Orchestration techniques for full symphony orchestra.
Monitored and evaluated professional work experience in an environment related to the composition major. Placement is limited to situations available from or approved by the Office of Experiential Learning and the Composition Department chair or designee. To apply for an internship, students must see the internship coordinator in the Office of Experiential Learning prior to registering. Note: Equivalent credit for prior experience is not available due to the requirement of concurrent contract between the employer/supervisor and the college. International students in F-1 status must obtain authorization on their Form I-20 from the Counseling and Advising Center prior to beginning an internship.
Individualized instruction in composing somewhat more extended forms, and for larger instrumental and vocal combinations, possibly including electronics, than in CM-398. Weekly attendance at Composition Seminar required.
Individualized instruction in composing extended forms, for medium to large instrumental and/or vocal ensembles, possibly including electronics. Weekly attendance at Composition Seminar.
Individualized instruction designed to guide students majoring in jazz composition in the preparation of their graduation projects.
Intermediate and advanced approach to guitar composition techniques. The course is designed for performers/composers and provides a comprehensive demonstration of the capabilities of the instrument and the most successful ways to compose for it through analysis, live performances, improvisation, and mostly elementary and advanced compositional techniques. Also covers performance techniques, extended compositional approaches (guitar and other instruments), resources and technologies of basic composition techniques, and mainly guitar music of the 20th century and beyond.
This course will cover the capabilities and notation for all percussion instruments typically found in a classical music environment (including instruments more often associated with other genres/regions). Various configurations of percussion will be covered in detail, from full sectionals to one player, and from single instruments to multi-instrument setups.
Introduction to compositional concepts from the late 20th century with emphasis on students writing original compositions.
This course will give interested students, particularly Composition majors, the opportunity to pursue individual interests in electro-acoustic composition, and further their skills and creative abilities with electronic music. The primary focus is on creating original electronic works that would be suitable for inclusion in a Composition Major portfolio, and provide tools for the student's further exploration and development. Students will acquire skills in timbral exploration, sound design, acousmatics, and the ability to conduct independent research and composition projects.
Techniques of conducting vocal and instrumental music. Fundamental beat patterns. Discussion and study of terminology, problems of tempo, phrasing, and articulation.
The course assumes basic beat pattern knowledge and covers three areas: (1) symphonic conducting with an instrumental soloist (concerto), (2) symphonic conducting with a vocal soloist (operatic aria), and (3) symphonic conducting of a major modern work involving complete meter changes. Works used include a romantic piano or violin concerto, an operatic excerpt, and a piece such as Petrouchka, The Rite of Spring, or Symphonies of Wind Instruments.