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Courses

Instrumental Rehearsal Techniques for Music Education Majors

MUEDFall, Spring, Summer

Detailed attention to typical instrumental repertoire with extensive analysis and application of rehearsal techniques as they apply to specific public school groups.

Advanced Conductor's Workshop with Live Keyboard Ensemble

COMPFall, Spring, Summer

A practical course for conductors and music directors in preparation, organization, rehearsal, and recording under studio conditions.

Conducting Small Ensembles

COMPFall

This course is designed to give students practical experience in conducting rehearsals of small instrumental groups.

Conducting for Film and TV Production

COMPFall, Spring, Summer

Rehearsing and recording to picture with live performers under studio conditions. Focus on preparation, efficiency, and accurate synchronization.

Advanced Rehearsal Techniques

COMPFall, Spring

An advanced course for conductors in the development of effective technical, musical, and psychological skills, including planning (choice of literature, aesthetic and practical considerations, all

Directed Study in Conducting

COMPFall, Spring, Summer

Supervised preparation and performance of an approved conducting project.

Careers in Conducting

COMPSpring

Presentation and discussion on the topics of what it takes to succeed as a professional conductor in the 21st century.

The Art of Counterpoint

COMPFall, Spring, Summer

This course will instruct students in the fundamental principles of free counterpoint (i.e., composition with melodic lines) with an emphasis on two-part writing.

Tonal Counterpoint 1

COMPFall, Spring, Summer

Free counterpoint within a functional tonal context. Emphasis on two-voice writing, binary, and melodic phrase forms.

Tonal Two-Part Canon and Invention

COMPFall, Spring, Summer

Continuation of CP-211. A thorough study of canon and two-part invention through analysis and composition within a functional tonal language.

Art of Counterpoint 2

COMPFall, Spring, Summer

A thorough study of the Two and Three-Part Inventions of J.S. Bach through analysis and composition within a functional tonal language.

Advanced Counterpoint

COMPFall, Spring, Summer

Analysis and writing of three- and four-voice imitative counterpoint based on traditional models. Models include fugue, chorale prelude, and passacaglia or chaconne.

20th-Century Counterpoint

COMPFall, Spring

The course is based on the examination of different realms of 20th-century counterpoint through the detailed analysis of contrapuntal styles and techniques of leading innovative composers such as R

Jazz Counterpoint 1

JCMPFall, Spring, Summer

Study of the process for creating multiline textures in a given melodic and/or harmonic situation. Voice-leading, melodic analysis and embellishment, rhythm, and form.

Jazz Counterpoint 2

JCMPFall, Spring, Summer

Continuation of CP-361. Emphasis on the role that counterpoint plays in jazz composition.

Hip-Hop Writing and Production

CWPFall, Spring

An introduction to writing and production techniques in hip-hop styles.

Survey of Pop/Rock Styles

CWPFall, Spring

A study of major pop and rock styles and the writers, producers, and artists who shaped the music, with a focus on the writers and artists inducted into the Rock and Roll Hall of Fame.

Groove Writing

CWPFall, Spring, Summer

Expanding on the material introduced in AR-111, this course focuses on creating and writing grooves for the rhythm section (guitar, keyboard, bass, percussion, and drums) and the ways in which diff

Music Preparation 2

CWPSpring

Building on the content of AR-203, this course provides in-depth study of the capabilities of the software program Finale.

Writing for Small Ensemble

CWPFall, Spring, Summer

Instruction in advanced small group writing concepts that encompasses sophisticated rhythm section scoring and groove writing, including writing for auxiliary percussion; an introduction to writing

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