Courses

e.g. AR or AR-211
e.g. Film or "Bass Lab"

RPWD-311

1 credit(s)
Course Chair: Bill Pierce
Semesters Offered: Fall, Spring, Summer
Required of: Woodwind principal PERF majors
Electable by: Woodwind principal PERF majors
Prerequisites: PIWD-212, RPWD-212, and concurrent enrollment in both ILRE-375 and PIWD-311
Department Code: WWND

Taken in conjunction with ILRE-375. Includes preparation of repertoire for performances in the recital workshop.

RPWD-312

1 credit(s)
Course Chair: Bill Pierce
Semesters Offered: Fall, Spring, Summer
Required of: Woodwind principal PERF majors
Electable by: Woodwind principal PERF majors
Prerequisites: ILRE-375, PIWD-311, RPWD-311, and concurrent enrollment in PIWD-312
Department Code: WWND

Includes preparation of repertoire for a public performance as a leader.

RPWD-411

1 credit(s)
Course Chair: Bill Pierce
Semesters Offered: Fall, Spring, Summer
Required of: Woodwind principal PERF majors
Electable by: Woodwind principal PERF majors
Prerequisites: PIWD-312, RPWD-312, and concurrent enrollment in PIWD-411
Department Code: WWND

Includes preparation of repertoire for the jury, which must be presented successfully in order to schedule the senior recital.

RPWD-412

1 credit(s)
Course Chair: Bill Pierce
Semesters Offered: Fall, Spring, Summer
Required of: Woodwind principal PERF majors
Electable by: Woodwind principal PERF majors
Prerequisites: PIWD-411, RPWD-411, and concurrent enrollment in PIWD-412
Department Code: WWND

Includes preparation of repertoire for the senior recital, which is the final project for performance majors.

SW-111

1 credit(s)
Course Chair: Bonnie Hayes
Semesters Offered: Fall, Spring, Summer
Required of: None
Electable by: All
Prerequisites: None
Department Code: SONG

Designed to give an overview of the subject to the student contemplating a career as a songwriter or a career in music in which songwriting plays a major role. Topics include the importance of the song in the music industry, making a living as a songwriter, the relationship of words to music, song structure, and song demo production. This course should help some students decide whether songwriting is the right major for them and also help MB/M majors and MP&E majors understand how to listen critically to songs as well as help prepare them to be more knowledgeable in music publishing, A&R, and other song-related fields.

SW-151

2 credit(s)
Course Chair: Bonnie Hayes
Semesters Offered: Fall, Spring, Summer
Required of: SONG majors
Electable by: SONG majors
Prerequisites: MTEC-111
Department Code: SONG

A Pro Tools course for the DAW beginner with no extensive experience with MIDI (perhaps some use of Garage Band). Students will learn the basic principles needed to complete a Pro Tools project, from initial set up to final mixdown. The course will cover common situations such as recording live instruments, MIDI sequencing of software synthesizers, and audio looping, with lessons in configuring a session, creating and organizing, files and regions, importing files, setting up virtual instruments, creating fades, basic volume automation, etc. Note: Students are required to have a Pro Tools system installed on their laptops.

SW-161

2 credit(s)
Course Chair: Bonnie Hayes
Semesters Offered:
Required of:
Electable by:
Prerequisites:
Department Code: SONG

SW-211

2 credit(s)
Course Chair: Bonnie Hayes
Semesters Offered: Fall, Spring, Summer
Required of: SONG majors
Electable by: All
Prerequisites: HR-112
Department Code: SONG

Basic songwriting techniques. Students will develop a strong sense of form, melody, harmony, bass line development, and rhythm. Introduction to lyric considerations. Projects, in lead sheet format, will cover a variety of styles. Note: It is recommended that students take SW-221 in conjunction with this course.

SW-212

2 credit(s)
Course Chair: Bonnie Hayes
Semesters Offered: Fall, Spring, Summer
Required of: SONG majors
Electable by: All
Prerequisites: ISKB-211 or PIPN-112, SW-211, and SW-221
Department Code: SONG

Continuation of SW-211. Proper integration of lyrics and melody. Expansion of tonal materials used in songwriting including modulation and modality. Further study of form including the transitional bridge and the primary bridge. Student projects include setting lyrics in various styles and forms. Note: It is recommended that students take SW-222 in conjunction with this course.

SW-221

2 credit(s)
Course Chair: Bonnie Hayes
Semesters Offered: Fall, Spring, Summer
Required of: SONG majors
Electable by: All
Prerequisites: English competency and concurrent enrollment in SW-211 are highly recommended
Department Code: SONG

This course will focus on the structural aspects of lyric writing, especially the use of rhythm, rhyme, and form. Emphasis will be placed on compositional decisions and choices available to the lyricist. Weekly writing exercises from the workbook.

SW-222

2 credit(s)
Course Chair: Bonnie Hayes
Semesters Offered: Fall, Spring, Summer
Required of: SONG majors
Electable by: All
Prerequisites: SW-211 and SW-221
Department Code: SONG

Composition of lyrics using techniques gained in SW-221. Student projects will cover various uses of form, approaches to hooks, use of thesaurus and rhyming dictionary, writing to existing melody, collaboration with composers (lyrics first), and work sheets on form/function relationships.

SW-225

2 credit(s)
Course Chair: Bonnie Hayes
Semesters Offered: Fall, Spring
Required of: None
Electable by: All
Prerequisites: AR-111 and MTEC-111
Department Code: SONG

This course is designed to enrich the students understanding of composition as it pertains to hip-hop. Students will learn how to write effective hip-hop songs by studying the social and cultural background of hip-hop as well as studying the lyrical and compositional elements involved. Students will be asked to write hip-hop lyrics and music, learn how to conceive of lyrics for other artists and to produce a fully conceived hip-hop song.

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