDI Lab

This five-station lab is designed to support your study of new electronic instrumental controller techniques. Featuring Macintosh computers, various synthesizer modules, and the latest in guitar, bass, keyboard, percussion, and woodwind MIDI controllers, the lab enables you to learn to adapt traditional playing techniques to complex electronic setup and control environments.

Professional Writing Division MIDI Lab - offers the ability to produce high-quality demos of compositions, arrangements, and songs at individual workstations.

Film Scoring Labs - provide professional training in the areas of film music composition, editing, sequencing, and computer applications.

Coming to Berklee

Besides the regular activities and musical events that occur daily, once a year Berklee sets aside a time to showcase each instrumental department. Winds Day, sponsored by the Woodwind and Brass Departments, is filled with industry exhibits, equipment demonstrations, visiting artist clinics, and major concert events. This may be an excellent time for you to come and take a look at what Berklee and the Woodwind Department have to offer.

Summer Saxophone Weekend

In addition to Berklee's full-time program and other summer programs, we also feature the Summer Saxophone Weekend, held in June.

For Further Information

For further information about the Woodwind Department, please contact Chair Bill Pierce at (617) 747-2437 or e-mail him at bpierce@berklee.edu. You may also direct questions to faculty member and student advisor Paul Wagner, at (617) 747-8390 or pwagner@berklee.edu.

Complete application information can be found in the Berklee prospectus. Information is also available on the many scholarships available to outstanding student instrumentalists and vocalists. For a copy of the Berklee prospectus, or for further information about Berklee College of Music, please contact the Office of Admissions at (800) BERKLEE (toll-free within the United States and Canada), or (617) 747-2222.

    Write to us at:

      Office of Admissions
      Berklee College of Music
      1140 Boylston Street
      Boston, Massachusetts 02215-3693
      U.S.A.

    Visit Admissions at:

      921 Boylston Street, Suite 600
      Boston, Massachusetts

    E-mail us at: admissions@berklee.edu

Berklee College of Music does not discriminate on the basis of race, color, creed, religion, gender, national or ethnic origin, age, handicap, status as a disabled or Vietnam-era veteran, or sexual orientation in employment or in admission to and participation in any of its programs and activities. Any inquiries or grievances may be directed to the Vice President for Student Affairs/Dean of Students, Berklee College of Music, 1140 Boylston Street, Boston, Massachusetts 02215-3693, U.S.A., (617) 266-1400, or the Regional Director, Office of Civil Rights, U.S. Department of Education, Boston, Massachusetts.




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