Courses

e.g. AR or AR-211
e.g. Film or "Bass Lab"

The Music of Kenny "Babyface" Edmonds

PS-P265

2 credit(s)
Course Chair: Carl Riley
Semesters Offered: Fall Only
Required of: None
Electable by: All
Prerequisites: ET-112 and HR-112
Department: PERF

This course will engage students in the musical and lyrical analysis in the varied styles of Kenny "Babyface" Edmonds. Students will be required to write lead sheets of their analysis identifying characteristics of hit songs such as melody harmonic chord relationships rhythmic motifs and lyrical content. Select student compositions as well as music of the artist will be chosen to be performed each week in class. Some research and compositional writings that relate to the historical documentation of the artist as a singer/songwriter/producer as well as exposure to and knowledge of his vast catalog will be included as part of the required research.

Music Director Production Techniques

PS-P310

2 credit(s)
Course Chair: Carl Riley
Semesters Offered: Spring Only
Required of: None
Electable by: All
Prerequisites: Written approval of course instructor and chair
Department: PERF

This course will study all aspects of professional-level concert production. Classes are held in various formats: lectures, production meetings, music sequencing classes, and live performance rehearsals. This course provides a focused study of development and presentation of a thematic concert. It also addresses the roles of the stage manager, the musical director, and technology in contemporary concert production.

Fundamentals of Improvisation for Bass

PSBS-225

2 credit(s)
Course Chair: Steve Bailey
Semesters Offered: Fall, Spring
Required of: Bass principal PERF majors
Electable by: Bass principals
Prerequisites: Overall ensemble rating 3
Department: BASS

Application of scales, modes, arpeggios, and passing tones to improvisation on the bass. Study of repertoire and recordings is utilized to discuss and analyze major bass styles and performers.

Concepts for Jazz Bass Lines

PSBS-321

2 credit(s)
Course Chair: Steve Bailey
Semesters Offered: Fall, Spring, Summer
Required of: None
Electable by: Bass principals
Prerequisites: Overall ensemble rating 4, PIBS-211, or by audition
Department: BASS

A systematic approach to forming well-defined bass lines. The topics covered include writing bass lines, outlining chord sound and approach techniques, rhythmic effects, broken time-feels, and the use of pedals. Students are required to demonstrate various topics by performing their written bass lines over given chord progressions.

Electric Bass Performance Styles

PSBS-331

2 credit(s)
Course Chair: Steve Bailey
Semesters Offered: Fall, Spring
Required of: None
Electable by: Bass principals
Prerequisites: ET-211 or ET-231; and PIBS-211 (PERF majors) or PIBS-212 (other majors)
Department: BASS

A performance history of the electric bass from the 1950s to the present. This survey will include a detailed study of selected electric bass masters including Monk Montgomery, James Jamerson, Stanley Clarke, Marcus Miller, and Will Lee. Students will transcribe and analyze selected bass parts and present their findings.

Jazz Masters of the Bass

PSBS-341

2 credit(s)
Course Chair: Steve Bailey
Semesters Offered: Fall, Spring
Required of: PERF majors
Electable by: Bass principals
Prerequisites: ET-211 or ET-231, and bass private instruction level 4
Department: BASS

Students will transcribe and perform solos and lines of major bass players in jazz. Projects chosen to reflect many different styles found throughout the history of jazz. Emphasis on major innovators including Pops Foster, Walter Page, Slam Stewart, Jimmy Blanton, Charles Mingus, Oscar Pettiford, Paul Chambers, and Scott LaFaro.

Bass in the Free Improvisation Idiom

PSBS-375

2 credit(s)
Course Chair: Steve Bailey
Semesters Offered: Fall, Spring
Required of: None
Electable by: Bass principals
Prerequisites: Overall ensemble rating 4 or PIBS-212
Department: BASS

Development of a personal approach to improvisation through application of motivic development, harmolodic phrasing, and descriptive imagery through musical expression: dynamics, emotions, colors, shapes, and textures. Study of techniques found in the music of Ornette Coleman, Eric Dolphy, Lester Bowie, Charlie Haden, Cecil McBee, Sun Ra, Cecil Taylor, John Scofield, Dave Holland, and other improvisers.

Advanced Improvisation Techniques for Bass

PSBS-425

2 credit(s)
Course Chair: Steve Bailey
Semesters Offered: Fall, Spring
Required of: None
Electable by: Bass principals
Prerequisites: Overall ensemble rating 5
Department: BASS

Application of modern and traditional techniques of improvisation for bass. Creating melodic and harmonic concepts through the tools of scales, arpeggios, modal harmony, reharmonization, and rhythmic interpretation. Analysis and application of the principles of harmonic progression in improvisation.

Latin Jazz Masters

PSBS-P345

2 credit(s)
Course Chair: Steve Bailey
Semesters Offered: Fall, Spring
Required of: None
Electable by: All
Prerequisites: PIBS-112
Department: BASS

Chronological study of bass performance and styles in Latin America.

Improvisation for Guitar 1

PSGT-211

2 credit(s)
Course Chair: Larry Baione
Semesters Offered: Fall, Spring, Summer
Required of: None
Electable by: Guitar principals
Prerequisites: ILGT-119 or by audition
Department: GUIT

Application of modes and pentatonic scales in performance with prerecorded rhythm section tapes. Comping and melodic embellishment techniques in a variety of settings (Latin/rock, jazz/rock, fusion, bossa nova, and blues). Midterm and final exams: student performance of solo with accompanying comping or rhythm part.

Improvisation for Guitar 2

PSGT-212

2 credit(s)
Course Chair: Larry Baione
Semesters Offered: Fall, Spring
Required of: None
Electable by: Guitar principals
Prerequisites: PSGT-211 or by audition
Department: GUIT

Continuation of PSGT-211. Application of altered scales derived from melodic and harmonic minor in performance with prerecorded rhythm section tapes. Melodic embellishment and phrasing, comping, and rhythm techniques relevant to rock/flamenco, fusion, Latin/rock, samba, and jazz waltz. Midterm and final projects: student performance of solo with accompanying comping or rhythm part.

Guitar Performance Skills

PSGT-221

2 credit(s)
Course Chair: Larry Baione
Semesters Offered: Fall, Spring
Required of: None
Electable by: Guitar principals
Prerequisites: None
Department: GUIT

Analysis of contemporary guitar styles and effects. Lectures by professionals in various styles. Focus on jazz, rock, and country, as well as styles of specific artists. Emphasis on performance. Assigned student projects.

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