Courses
Performance Ear Training for Guitar 2
Continuation of PFET-367.
Performance Ear Training for Percussion 1
Ear training with an emphasis on practical performance experience. Recognizing pitch, rhythm, harmony, and timbre by ear and responding on the student's instrument in class. Some dictation.
Performance Ear Training for Percussion 2
Continuation of PFET-370.
Performance Ear Training for Voice 1
Ear training with an emphasis on practical performance experience. Recognizing pitch, rhythm, harmony, and timbre by ear. Emphasis on sight-reading. Some dictation.
Performance Ear Training for Voice 2
Continuation of PFET-373.
Performance Ear Training for Bass 1
Ear training with an emphasis on practical performance experience. Recognizing pitch, rhythm, harmony, and timbre by ear and responding on the student's instrument.
Performance Ear Training for Bass 2
Continuation of PFET-376.
Advanced Rhythmic Techniques for Performers
A lab workshop specially designed to improve performers' understanding and mastery of different rhythmic concepts and their application on their instrument into various musical contexts.
Ensemble Ear Training for Performance
Being able to quickly learn music by ear and retain it, to accurately play or sing what you are hearing in your head, and to recognize and respond to what others play in real time are among the mos
Performance Ear Training for Woodwinds, Brass, Strings, and Vibes 1
Ear training with an emphasis on practical performance experience. Recognizing pitch, rhythm, harmony, and timbre by ear and responding on the student's instrument in class. Some dictation.
Performance Ear Training for Woodwinds, Brass, Strings, and Vibes 2
Continuation of PFET-361.
Performance Ear Training for Keyboards 1
Ear training with an emphasis on practical performance experience. Recognizing pitch, rhythm, harmony, and timbre by ear and responding on the student's instrument in class. Some dictation.
Performance Ear Training for Keyboards 2
Continuation of PFET-364.
Performance Ear Training for Guitar 1
Ear training with an emphasis on practical performance experience. Recognizing pitch, rhythm, harmony, and timbre by ear and responding on the student's instrument in class. Some dictation.
Harmonic Ear Training 1
This course will work within the limited scope of progressions including simple root position diatonic harmony, inversions, secondary and extended dominants, II-V patterns, and passing diminished c
Harmonic Ear Training 2
This course is a continuation of ET-331. Chord progressions will be more intermediate to complex in nature.
Rhythmic Ear Training
Touching on a variety of contemporary styles such as pop/R&B, jazz, fusion, Latin music, and classical genres as resources for weekly in-class analysis, transcription, and solfege exercises, th
Fundamentals of Transcription
A course designed to teach the student how to transcribe instrumental and vocal recorded material as found in jazz, pop, and rock. Techniques for transcribing melody, harmony, and bass lines.
Advanced Ear Training 1
Singing and aurally identifying intervals in tonal and nontonal situations. Intended to bridge the gap between relative pitch and hearing by interval alone.
Advanced Ear Training 2
Continuation of ET-411.