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Contemporary Writing and Production

"I get really fired up when I point out all the little magical things that different players in a band do, what makes a particular player's or arranger's contribution unique, and how that expresses something for the whole piece. It's important to really commit to learning everything that's going on inside that music and its context. You throw yourself into it, and when you come out, that's really when you learn. You can't just dip your toe in the water, you have to drink from the fire hose. Then you can decide how much you want to take away from the experience."

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"A lot of the music that I wrote at Berklee as student projects in the '80s ended up on my solo albums. Many times I have told my students that if you put a lot into your time at Berklee, you can get a lot out of it. It's a great place to begin working on your dreams."

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  • B.M., New England Conservatory of Music
  • Performances with Kai Winding, Buddy DeFranco, Anita O'Day, Red Garland, Phineas Newborn, Tal Farlow, Mel Torme, Diane Schuur, and Roy Haynes
  • Guest appearance with Phish
  • Author of The Music of Paul Chambers and Creating Bass Lines

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