Courses

e.g. AR or AR-211
e.g. Film or "Bass Lab"

Introductory Spanish 2

LSPN-262

3 credit(s)
Course Chair: Darla Hanley
Semesters Offered: Fall, Spring, Summer
Required of: None
Electable by: All
Prerequisites: LSPN-161 or LSPN-P100
Department: LART

A continuation of LSPN-161, this course covers more advanced grammar, composition, and reading selections. Emphasis continues on pronunciation and conversational Spanish. Note: This course is not available for credit to students for whom this is a first language.

Intermediate Spanish 1

LSPN-363

3 credit(s)
Course Chair: Darla Hanley
Semesters Offered: Fall Only
Required of: None
Electable by: All
Prerequisites: LSPN-262
Department: LART

This course develops the language skills built in Spanish 1 and 2. Students learn Latin American and Spanish culture, including music and literature. Exploring a variety of texts and disciplines, and focusing on conversation, students deepen their language skills. Grammar lessons are embedded in reading and writing assignments.

Intermediate Spanish 2

LSPN-464

3 credit(s)
Course Chair: Darla Hanley
Semesters Offered: Spring Only
Required of: None
Electable by: All
Prerequisites: LSPN-363
Department: LART

Spanish 4 is a continuation of Spanish 3 as students develop advanced language skills through readings and analyses of literature and cinema. This course focuses on representations of Latin American and Spanish culture including music, poetry, and fiction. Students explore a variety of texts as a means of deepening language skills through an integrated curriculum. Grammar lessons will be embedded in reading and writing assignments.

Curso intensivo

LSPN-P100

3 credit(s)
Course Chair: Darla Hanley
Semesters Offered: Fall Only
Required of: None
Electable by: All
Prerequisites: None
Department: LART

Curso intensivo provides a crash course in Spanish language and culture. Students learn basic language skills including core verb tenses and moods, Spanish syntax, gender, prepositions, Spain-specific usage/pronunciation, and real world vocabulary. These core concepts enable students to navigate everyday life in a Spanish-speaking country. Students acquire listening and speaking skills to help them successfully communicate in-country with tasks involving music, travel, friendship, household management, shopping, and leisure. Students also learn basic written communication skills that enable them to connect with Spanish speakers online. Finally, students develop a solid understanding of Spanish culture and history. Note: This course is not available for credit to students for whom Spanish is their native language.

Cinema en español

LSPN-P300

3 credit(s)
Course Chair: Darla Hanley
Semesters Offered: Fall, Spring
Required of: None
Electable by: All
Prerequisites: LSPN-262
Department: LART

Cinema en español introduces students to the diverse offerings of film in Spanish. Students learn to examine the art form of film as well as the unique cultural and linguistic aspects of Spanish and Latin American cinema. Students will develop knowledge of cinematography, film scores, screenwriting, acting, direction, and production of films. Students will analyze these elements of filmmaking within the context of Latin American and Spanish artistic environments, considering how culture influences art. In addition, they will explore the political, socioeconomic, and moral questions raised in each film. Finally, students will develop oral and written language skills through writing analytical and descriptive essays in Spanish as well as participating in classroom discussions. Note: This course is not available for credit to students for whom Spanish is their native language.

Literatura iberoamericana

LSPN-P400

3 credit(s)
Course Chair: Darla Hanley
Semesters Offered: Spring Only
Required of: None
Electable by: All
Prerequisites: LSPN-363
Department: LART

Literatura iberoamericana introduces students to Latin American literature of the 20th and 21st centuries. Students examine two major literary genres: the novel and poetry. Students develop knowledge of the historical, linguistic and political movements that shaped the literary landscape of various Latin American countries. Students explore the influences of major writers on contemporary writers. Students learn the major elements of each genre. Students understand the interplay between political repression and artistic expression under dictatorships and civil war. Finally, students develop oral and written language skills through participation in class discussions and writing analytical essays in Spanish as well as writing and presenting a major author study. Note: This course is not available for credit to students for whom Spanish is their native language.

Business Communication

MB-287

2 credit(s)
Course Chair: Don Gorder
Semesters Offered: Fall, Spring
Required of: None
Electable by: All
Prerequisites: None
Department: MBUS

An in-depth study of the nature of human and electronic communication. Students write and edit a variety of business documents including cover letters, memos, reports, and proposals, among others, as well as practice extemporaneous speaking, presenting to a group, planning and running meetings, and supervising teams.

Business Leadership and Ethics

MB-301

2 credit(s)
Course Chair: Don Gorder
Semesters Offered: Fall, Spring, Summer
Required of: MBUS majors
Electable by: MBUS majors
Prerequisites: MB-201
Department: MBUS

The application of theories of organizational behavior and structure to managerial processes, and the overriding influence of ethics in decision making. Through case study analysis, students enhance their leadership abilities while developing skills in organizational efficiency, managerial effectiveness, adaptability, and values clarification.

Music in the International Marketplace

MB-305

2 credit(s)
Course Chair: Don Gorder
Semesters Offered: Fall Only
Required of: None
Electable by: MBUS majors
Prerequisites: MB-201, MB-211, and LSOC-225
Department: MBUS

Study of current issues affecting the international music marketplace with emphasis on understanding the international record business and international music publishing. Study of the major geographical areas where music is traded; discussion of music market activities in individual countries.

Principles of Marketing

MB-325

3 credit(s)
Course Chair: Don Gorder
Semesters Offered: Fall, Spring, Summer
Required of: MBUS majors
Electable by: MBUS majors
Prerequisites: MB-275, LMSC-251, and either MB-255 or MB-355
Department: MBUS

An introduction to integrated marketing principles and practices within corporate and agency environments covering branding strategy and positioning, the value proposition, market research, customer relationships, target markets, buying behavior, the promotional mix, and related metrics. Students create an integrated marketing communication plan that reflects a comprehensive understanding of competitive strategy based on research findings as well as translating business objectives into effective marketing strategies and plans.

Record Company Operations

MB-331

2 credit(s)
Course Chair: Don Gorder
Semesters Offered: Fall, Spring, Summer
Required of: MBUS majors in management track
Electable by: MBUS majors
Prerequisites: MB-201, MB-211, and LSOC-225
Department: MBUS

A critical analysis of the anatomy of domestic and international record companies, focusing on the role of each department within the structure. Students become intricately acquainted with such areas of activity as artists and repertoire (A&R), promotions, marketing, distribution, product management, and business affairs. Special attention is given to contractual relationships with artists and producers as well as domestic and international licensing of masters.

Music Publishing

MB-335

2 credit(s)
Course Chair: Don Gorder
Semesters Offered: Fall, Spring, Summer
Required of: MBUS majors in management track
Electable by: MBUS majors
Prerequisites: MB-201, MB-211, and LSOC-225
Department: MBUS

A detailed analysis of the inner workings of music publishing companies, with emphasis on the role of the publisher in the acquisition, market development, and administration of copyrighted musical compositions. Topics include copyright registration and renewal, contractual relationships with composers, and an analysis of domestic and international licensing of the publisher's catalog through recordings, motion pictures, print, and performance rights. Relationships with foreign affiliates and subpublishers are also covered.

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