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Courses

Concert Music after 1945

COMPFall, Spring

A survey course offering an overview of musical trends that have dominated concert music since World War II, with emphasis on symphonic and chamber music.

General Music History 2

COMPFall, Spring, Summer

A survey of the major styles in Western and non-Western music from the early classical period to the present.

General Music History 1

COMPFall, Spring, Summer

A survey of the major styles in Western music from about A.D. 600 to the conclusion of the baroque period.

Japanese Music and Instruments

COMPFall

A study of Japan's musical history and life, including: music of Shinto and Buddhism; music of the court and theater (gagaku, nogaku, kabuki); music of Japan's instruments (biwa, shakuhac

History of Western Music 2

COMPFall, Spring, Summer

A survey of the major styles in Western music from the early classical period to the present.

History of Western Music 1

COMPFall, Spring, Summer

A survey of the major styles in Western music from about A.D. 600 to the conclusion of the baroque. This includes a summary of ancient music.

20th-Century Counterpoint

COMPFall, Spring

The course is based on the examination of different realms of 20th-century counterpoint through the detailed analysis of contrapuntal styles and techniques of leading innovative composers such as R

Advanced Counterpoint

COMPFall, Spring, Summer

Analysis and writing of three- and four-voice imitative counterpoint based on traditional models. Models include fugue, chorale prelude, and passacaglia or chaconne.

Art of Counterpoint 2

COMPFall, Spring, Summer

A thorough study of the Two and Three-Part Inventions of J.S. Bach through analysis and composition within a functional tonal language.

Tonal Two-Part Canon and Invention

COMPFall, Spring, Summer

Continuation of CP-211. A thorough study of canon and two-part invention through analysis and composition within a functional tonal language.

Tonal Counterpoint 1

COMPFall, Spring, Summer

Free counterpoint within a functional tonal context. Emphasis on two-voice writing, binary, and melodic phrase forms.

The Art of Counterpoint

COMPFall, Spring, Summer

This course will instruct students in the fundamental principles of free counterpoint (i.e., composition with melodic lines) with an emphasis on two-part writing.

Careers in Conducting

COMPSpring

Presentation and discussion on the topics of what it takes to succeed as a professional conductor in the 21st century.

Directed Study in Conducting

COMPFall, Spring, Summer

Supervised preparation and performance of an approved conducting project.

Advanced Rehearsal Techniques

COMPFall, Spring

An advanced course for conductors in the development of effective technical, musical, and psychological skills, including planning (choice of literature, aesthetic and practical considerations, all

Conducting for Film and TV Production

COMPFall, Spring, Summer

Rehearsing and recording to picture with live performers under studio conditions. Focus on preparation, efficiency, and accurate synchronization.

Conducting Small Ensembles

COMPFall

This course is designed to give students practical experience in conducting rehearsals of small instrumental groups.

Advanced Conductor's Workshop with Live Keyboard Ensemble

COMPFall, Spring, Summer

A practical course for conductors and music directors in preparation, organization, rehearsal, and recording under studio conditions.

Advanced Conducting Seminar With Live Orchestra

COMPFall, Spring

This course is designed for the student who wishes to further abilities in conducting. Emphasis is on rehearsal techniques and interpretation while working with a live orchestral ensemble.

Conducting 2 with Live Keyboard Ensemble

COMPFall, Spring

A conducting class class where students conduct other students playing MIDI keyboards that create the sounds of the instruments of an orchestral ensemble.

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