Just like a raise-it-to-the-rafters gospel song, the audience’s refrain of “Wow! These kids can sing” was repeated often during the August 1 appearance of the Berklee Gospel and Roots Choir at the Newport Folk Festival.
Over the past 50 or 60 years, guitar styles have changed through the influences of each new generation. And yet the basics of guitar playing—in particular, rhythm guitar parts—continue to underpin the current trends of picking, strumming, and the use of effects.
This summer featured a flurry of activity among members of Berklee’s L.A. community. Elik Alvarez ’00 won the Goldspirit award in the Best Documentary Score category at the International Film Music Festival in Córdoba, Spain, where he served...
By 2025, what should Berklee become? The world around us is changing faster than ever; and over the past 10 years, music and the music industry have experienced truly disruptive change. What will it be like 10 years from now?
One of the best ways to introduce music students to the Berklee teaching methodology is to bring the classroom to them. This was the concept envisioned by Gary Burton and Larry Monroe in the Berklee on the Road education series, which is offered in various locations.
Miguel Kertsman ’86 is on the phone from his native Recife, Brazil. It’s mid September, and he is at the tail end of a vacation that reunited him with family members, but he also managed to squeeze some business into the trip.
Tim Sublette of Smithfield, MO, has released “Don’t Know,” a single from his forthcoming album of originals. Also featured on the track are Chris Sublette ’10, two-time Grammy winner Joe Sublett, and Jamie Sublette.
Guitarist Kevin Kastning of Groton, MA, and saxophonist Carl Clements ’87 released the album Nowhere, Now Here on Greydisc Records. Kastning also released Dark Sonatas with fellow guitarist Mark Wingfield. Visit www.kevinkastning.com.