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Harmony

"To show my students a practical use for this, I give the example of a singer I occasionally back up on piano at Sunday brunches. She's 50 years old, and at 9:00 a.m. her voice is a whole step lower than it will be an hour later. I have to play all of her tunes a whole step lower. If I didn't have the ability to think in representational terms, instead of literally, it would be very difficult to do."

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"Berklee is such a unique place. You get people from all over the world. And though we come from different backgrounds and different cultures, music is one language. There are different styles, but at heart it's the same. We separate the topics into harmony, ear training, arranging, private lessons, etc., but it's important to understand these are all just parts of the puzzle. It's about learning the rules, and once you do, you understand how you can then go out and break the rules."

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"I'm a strong believer in process; you learn by doing. So starting in the first few weeks of my arranging classes, students arrange something every week. I don't really think you can learn much about any art form without actually getting your hands dirty. I want my students to gain the ability to notate, transcribe what they hear, and put down on paper what's in their heads. I don't know if you can really develop an idea unless you have the the skills to articulate what you're hearing inside your head."

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"My teaching style is similar to the way I play my horn: pretty much by the seat of my pants. Just like I know what tune I'm playing, I know what lesson I'm talking about. But in the heat of battle, I have no idea how it's going to manifest itself, because a kid asks a question and the next thing you know (laughs), you're talking about music from The Three Stooges or something."

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